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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsDate 1793
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1
- Flowers in a Pitcher
- undated
2
- Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
- 1793
3
- Christ Church Gate, Canterbury
- 1793 to 1794
4
- Windsor
- ca. 1798
5
- Figure Composition Study 48
- 1793
6
- Figure Composition Study 4
- 1793
7
- Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
- 1793
8
- Devils for the Temptation of Christ
- 1793
9
- Title Page, For Children. The Gates of Paradise (Plate 2)
- 1793
10
- Water (Plate 4)
- 1793
11
- The Traveller Hasteth in the Evening (Plate 16)
- 1793
12
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
13
- Frontispiece. Albion's Angel (Plate 1)
- 1793
14
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
15
- "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
- 1793
16
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
17
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
18
- "What time the thirteen Governors that England sent convene..." (Plate 15)
- 1793
19
- "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
- 1793
20
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
21
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
22
- A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
- 1793
23
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
24
- What is Man!, Frontispiece (Plate 1)
- 1793
25
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
26
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
27
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
28
- I Found Him Beneath a Tree (Plate 3)
- 1793
29
- Fire (Plate 7)
- 1793
30
- Help! Help! (Plate 12)
- 1793
31
- Alas! (Plate 9)
- 1793
32
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
33
- Frontispiece (Plate 1)
- 1793
34
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
35
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
36
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
37
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
38
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
39
- Title Page. America, A Prophecy (Plate 2)
- 1793
40
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
41
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
42
- Air (Plate 6)
- 1793
43
- Earth (Plate 5)
- 1793
44
- My Son! My Son! (Plate 10)
- 1793
45
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
46
- I Want! I Want! (Plate 11)
- 1793
47
- Aged Ignorance (Plate 13)
- 1793
48
- Does Thy God O Priest Take such Vengeance as This? (Plate 14)
- 1793
49
- Fear & Hope Are -- Vision (Plate 15)
- 1793
50
- Death's Door (Plate 17)
- 1793
51
- Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
- 1793
52
- Europe. A Prophecy
- 1793, printed 1795
53
- For Children. The Gates of Paradise, London, by William Blake
- 1793
54
- Fable XII. Pan and Fortune
- 1793
55
- Fable XVI. The Ravens, the Sexton, and the Earth-Worm
- 1793
56
- Fable VI. The Miser and Plutus
- 1793
57
- Fable XIII. The Tame Stag
- 1793
58
- Fable XVI. The Pin and the Needle
- 1793
59
- Fable XXIV. The Butterfly and the Snail
- 1793
60
- Fable XXVIII. The Persian, the Sun, and the Cloud
- 1793
61
- Fable I. The Dog and the Fox
- 1793
62
- Introduction to the Fables, The Shepherd and the Philosopher
- 1793
63
- Fable XXII. The Goat Without a Beard
- 1793
64
- Fable XXX. The Setting-dog and the Partridge
- 1793
65
- Fable XLI. The Owl and the Farmer
- 1793
66
- A Village Street
- undated
67
- London from the Thames
- undated
68
- The Fisherman
- undated
69
- River Landscape with Figures
- undated
70
- Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
- undated
71
- River Landscape
- undated
72
- Bamburgh Castle, Northumberland
- undated
73
- Merida, Spain
- undated
74
- A Romantic Landscape
- undated
75
- Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
- ca. 1798
76
- Boat Sailing to the Right with Mountains in the Background
- undated
77
- Norwich
- undated
78
- Two Donkeys in a Landscape
- undated
79
- Gateway of an Old Fort, Benares
- 1793 or 179(8)
80
- Millbank
- undated
81
- Mother and Infant
- ca. 1798
82
- Farm House with a Well
- undated
83
- Tintern Abbey
- undated
84
- Romatic Landscape with a Castle and a Tree on the Right
- undated
85
- Landscape Composition, Dolbadern
- undated
86
- Romantic Landscape with Cliffs and a Castle
- undated
87
- Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
- undated
88
- Sand Pits, Hunsdon
- undated
89
- Romantic Composition
- undated
90
- View on the Thames at Battersea
- undated
91
- Linlithgow Palace
- undated
92
- Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
- 1793
93
- Dismounted Cavalry
- undated
94
- View of New Street, near London Bridge
- undated
95
- View of York
- undated
96
- View of a Rock-Carved Temple, Ellora
- 1793 or 1795
97
- Outside View of Biskurma ka Joompree (Vishvakarma)
- 1793
98
- Inside View of Indur Subba
- between 1793 and 1795
99
- Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
- 1793
100
- Two Men on a Country Road
- 1793