Tiger Skeleton, Lateral View (Probably the master study of the skeleton)
1795 to 1806
9
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline drawing for a key figure)
1795 to 1806
10
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
11
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
12
William Hogarth, 1697–1764
Southwark Fair
1733
13
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
14
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
15
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
16
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
17
Print made by William Blake, 1757–1827
The Baffled Devils Fighting (Plate 3)
1827
18
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
19
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
20
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
21
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
22
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
23
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
24
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
25
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
26
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
27
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
28
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
29
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
30
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
31
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
32
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
33
Edward Lear, 1812–1888
Rome from Monte Pincio
1832
34
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
35
Edward Lear, 1812–1888
Campagna of Rome from Villa Mattei, from Views in Rome and its Environs, 1841
1841
36
Edward Lear, 1812–1888
Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841
1841
37
Edward Lear, 1812–1888
Cervara
1832
38
George Romney, 1734–1802
Howard Visiting a Prison
undated
39
George Romney, 1734–1802
Howard Visiting a Prison
undated
40
George Romney, 1734–1802
Pamela
undated
41
George Romney, 1734–1802
The Two Friends
undated
42
Print made by Peter P. Benazech, 1767–1794
The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
ca. 1760
43
Print made by Charles Heath, 1785–1848
Benjamin West, Esq., President of the Royal Academy of London
1818
44
Print made by Peter P. Benazech, 1767–1794
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...
ca. 1760
45
Robert Adam, 1728–1792
Headfort House, Ireland: Section of One End of the Parlor
1771
46
Samuel Prout, 1783–1852
The Bridge of Sighs, Venice
undated
47
Samuel De Wilde, 1748–1832
A Gentleman, full length, Holding a Paper and Pencil
1795
48
Attributed to Daniel Lysons, 1762–1834
Memorial of Mrs. Elizabeth Searles from Acton Church
between 1796 and 1811
49
Attributed to Daniel Lysons, 1762–1834
Memorial of Mrs. Mary Skippon from Acton Church
between 1796 and 1811
50
Attributed to Daniel Lysons, 1762–1834
Brass Plate of a Woman from Layton Church
between 1796 and 1811
51
Attributed to Daniel Lysons, 1762–1834
Memorial to Baldwin Harvey, also to Ralph and Alice Palmer from Chelsea Church
between 1796 and 1811
52
Attributed to Daniel Lysons, 1762–1834
Memorial to Lady Katherine, Viscountess Conway
between 1796 and 1811
53
Attributed to Daniel Lysons, 1762–1834
Memorial to Samuel and Hannah Towers and Five of their Children
between 1796 and 1811
54
Print made by James C. Allen, active 1821–1831
Aldborough
ca. 1830
55
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
56
Print made by William Miller, 1796–1882
Craigmillar Castle
1836
57
Attributed to Daniel Lysons, 1762–1834
Memorial to James from Paddington Church
between 1796 and 1811
58
Attributed to Daniel Lysons, 1762–1834
Brass Plate of a Kneeling Man
between 1796 and 1811
59
Attributed to Daniel Lysons, 1762–1834
Alys Thornton from Greenford Church
between 1796 and 1811
60
Attributed to Daniel Lysons, 1762–1834
Memorial to Samuel Buckley and Burrage and Elizabeth Angier
between 1796 and 1811
61
Attributed to Daniel Lysons, 1762–1834
Memorial to Francis Musters
between 1796 and 1811
62
Attributed to Daniel Lysons, 1762–1834
Memorial of Ricardi Dewell, Elizabeth Dikenson and Johnathon Rogers from the Acton Church
between 1796 and 1811
63
Attributed to Daniel Lysons, 1762–1834
Memorial to John Crayle his wife, Sarah and his two Daughters, Mary and Sarah from Acton Church
between 1796 and 1811
64
Attributed to Daniel Lysons, 1762–1834
Memorial to Sir John Laurence
between 1796 and 1811
65
Daniel Lysons, 1762–1834
Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church
between 1796 and 1811
66
Attributed to Daniel Lysons, 1762–1834
Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes
between 1796 and 1811
67
Attributed to Daniel Lysons, 1762–1834
Memorial to Mr. Thomas Lant also to Mr. Robert Harington from Hornsey Church
between 1796 and 1811
68
Attributed to Daniel Lysons, 1762–1834
Brass Plate for John Skevington from Hornsey Church
between 1796 and 1811
69
Alfred William Hunt, 1830–1896
Tynemouth Pier - Lighting the Lamps at Sundown
1868
70
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
71
William Marlow, 1740–1813
Rochester
1780
72
Jacob More, 1740–1793
A View at Terracina
1778
73
George Morland, 1763–1804
Landscape with Horses, Farmer and Dog
1794
74
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
75
Print made by James Basire II, 1769–1822
A View of the Chapel and Hall of Oriel College, &c
1807
76
Print made by James S. Storer, 1771–1853
Part of Balliol College Quadrangle
1809
77
James Bruce, 1730–1794
Entrance to Hieron of Temple of Shietla
undated
78
Print made by Edward Goodall, 1795–1870
Boscastle, Cornwall
1814-1826
79
Ensign Caldwell, c.1800
Prince of Wales Island, Penang
undated
80
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway with Four Doors
ca. 1790
81
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Anteroom
ca. 1790
82
James Wyatt, 1746–1813
Cobham Hall, Kent: Alternate Designs for Ceiling Decoration
ca. 1790
83
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
84
Print made by Edward Goodall, 1795–1870
Columbus and his Son
1834
85
Print made by Edward Goodall, 1795–1870
A Tempest – Voyage of Columbus
1834
86
Print made by Edward Goodall, 1795–1870
Cortes and Pizarro
1834
87
Joseph Wright of Derby, 1734–1797
Portrait of a Man
ca. 1768
88
James Bruce, 1730–1794
Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga
undated
89
James Bruce, 1730–1794
Quadrifrontal Arch Tripoli
undated
90
Attributed to James Bruce, 1730–1794
Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added
1769–73
91
James Bruce, 1730–1794
Unidentified Ungulate
undated
92
James Bruce, 1730–1794
Unidentified Temple Faustana (?)
undated
93
Print made by John Wykeham Archer, 1808–1864
Crook of the Lune, Looking towards Hornby Castle
1821
94
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
95
Print made by William Bernard Cooke, 1778–1855
The Mew Stone at the Entrance of Plymouth Sound
1815
96
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
97
John Faber the Younger, ca. 1695–1756
Alexander Pope
ca. 1744
98
Robert Adam, 1728–1792
Headfort House, Ireland: Elevation of the Eating Parlor
1771
99
Print made by Pietro Antonio Martini, 1738–1797
The Exhibition of the Royal Academy, 1787
1787
100
Print made by Caroline Watson, 1760–1814
Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber