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Collection Prints and Drawings

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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
John R. Skeaping One of Burch's
John R. Skeaping, 1901–1980
One of Burch's
1974
Samuel Palmer Study of a Pilgrim
attributed to Samuel Palmer, 1805–1881
Study of a Pilgrim
undated
John Constable Male Nude
John Constable, 1776–1837
Male Nude
1808
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
Edward Lear Egpytian Man on Camel
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
William Blake The Purple Year awaking from the Roots of Nature (Design 3)
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
William Blake A Widower and Children (Design 35)
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake The Author Writing (Design 105)
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake The Mourner at the Tomb (Design 103)
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
William Blake Chapter 4 Frontispiece (Plate 76)
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Classical Male Nude
George Romney, 1734–1802
Classical Male Nude
undated
George Romney Lord Salisbury, Standing by a Pillar
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Duke of Dorset (So-called)
George Romney, 1734–1802
Duke of Dorset (So-called)
undated
George Romney Ladies in Waiting
George Romney, 1734–1802
Ladies in Waiting
undated
Capt. Francis Grose Nun Mill, Northamptonshire
Capt. Francis Grose, 1731–1791
Nun Mill, Northamptonshire
1762
Adelaide Claxton Sentiment
Adelaide Claxton, 1858–1905
Sentiment
undated
Keith Vaughan Je Dus Voyager
Keith Vaughan, 1912–1977
Je Dus Voyager
1949
Keith Vaughan Faim, Soif, Cris, Danse, Danse, Danse
Keith Vaughan, 1912–1977
Faim, Soif, Cris, Danse, Danse, Danse
1949
James Miller Figure Study of a Lady
James Miller, active 1773–1814
Figure Study of a Lady
undated
unknown artist Views in the Levant: Study of Man with Long-stemmed Pipe
unknown artist
Views in the Levant: Study of Man with Long-stemmed Pipe
ca. 1785
unknown artist Views in the Levant: Man on Horseback Approaching Gateway to a Town
unknown artist
Views in the Levant: Man on Horseback Approaching Gateway to a Town
ca. 1785
François Louis Thomas Francia Landscape with Cottages
Print made by François Louis Thomas Francia, 1772–1839
Landscape with Cottages
undated
Robert Barnes Boy Sketching a Man with Two Girls Watching
Print made by Robert Barnes, 1840–1895
Boy Sketching a Man with Two Girls Watching
undated
John Linnell The Messengers Tell Job of the Misfortunes that Have Befallen Him
circle of John Linnell, 1792–1882
The Messengers Tell Job of the Misfortunes that Have Befallen Him
undated
Bernard Lens III Portrait of a Young Man
Attributed to Bernard Lens III, 1682–1740
Portrait of a Young Man
undated
Henry Edridge James Nasmyth
Henry Edridge, 1769–1821
James Nasmyth
1809
unknown artist Sam Adams
unknown artist
Sam Adams
ca. 1790
John Varley Ludlow, Shropshire
John Varley, 1778–1842
Ludlow, Shropshire
undated
Charles Wilson Peale Portrait of a Gentleman
Charles Wilson Peale, 1741–1827
Portrait of a Gentleman
ca. 1785
Edward Burne-Jones Salvator Mundi
Edward Burne-Jones, 1833–1898
Salvator Mundi
1882
George Augustus Sala St. Chawchobbs
George Augustus Sala, 1828–1895
St. Chawchobbs
undated
George Augustus Sala Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
George Augustus Sala, 1828–1895
Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
undated
James Sowerby Elephant with Rider
James Sowerby, 1756–1822
Elephant with Rider
undated
Paul Sandby A Good-bye
Paul Sandby, 1731–1809
A Good-bye
undated
George Augustus Sala Be it ever so Humble, There's no place like Home
George Augustus Sala, 1828–1895
Be it ever so Humble, There's no place like Home
undated
George Augustus Sala Englishman in Inca Costume
George Augustus Sala, 1828–1895
Englishman in Inca Costume
undated
George Augustus Sala The Mother's Portrait
George Augustus Sala, 1828–1895
The Mother's Portrait
undated
John Burr Drifting
John Burr, 1831–1893
Drifting
1885
Edward Francis Burney The Boatman
Edward Francis Burney, 1760–1848
The Boatman
undated
Sir Joshua Reynolds Man and Two Women
Sir Joshua Reynolds, 1723–1792
Man and Two Women
undated
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Ambrose Poynter Sketches from Life in Paris: Man with Hanks of Rope
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Man with Hanks of Rope
ca. 1835
Henry Morton Old Buildings at Hastings
Henry Morton, ca. 1807–1825
Old Buildings at Hastings
after 1819
Henry Morton Windmill on the Sea Coast Near Hastings
Henry Morton, ca. 1807–1825
Windmill on the Sea Coast Near Hastings
undated
Richard Gibson Portrait of a Gentleman
Richard Gibson, 1615–1690
Portrait of a Gentleman
undated
unknown artist Man in Egyptian Dress
unknown artist
Man in Egyptian Dress
undated
Ambrose Poynter Sketches from Life in Paris: Man in Blue Trousers
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Man in Blue Trousers
ca. 1835
Henry Morton St. Thomas' Church, Winchelsea
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
Ozias Humphry Portrait of a Gentleman
Ozias Humphry, 1742–1810
Portrait of a Gentleman
undated
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817