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Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Date 1792

Remove constraint Date: 1792

Period 18th century

Remove constraint Period: 18th century

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Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
William Blake Night the First. On Life, Death, and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
1792-1793
Rev. William Henry Barnard The River at Dusk, Oxford
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
Rev. William Henry Barnard The Coal Wharf, Oxford
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
Joseph Constantine Stadler The Farm House
Joseph Constantine Stadler, active 1780–1812
The Farm House
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
George Walker Scotsman with Sword; Modern Dress of a Highland Chieftan
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
unknown artist A South View of Scarborough
unknown artist
A South View of Scarborough
ca. 1797
unknown artist The Sun Setting
unknown artist
The Sun Setting
1792
Francis Jukes View of the Forth, Including the Queen's Ferry
Francis Jukes, 1747–1812
View of the Forth, Including the Queen's Ferry
1792
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
Thomas Rowlandson A Pier at Amsterdam (Version A)
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
John Webber The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
John Webber The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
John Webber A Sailing Canoe of Otaheite
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
John Webber The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
John Webber, 1752–1793
The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
1792
John Webber View in the Island of Pulo Condore
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
unknown artist The Savoy in 1650 (after Hollar), and As it is at Present, 1792
unknown artist
The Savoy in 1650 (after Hollar), and As it is at Present, 1792
1792
George Isham Parkyns The Cottage at Strawberry Hill
George Isham Parkyns, 1749/50–c.1820
The Cottage at Strawberry Hill
1792
unknown artist Monument in St. Botolph's Bishopsgate
unknown artist
Monument in St. Botolph's Bishopsgate
1792
William Ellis Islington Church
William Ellis, 1747–1810
Islington Church
1792
William Ellis Islington
William Ellis, 1747–1810
Islington
1792
unknown artist Highbury Assembly House near Islington
unknown artist
Highbury Assembly House near Islington
1792
William Ellis Newington Buts
William Ellis, 1747–1810
Newington Buts
1792
unknown artist The Earl of Mansfield's at Caen Wood near Hampstead
unknown artist
The Earl of Mansfield's at Caen Wood near Hampstead
1792
Charles Gauthier Playter Henry the Eighth
Charles Gauthier Playter, died 1809
Henry the Eighth
1792
unknown artist New Palace Yard
unknown artist
New Palace Yard
1792
unknown artist Sir Charles Asgill's Villa, with a View of the Bridge at Richmond, Surrey
unknown artist
Sir Charles Asgill's Villa, with a View of the Bridge at Richmond, Surrey
1792
William Byrne Chinese Pavilion in European Landscape
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
Robert Dodd Action off Cape St. Vicent, 14 February 1797
Robert Dodd, 1748–1816
Action off Cape St. Vicent, 14 February 1797
ca. 1797
Francesco Bartolozzi Britannia Rewarding Music and Literature
Francesco Bartolozzi, 1728–1815
Britannia Rewarding Music and Literature
1792
William Dent The High-German Quack...and choice Assistant, or, a Weak Attempt to cure the French
Attributed to William Dent, active 1784–1793
The High-German Quack...and choice Assistant, or, a Weak Attempt to cure the French
1792
William Dent The Oriental Orpheus, or, Scotch Conjurer Charming John Bull with the Idea of Eastern Resources
Print made by William Dent, active 1784–1793
The Oriental Orpheus, or, Scotch Conjurer Charming John Bull with the Idea of Eastern Resources
1792
James Gillray Taking Physick; - or - The News of Shooting the King of Sweden!
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
James Gillray The Dagger Scene: - or - The Plot Discover'd
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
Isaac Cruikshank A Necessary War or Quixotism Revived, or The Knight of the Little House
Isaac Cruikshank, 1764–1811
A Necessary War or Quixotism Revived, or The Knight of the Little House
1792
J. Thornthwaite William Hodges, Esq. R. A., Landscape Painter to the Prince of Wales
J. Thornthwaite, 1740–active 1776
William Hodges, Esq. R. A., Landscape Painter to the Prince of Wales
1792
unknown artist The Archiepiscopal Palace of Lambeth
unknown artist
The Archiepiscopal Palace of Lambeth
1792
Isaac Cruikshank The Gradual Abolition off (sic) the Slave Trade, or Leaving of Sugar by Degrees
Print made by Isaac Cruikshank, 1764–1811
The Gradual Abolition off (sic) the Slave Trade, or Leaving of Sugar by Degrees
1792
Isaac Cruikshank A Hint for an Escape at the Next Spring Meeting
Isaac Cruikshank, 1764–1811
A Hint for an Escape at the Next Spring Meeting
1792
Isaac Cruikshank Mad Tom's First Practical Essay on the Rights of Man
Isaac Cruikshank, 1764–1811
Mad Tom's First Practical Essay on the Rights of Man
1792
unknown artist The Unitarian Arms
unknown artist
The Unitarian Arms
1792
Isaac Cruikshank The Maid of Bath, or 'Mac' in her Teens
Isaac Cruikshank, 1764–1811
The Maid of Bath, or 'Mac' in her Teens
1792
Isaac Cruikshank The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again
Isaac Cruikshank, 1764–1811
The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again
1792
James Gillray Committee of Grievances and Apprehensions
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
John Condé Melania
Print made by John Condé, 1765–1794
Melania
1792
John Condé Mrs. Fitzherbert
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
A. Birrell Caractacus at the Tribunal
A. Birrell, ca.1770–ca. 1820
Caractacus at the Tribunal
1792
Isaac Cruikshank The Antiquities of Malmsbury
Isaac Cruikshank, 1764–1811
The Antiquities of Malmsbury
1792
Isaac Cruikshank A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend
Isaac Cruikshank, 1764–1811
A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend
1792
Isaac Cruikshank A Scene in the Gamester
Isaac Cruikshank, 1764–1811
A Scene in the Gamester
1792
Isaac Cruikshank The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing
Isaac Cruikshank, 1764–1811
The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing
1792
unknown artist How D'ye do?
unknown artist
How D'ye do?
1792
Samuel Howitt The Kill
Samuel Howitt, 1756–1822
The Kill
1792
William Dent French Liberality, Or, An attempt to conquer all the world by being too civil by half
William Dent, active 1784–1793
French Liberality, Or, An attempt to conquer all the world by being too civil by half
1792
Richard Newton A Bugaboo!!!
Richard Newton, 1777–1798
A Bugaboo!!!
1792