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Collection
Prints and Drawings
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53
Creator
Blake, William, 1757–1827
27
Edwards, Richard, active 1796–1797
27
Young, Edward, 1683–1765
27
Ellis, William, 1747–1810
4
Johnson, Joseph, 1738–1809
4
Witton, P. H. Jr., Active 1792
4
Alexander, William, 1767–1816
3
Earlom, Richard, 1743–1822
2
Girtin, Thomas, 1775–1802
2
Sayer, Robert, 1725–1794
2
Wright, John Massey, 1777–1866
2
Zoffany, Johann, 1733–1810
2
Bell, John, 1745–1831
1
Boydell, John, 1720–1804
1
Breda, Carl Frederick van, 1759–1818
1
Farington, Joseph, 1747–1821
1
Fittler, James, 1758–1835
1
Flaxman, John, 1755–1826
1
Glover, John, 1767–1849
1
Howitt, Samuel, 1756–1822
1
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1800
127
1772
107
1797
85
1804
72
1794
69
1792
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1793
49
1789
39
1807
37
1825
37
1818
33
1850
33
1745
32
1771
31
1798
28
1780
27
1821
27
1749
26
1770
25
1799
25
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24
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23
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23
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23
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10
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9
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9
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9
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9
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9
1840
9
1863
9
1912
9
1923
9
2004
9
1753
8
1754
8
1759
8
1786
8
On-site Access
Accessible by appointment in the Study Room
53
Image Use
Free to Use
53
Image Available
Available
53
Classification
Prints
37
Drawings & Watercolors
16
Creator Gender
male
53
Collective Title
Young's Night Thoughts
27
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
4
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
4
A Midsummer Night's Dream
1
British Theatre
1
The Merry Wives of Windsor
1
The Winter's Tale
1
Views in the Province of Kiang Nan, China
1
Period
18th century
51
18th century-19th century
2
Materials & Techniques
wove paper
44
watercolor
39
etching (printing process)
33
line engraving
28
graphite
13
laid paper
11
black ink
6
brown ink
6
pen
4
aquatint
3
mezzotint
3
black chalk
1
brown wash
1
colored ink
1
gray ink
1
hand coloring
1
letterpress printing
1
red chalk
1
red ink
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
10
to
61
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
73
Work Type
watercolor
40
intaglio print
36
drawing
35
relief print
1
Genre
literary theme
31
genre subject
13
landscape
11
architectural subject
7
figure study
4
sporting art
3
cityscape
2
historical subject
2
marine art
2
portrait
1
religious and mythological subject
1
Subject Terms
men
[remove]
53
literary theme
31
women
28
text
26
nudes
11
genre subject
10
landscape
10
trees
10
children
9
hats
8
architectural subject
7
angels
6
clouds
6
costume
6
gowns
6
book
4
chairs
4
figure study
4
garden
4
grass
4
more
Subject Terms
»
Associated Places
United Kingdom
9
England
8
Asia
5
Europe
5
Birmingham
4
China
3
Devon
2
India
2
Lucknow
2
Showell Green
2
Uttar Pradesh
2
Amsterdam
1
Baskerville House
1
Berkshire
1
Boeotia
1
Centenary Square
1
Cymru
1
Eton
1
Exeter
1
Greece
1
more
Associated Places
»
Associated People
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Shakespeare, William (1564–1616), playwright and poet
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Anne Page (character in The Merry Wives of Windsor)
1
Apollo
1
Carl Bernhard Wadström (1746–1799), abolitionist
1
Diana
1
Fenton (character in The Merry Wives of Windsor)
1
Herne the Hunter
1
Messr. Ford (character in The Merry Wives of Windsor)
1
Messr. Page (character in The Merry Wives of Windsor)
1
Mistress Ford (character in The Merry Wives of Windsor)
1
Mistress Page (character in The Merry Wives of Windsor)
1
Mistress Quickly (character in The Merry Wives of Windsor)
1
Niobe
1
Panah, Peter, son of the king of Cape Mesurado (in present-day Liberia)
1
Pistol (character in The Merry Wives of Windsor)
1
Sir Hugh Evans (character in The Merry Wives of Windsor)
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
29
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
2
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14)
1
John Glover and the Colonial Picturesque (Art Gallery of South Australia, 2004-02-19 - 2004-04-12)
1
John Glover and the Colonial Picturesque (National Gallery of Australia, 2004-04-24 - 2004-07-18)
1
John Glover and the Colonial Picturesque (National Gallery of Victoria, 2004-08-13 - 2004-10-03)
1
John Glover and the Colonial Picturesque (Tasmanian Museum and Art Gallery, 2003-12-05 - 2004-02-01)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
The Black Figure in the European Imaginary (Cornell Fine Arts Museum, 2017-01-20 - 2017-05-15)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
49
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
1
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1
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
2
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
3
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
4
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
5
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
6
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
7
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
8
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
9
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
10
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
11
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
12
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
13
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
14
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
15
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
16
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
17
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
18
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
19
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
20
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
21
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
22
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
23
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
24
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
25
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
26
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
27
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
28
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
29
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
30
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
31
John Glover, 1767–1849
River with Fishermen
1792
32
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
33
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
34
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
35
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
36
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
37
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
38
Samuel Howitt, 1756–1822
Racing Scene
1792
39
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
40
George Walker, active 1792–died 1795
Man Toasting Another Man . .
undated
41
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
42
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
43
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
44
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
45
Figures engraved by William Sharp, 1749–1824
Niobe
1792
46
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
47
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
48
William Alexander, 1767–1816
Natives of Cochin Playing Shuttlecock in China
1792 to 1794
49
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
50
William Alexander, 1767–1816
Mourning at a Tomb
between 1792 and 1794
51
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792
52
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
53
John Warwick Smith, 1749–1831
The Northern Boundary of St. Bride's Bay
1792