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Collection
Prints and Drawings
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60
Creator
Blake, William, 1757–1827
39
Gray, Thomas, 1716–1771
25
Edwards, Richard, active 1796–1797
14
Young, Edward, 1683–1765
14
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Walker, James, 1748–1808
7
Cotman, John Sell, 1782–1842
2
Daniell, Samuel, 1775–1811
2
Colnaghi,, established 1760, active ca. 1785–1911
1
Dance, George, 1741–1825
1
Gardiner, William Nelson, 1766–1814
1
Gaugain, Thomas, 1748–1812
1
Gillray, James, 1756–1815
1
Girtin, Thomas, 1775–1802
1
Harding, Edward, 1755–1840
1
Harding, Sylvester, 1745–1809
1
Howlett, Bartholomew, 1767–1827
1
Humphrey, Hannah, ca. 1745–1818
1
Rowlandson, Thomas, 1756–1827
1
Schnebbelie, Robert Bremmel, active 1803–1849
1
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Date
1795
90
1808
63
1797
[remove]
60
2004
52
1800
47
1772
46
1745
43
1739
42
1717
41
1960
39
1789
36
1765
29
1738
27
1780
25
1790
24
1799
24
1771
22
1762
21
1770
21
1782
21
1804
21
1807
20
1825
20
1719
19
1792
19
1820
19
1828
19
1754
18
1755
18
1801
18
1805
18
1841
18
1850
18
1810
17
0
16
1775
16
1779
16
1812
16
1830
16
1893
16
1675
15
1760
15
1793
15
1794
15
1630
14
1773
14
1784
14
1791
14
1809
14
1740
13
1750
12
1776
12
1787
12
1796
12
1815
12
1821
12
1618
11
1756
11
1783
11
1798
11
1802
11
1813
11
1817
11
1769
10
1777
10
1818
10
1834
10
1965
10
1785
9
1811
9
1836
9
1873
9
1700
8
1753
8
1757
8
1778
8
1786
8
1788
8
1803
8
1819
8
1822
8
1826
8
1827
8
1875
8
1674
7
1680
7
1746
7
1748
7
1749
7
1763
7
1764
7
1768
7
1781
7
1806
7
1814
7
1823
7
1829
7
1867
7
1667
6
1729
6
On-site Access
Accessible in the Study Room
60
Image Use
Free to Use
60
Image Available
Available
60
Classification
Drawings & Watercolors
33
Prints
27
Creator Gender
male
60
female
1
unknown
1
Collective Title
The Poems of Thomas Gray
25
Young's Night Thoughts
14
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
7
Cries of London
1
Howlett's 'Selection of Views in the County of Lincoln,' 1797-1801
1
The Copper-Plate Magazine and The Itinerant
1
The Spoiled Child
1
Period
18th century
53
19th century
5
18th century-19th century
2
Materials & Techniques
wove paper
46
watercolor
45
graphite
33
black ink
28
line engraving
23
etching (printing process)
18
gray wash
3
stipple engraving
3
gouache
2
laid paper
2
pen
2
aquatint
1
brown wash
1
card
1
color printing
1
colored ink
1
gray ink
1
gum
1
hand coloring
1
ink
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
45
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
49
Work Type
watercolor
46
drawing
33
intaglio print
27
relief print
14
Genre
literary theme
39
religious and mythological subject
18
architectural subject
7
landscape
7
cityscape
4
genre subject
3
marine art
3
portrait
3
figure study
2
historical subject
2
animal art
1
Subject Terms
man
[remove]
60
literary theme
39
text
37
religious and mythological subject
31
men
26
women
17
woman
16
trees
15
clouds
12
river
10
water
9
beard
8
horse (animal)
8
leaf
8
tree
8
angel
7
landscape
7
nude
7
nudes
7
sky
7
more
Subject Terms
»
Associated Places
United Kingdom
13
England
9
Europe
3
Greater London
3
London
3
Wales
3
Africa
2
Cymru
2
Hampton Court
2
Hereford and Worcester
2
Herefordshire
2
Leominster
2
Lugg
2
Thames
2
Westminster
2
Westminster bridge
2
Caernarfonshire and Merionethshire
1
Cambridgeshire
1
Carlisle
1
Carlisle Cathedral
1
more
Associated Places
»
Associated People
Fox, Charles James (1749–1806), politician
1
Kemble, Stephen (1758–1822), actor and entertainer
1
Medina, Sir John Baptiste de (1659–1710), painter
1
Shakespeare, William (1564–1616), playwright and poet
1
angel
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
5
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
2
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
2
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
2
Captive Bodies: British Prisons, 1750-1900 (Yale Center for British Art, 2018-08-27 - 2018-12-17)
1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Thomas Rowlandson (Art Services Int'l) (The Baltimore Museum of Art, 1990-06-23 - 1990-08-05)
1
Thomas Rowlandson (Art Services Int'l) (The Frick Art Museum, 1990-04-21 - 1990-06-03)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
57
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey
1
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1
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
2
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
3
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
4
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
5
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
6
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
7
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
8
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
9
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
10
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
11
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
12
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
13
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
14
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
15
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
16
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
17
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
18
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
19
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
20
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
21
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
22
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
23
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
24
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
25
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
26
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
27
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
28
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
29
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
30
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
31
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
32
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
33
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
34
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
35
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
36
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
37
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
38
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
39
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
40
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
41
Print made by John Walker, active 1792–1803
Flint, from Park-Gate
1797
42
Print made by James Walker, 1748–1808
Carlisle
1797
43
Print made by James Walker, 1748–1808
Elgin Cathedral, Morayshire
1797
44
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
45
Print made by James Walker, 1748–1808
Ely
1797
46
Print made by James Walker, 1748–1808
Westminster Bridge
1797
47
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
48
Print made by William Nelson Gardiner, 1766–1814
Mr. Kemble, of the Theatre Royal, Drury Lane
1797
49
Print made by James Walker, 1748–1808
Westminster Bridge
1797
50
Print made by James Walker, 1748–1808
Hampton Court Palace, Herefordshire
1797
51
James Gillray, 1756–1815
Le Coup de Maitre
1797
52
Edward Harding, 1755–1840
Sir John Medina
1797
53
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
54
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
55
Thomas Rowlandson, 1756–1827
Entrance to Festiniog, Wales
1797
56
John Sell Cotman, 1782–1842
Mountainous Landscape, North Wales
ca. 1802
57
Samuel Daniell, 1775–1811
Tswana Man Holding and Ostrich Feather Fan in a Landscape
ca. 1802
58
Samuel Daniell, 1775–1811
Head of a Khosa Chief
ca. 1802
59
George Dance, 1741–1825
A Dandy Quizzing a Mule's Head seen over a Stable Door
after 1797
60
John Sell Cotman, 1782–1842
Portrait of a Scholar
ca. 1802