Collection: Prints and Drawings / Height [cm]: 37 - YCBA Collections Search Search Results

1. Seated Nude

Creator:: Vanessa Bell, 1879–1961
Date:: ca. 1924
Materials & Techniques:: Graphite on thin, smooth, white wove paper
Dimensions:: Sheet: 14 3/8 × 10 inches (36.5 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

2. Ploughing the Hillside

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1905
Materials & Techniques:: Black chalk on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Ploughing Team

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1905 or 1906
Materials & Techniques:: Charcoal on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Sussex Farm Wagon

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1906
Materials & Techniques:: Crayon and watercolor on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 7/16 × 18 5/16 inches (36.7 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A Sussex Barn

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:: Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

6. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Tygers at Play

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: Etching, possibly finished with a graver, second state
Dimensions:: Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tiger Skeleton, Lateral View (Probably the master study of the skeleton)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of two platemarks
Dimensions:: Sheet: 14 1/2 x 19 7/8 inches (36.8 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Tiger Body, Lateral View (Outline drawing for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 1/8 inches (36.8 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Owl Standing, Anterior View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 9 7/8 inches (36.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Southwark Fair

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

13. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Baffled Devils Fighting (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Frontispiece. Albion's Angel (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "What time the thirteen Governors that England sent convene..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "Appear to the Americans upon the cloudy night..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Title Page. America, A Prophecy (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "Silent as despairing love, and strong as jealousy..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Rev. John Caspar Lavater

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 × 11 9/16 inches (36.5 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Rome from Monte Pincio

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/4 x 16 1/2in. (24.8 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

34. The Dead Sea, 16 and 17 April 1858

Creator:: Edward Lear, 1812–1888
Date:: April 16 and 17, 1858
Materials & Techniques:: Pen and brown ink with watercolor over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888
Date:: 1841
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 15/16 x 15 15/16in. (25.2 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

36. Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888
Date:: 1841
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/8 x 16 15/16in. (23.8 x 43cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

37. Cervara

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/4 x 14 15/16in. (24.8 x 37.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

38. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray and brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 1/4 inches (36.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

39. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash and gray ink over graphite on medium moderately textured cream laid paper
Dimensions:: Sheet: 14 3/8 x 21 1/2 inches (36.5 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

40. Pamela

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9 1/8 inches (37.1 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

41. The Two Friends

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 11 1/2 inches (36.5 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

42. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1760
Materials & Techniques:: Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Benjamin West, Esq., President of the Royal Academy of London

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818
Materials & Techniques:: Etching, stipple engraving and line engraving on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of James B. Richardson, Jr., B.A. 1957

44. The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1760
Materials & Techniques:: Line engraving and etching with hand colored ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Headfort House, Ireland: Section of One End of the Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black ink with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Bridge of Sighs, Venice

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 1/4 inches (37.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Gentleman, full length, Holding a Paper and Pencil

Creator:: Samuel De Wilde, 1748–1832
Date:: 1795
Materials & Techniques:: Watercolor, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 9 inches (37.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Memorial of Mrs. Elizabeth Searles from Acton Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Memorial of Mrs. Mary Skippon from Acton Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 7/8 inches (37.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Brass Plate of a Woman from Layton Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Memorial to Baldwin Harvey, also to Ralph and Alice Palmer from Chelsea Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Memorial to Lady Katherine, Viscountess Conway

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Memorial to Samuel and Hannah Towers and Five of their Children

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and line engraving with chine collé; finished state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Interior of the Belfry, Bushey Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Craigmillar Castle

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 11 5/8 inches (37.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Memorial to James from Paddington Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 7/8 inches (37.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Brass Plate of a Kneeling Man

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Alys Thornton from Greenford Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Memorial to Samuel Buckley and Burrage and Elizabeth Angier

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 7/8 inches (36.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Memorial to Francis Musters

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Memorial of Ricardi Dewell, Elizabeth Dikenson and Johnathon Rogers from the Acton Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Memorial to John Crayle his wife, Sarah and his two Daughters, Mary and Sarah from Acton Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Memorial to Sir John Laurence

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Memorial to Mr. Thomas Lant also to Mr. Robert Harington from Hornsey Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 7/8 inches (36.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Brass Plate for John Skevington from Hornsey Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Tynemouth Pier - Lighting the Lamps at Sundown

Creator:: Alfred William Hunt, 1830–1896
Date:: 1868
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 21 1/4 inches (37.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Nîmes from the Tour Magne

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:: Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Rochester

Creator:: William Marlow, 1740–1813
Date:: 1780
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 5/8 × 20 1/4 inches (37.1 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

72. A View at Terracina

Creator:: Jacob More, 1740–1793
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash boader
Dimensions:: Mount: 16 x 21 1/2 inches (40.6 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Landscape with Horses, Farmer and Dog

Creator:: George Morland, 1763–1804
Date:: 1794
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 15 3/8 x 18 5/16 inches (39.1 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Thomas Weston as Spy in Bates "The Rival Candidates"

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 4 3/8 inches (15.9 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A View of the Chapel and Hall of Oriel College, &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1807
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Part of Balliol College Quadrangle

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 18 3/8 inches (36.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Entrance to Hieron of Temple of Shietla

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, gray wash, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 21 1/8 inches (36.8 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Boscastle, Cornwall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814-1826
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 19 1/8 inches (36.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Prince of Wales Island, Penang

Creator:: Ensign Caldwell, c.1800
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 22 7/8 inches (36.5 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Cobham Hall, Kent: Section of a Hallway with Four Doors

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink, gray wash and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 19 1/4 inches (36.8 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Cobham Hall, Kent: Section of the Anteroom

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 19 3/4 inches (36.8 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Cobham Hall, Kent: Alternate Designs for Ceiling Decoration

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 20 1/4 inches (36.5 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Herstmonceux Castle for the history and description of the Sussex Coast

Creator:: Charles John Smith, 1803–1838
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 5/8 × 11 inches (37.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Columbus and his Son

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 9 1/16 inches (36.8 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A Tempest – Voyage of Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 9 3/16 inches (37 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Cortes and Pizarro

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Portrait of a Man

Creator:: Joseph Wright of Derby, 1734–1797
Date:: ca. 1768
Materials & Techniques:: Black chalk, white chalk and brown chalk on medium, slightly textured, white laid paper
Dimensions:: Sheet: 14 1/2 x 11 1/4 inches (36.8 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 20 3/4 inches (36.8 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Quadrifrontal Arch Tripoli

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 19 1/4 inches (36.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added

Creator:: Attributed to James Bruce, 1730–1794
Date:: 1769–73
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 1/2 inches (36.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Unidentified Ungulate

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite; verso: gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 21 1/2 inches (36.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Unidentified Temple Faustana (?)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Crook of the Lune, Looking towards Hornby Castle

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1821
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 20 15/16 inches (37.1 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Winchester Cross

Creator:: Print made by Joseph Powell, 1780–1834
Date:: 1800
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, smooth, cream laid paper
Dimensions:: Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Bolton Abbey

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (1) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Alexander Pope

Creator:: John Faber the Younger, ca. 1695–1756
Date:: ca. 1744
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper, pasted on very thick, smooth, brown card
Dimensions:: Mount: 16 7/8 x 12 5/16 inches (42.8 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Florence & Maynard Mack

98. Headfort House, Ireland: Elevation of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black ink with gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 9/16 x 25 9/16 inches (37 x 65 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Exhibition of the Royal Academy, 1787

Creator:: Print made by Pietro Antonio Martini, 1738–1797
Date:: 1787
Materials & Techniques:: Engraving and etching on medium, slightly textured, cream paper
Dimensions:: Sheet: 14 1/2 × 20 9/16 inches (36.9 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1803
Materials & Techniques:: Etching
Dimensions:: Sheet: 14 1/2 x 19 7/8in. (36.8 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

Height [cm] 37

Search Results

1. Seated Nude

2. Ploughing the Hillside

3. The Ploughing Team

4. Sussex Farm Wagon

5. A Sussex Barn

6. The Herdsman's Cottage

7. Tygers at Play

8. Tiger Skeleton, Lateral View (Probably the master study of the skeleton)

9. Tiger Body, Lateral View (Outline drawing for a key figure)

10. Owl Standing, Anterior View

11. Hogarth Painting the Comic Muse

12. Southwark Fair

13. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

14. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

15. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

16. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

17. The Baffled Devils Fighting (Plate 3)

18. Frontispiece. Albion's Angel (Plate 1)

19. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

20. "What time the thirteen Governors that England sent convene..." (Plate 15)

21. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

22. "Appear to the Americans upon the cloudy night..." (Plate 6)

23. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

24. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

25. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

26. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

27. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

28. Title Page. America, A Prophecy (Plate 2)

29. "Silent as despairing love, and strong as jealousy..." (Plate 4)

30. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

31. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

32. Rev. John Caspar Lavater

33. Rome from Monte Pincio

34. The Dead Sea, 16 and 17 April 1858

35. Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841

36. Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

37. Cervara

38. Howard Visiting a Prison

39. Howard Visiting a Prison

40. Pamela

41. The Two Friends

42. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

43. Benjamin West, Esq., President of the Royal Academy of London

44. The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,....

45. Headfort House, Ireland: Section of One End of the Parlor

46. The Bridge of Sighs, Venice

47. A Gentleman, full length, Holding a Paper and Pencil

48. Memorial of Mrs. Elizabeth Searles from Acton Church

49. Memorial of Mrs. Mary Skippon from Acton Church

50. Brass Plate of a Woman from Layton Church

51. Memorial to Baldwin Harvey, also to Ralph and Alice Palmer from Chelsea Church

52. Memorial to Lady Katherine, Viscountess Conway

53. Memorial to Samuel and Hannah Towers and Five of their Children

54. Aldborough

55. Interior of the Belfry, Bushey Church

56. Craigmillar Castle

57. Memorial to James from Paddington Church

58. Brass Plate of a Kneeling Man

59. Alys Thornton from Greenford Church

60. Memorial to Samuel Buckley and Burrage and Elizabeth Angier

61. Memorial to Francis Musters

62. Memorial of Ricardi Dewell, Elizabeth Dikenson and Johnathon Rogers from the Acton Church

63. Memorial to John Crayle his wife, Sarah and his two Daughters, Mary and Sarah from Acton Church

64. Memorial to Sir John Laurence

65. Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church

66. Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes

67. Memorial to Mr. Thomas Lant also to Mr. Robert Harington from Hornsey Church

68. Brass Plate for John Skevington from Hornsey Church

69. Tynemouth Pier - Lighting the Lamps at Sundown

70. Nîmes from the Tour Magne

71. Rochester

72. A View at Terracina

73. Landscape with Horses, Farmer and Dog

74. Thomas Weston as Spy in Bates "The Rival Candidates"