Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
11
William Hogarth, 1697–1764
A Rake's Progress, Plate VIII: In Bedlam
1735
12
William Hogarth, 1697–1764
The Distrest Poet
1740
13
William Hogarth, 1697–1764
A Rake's Progress, Plate V: He Marries
1735
14
William Hogarth, 1697–1764
A Rake's Progress, Plate I: He Takes Possession
1735
15
William Hogarth, 1697–1764
A Rake's Progress, Plate II: His Levee
1735
16
William Hogarth, 1697–1764
A Rake's Progress, Plate VI: He Gambles
1735
17
William Hogarth, 1697–1764
The Bench
1758
18
William Hogarth, 1697–1764
Pit Ticket
1759
19
William Hogarth, 1697–1764
John Wilkes, Esq
1763
20
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
21
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
22
Print made by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
23
Etched by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
On view
24
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
25
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
1813 to 1823
26
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
1820 to 1826
27
Joseph Mallord William Turner, 1775–1851
Newark-upon-Trent
ca. 1794
On view
28
Joseph Mallord William Turner, 1775–1851
Barnard Castle, Durham
ca. 1825
On view
29
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
between 1820 and 1826
30
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
31
Edward Lear, 1812–1888
Parham, Sept. 30, 1834
1834
32
Edward Lear, 1812–1888
Valmontone, from Views in Rome and its Environs, 1841
1841
33
Edward Lear, 1812–1888
Ballianeh
1867
34
Edward Lear, 1812–1888
Leonessa, 3 October 1844
1844
35
Edward Lear, 1812–1888
Corfu
ca. 1856
36
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
37
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
38
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
39
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
40
Print made by William Blake, 1757–1827
The Book of Thel, Title Page (Plate 2)
1789
41
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
42
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
43
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
44
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
45
George Romney, 1734–1802
King Lear Awakened by Cordelia
ca. 1770
46
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
47
George Romney, 1734–1802
Figures Mourning at the Bier of a Woman
1773-1774
48
George Romney, 1734–1802
Two Putti
1770s
49
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
50
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
51
unknown artist
Study of a Woman
ca. 1850
52
James Hakewill, 1778–1843
Haughton Court, Hanover, Jamaica
between 1820 and 1821
53
unknown artist
Deepdene, South West Front Elevation
1841
54
Richard Westall, 1765–1836
A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
undated
55
Robert Price, 1717–1761
A Bridge in a Landscape
undated
56
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
57
Sir George Howland Beaumont seventh Baronet, 1753–1827
Vatican from the road to Ponte Mola
1783
58
Sir George Howland Beaumont seventh Baronet, 1753–1827
Larici
1782
59
Sir George Howland Beaumont seventh Baronet, 1753–1827
Hermitage Near Albano
1782
60
Rev. William Henry Barnard, 1767–1818
A Rocky Crag
undated
61
Robert Trewick Bone, 1790–1840
Hypatia Teaching at Alexandria
undated
62
Edward Francis Burney, 1760–1848
The Triumph of Music
ca. 1815
63
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
64
Samuel Owen, 1768–1857
Margate Harbor
ca. 1806
65
Alexander Monro, 1802–1844
Classical Landscape
undated
66
Edward Penny, 1714–1791
The Generosity of Johnny Permain
undated
67
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
68
Philippe-Jacques de Loutherbourg, 1740–1812
Corps de Garde (Barbarians Defeated by a Book)
undated
69
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
70
unknown artist
Design for a Greenhouse at Kew Gardens
undated
71
Benjamin West, 1738–1820
Road Scene in Windsor Forest
undated
72
John Roe of Warwick, active 1771–1812
Conway Castle, a View of the Interior
undated
73
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
74
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
75
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
76
Giles Hussey, 1710–1788
Study of classical sculpture or reclining figure
between 1730 and 1768
77
unknown artist
Deepdene, South West Front and North West Front Elevations
1841
78
unknown artist
Deepdene, Ground Floor
1841
79
unknown artist
Bedgebury: North West Front - Elevation
1841
80
Giles Hussey, 1710–1788
Study of classical scultpure of Laocoon
between 1730 and 1768
81
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
82
Roger Morris, 1695–1749
Whitton House, Middlesex: Ground Floor Plan
between 1732 and 1739
83
Roger Morris, 1695–1749
Whitton House, Middlesex: Elevation of the Court Front
between 1732 and 1739
84
Roger Morris, 1695–1749
Whitton Place, Middlesex: Elevation of the Garden Front
between 1732 and 1739
85
Roger Morris, 1695–1749
Whitton House, Middlesex: Elevation of the East Front
between 1732 and 1739
86
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
87
William Taverner, 1703–1772
Landscape, Trees and a Distant View of Rome
undated
88
unknown artist
Study of a Woman in a Wide-Brimmed Hat
undated
89
James Bruce, 1730–1794
Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec
undated
90
James Bruce, 1730–1794
Arch of Trajan Mactar Modern Makther set in Landscape
ca. 1768
91
James Bruce, 1730–1794
Aquaduct at Cherchel
ca. 1768
92
James Bruce, 1730–1794
Sketch of Arches in Perspective
ca. 1768
93
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
94
James Bruce, 1730–1794
Ionic Temple Ptolmeta
ca. 1769
95
James Bruce, 1730–1794
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruit, dissected fruits, and leaves