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Collection
Prints and Drawings
[remove]
514
Creator
Moore, James, 1762–1799
87
Unknown artist
50
Blake, William, 1757–1827
39
Edwards, Richard, active 1796–1797
39
Young, Edward, 1683–1765
39
Bartolozzi, Francesco, 1727–1815
31
Cruikshank, Isaac, 1764–1811
26
Newton, Richard, 1777–1798
26
Gillray, James, 1756–1815
25
Dent, William, active 1784–1793
23
Girtin, Thomas, 1775–1802
16
Ellis, William, 1747–1810
15
Reynolds, Joshua, Sir, 1723–1792
11
Thirtle, John, 1777–1839
11
Bunbury, Henry William, 1750–1811
10
Parish, Henry William, active 1792
10
Holbein, Hans the Younger, ca. 1497–1543
9
Boydell, John, 1720–1804
8
Chamberlaine, John, 1745–1812
8
Fores, S. W., 1761–1838
8
more
Creator
»
Date
1800
1,567
1791
1,174
1802
1,065
1834
721
1795
659
1793
647
1796
633
1745
620
1790
611
1827
547
1789
540
1826
533
1771
524
1792
[remove]
514
1832
511
1799
493
1804
492
1700
478
1835
472
1830
457
2004
443
1803
441
1797
438
1794
436
1775
434
1784
434
1825
433
1772
431
1820
425
1836
423
1808
409
1814
407
1770
383
1833
382
1780
375
1782
374
1785
360
1823
358
1867
355
1801
354
0
338
1812
333
1818
332
1807
323
1960
311
1798
310
1768
303
1788
301
1767
298
1821
295
1853
287
1811
283
1809
280
1748
278
1787
275
1783
272
1764
271
1813
269
1805
266
1817
264
1839
264
1828
263
1773
259
1810
257
1815
256
1752
255
1755
250
1831
250
1546
247
1819
241
1739
240
1837
240
1778
239
1840
238
1786
234
1824
234
1855
228
1765
217
1806
212
1822
208
1816
207
1758
203
1781
203
1870
202
1829
200
1945
193
1850
189
1777
187
1877
186
1630
184
1760
181
1738
180
1838
180
1776
174
1754
173
1762
173
1779
173
2006
168
1763
167
1742
163
On-site Access
Accessible in the Study Room
[remove]
514
Image Use
Free to Use
509
Under Certain Circumstances
5
Image Available
Available
496
Unavailable
18
Classification
Prints
320
Drawings & Watercolors
190
Drawing & Watercolors-Architectural
2
Drawings & Watercolors-Miniatures
2
Creator Gender
male
483
unknown
50
female
5
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
84
Young's Night Thoughts
39
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
9
Views in the South Seas 1776-1780
7
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
Iconographie Anglaise par Reynolds et Autres
5
A Long String of Resolutions for the New Year
2
Prints by Notable Dilettanti
2
The Winter's Tale
2
A Midsummer Night's Dream
1
Antiquities of London and Environs
1
British Theatre
1
The Merry Wives of Windsor
1
The Tragedy of Macbeth
1
Views in the Province of Kiang Nan, China
1
Period
18th century
483
18th century-19th century
26
19th century
3
Materials & Techniques
wove paper
209
graphite
173
watercolor
122
laid paper
84
etching (printing process)
76
line engraving
59
stipple engraving
44
black ink
22
brown ink
21
pen
18
mezzotint
14
aquatint
11
hand coloring
10
gray wash
7
gouache
5
gray ink
5
soft ground
5
brown wash
3
black chalk
2
colored ink
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
75
Unknown
49
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
160
Unknown
50
Work Type
drawing
190
intaglio print
148
watercolor
121
relief print
40
ticket
3
miniature
2
Genre
architectural subject
131
landscape
78
literary theme
55
genre subject
48
portrait
46
marine art
24
figure study
12
religious and mythological subject
9
historical subject
7
sporting art
7
cityscape
6
animal art
4
military art
3
Subject Terms
architectural subject
59
men
53
landscape
51
literary theme
49
trees
42
women
40
text
37
genre subject
28
portrait
25
caricature
23
caricatures
20
satire
20
man
19
clouds
18
ruins
18
woman
17
costume
16
marine art
16
nudes
16
river
16
more
Subject Terms
»
Associated Places
England
46
United Kingdom
44
Europe
29
Asia
7
Northumberland
7
Scotland
7
Birmingham
6
Devon
6
India
5
China
4
Greater London
3
London
3
Wales
3
Berkshire
2
Bristol
2
Cumbria
2
Cymru
2
Côn Ðao
2
Dartmouth
2
Hertfordshire
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
18
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Pitt, William [known as Pitt the younger] (1759–1806), prime minister
2
Robinson, Mary (1756/1758?–1800), author and actress
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Affleck, Philip (b. after 1725?, d. 1799), naval officer
1
Anne Page (character in The Merry Wives of Windsor)
1
Apollo
1
Carl Bernhard Wadström (1746–1799), abolitionist
1
Charlotte (1744–1818), queen of the United Kingdom of Great Britain and Ireland, and queen of Hanover, consort of George III
1
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Diana
1
Dundas, Henry, first Viscount Melville (1742–1811), British politician and lawyer
1
Elizabeth
1
Falstaff
1
Farren, Elizabeth (1759x62–1829), actress
1
Fenton (character in The Merry Wives of Windsor)
1
Fitzherbert, [née Smythe; other married name Weld] Maria Anne (1756–1837), unlawful wife of George IV by a marriage invalid under the Royal Marriages Act of 1772
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
40
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
15
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
10
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
7
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
6
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
5
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
4
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
4
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
3
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
2
From Merchants to Emperors - British Artists in India 1757-1930 (Los Angeles County Museum of Art, 1986-10-02 - 1987-01-04)
2
From Merchants to Emperors - British Artists in India 1757-1930 (The Morgan Library & Museum, 1986-05-01 - 1986-07-31)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
2
Wilde Americk - Discovery and Exploration of the New World, 1500-1850 (Yale Center for British Art, 2001-09-27 - 2001-09-27)
2
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
422
Yale Center for British Art
36
Yale Center for British Art, Paul Mellon Fund
23
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Gift of Paul F. Walter
4
Yale Center for British Art, Bequest of William S. Konecky
3
Yale Center for British Art, Gift of Frederick W. Hilles
3
Yale Center for British Art; Gift of Herman W. Liebert
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Yale University Art Gallery Collection
2
Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey
1
Yale Center for British Art, Gift of Herman W. Liebert
1
Yale Center for British Art, Gift of Lowell Libson Ltd.
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
Yale Center for British Art; Gift of David Bindman
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerli, B.A. 1932
1
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Prints and Drawings
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1792
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1
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
2
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
3
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
4
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
5
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
6
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
7
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
8
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
9
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
10
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
11
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
12
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
13
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
14
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
15
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
16
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
17
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
18
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
19
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
20
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
21
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
22
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
23
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
24
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
25
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
26
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
27
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
28
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
29
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
30
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
31
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
32
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
33
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
34
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
35
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
36
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
37
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
38
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
39
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
40
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
41
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
42
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
43
George Romney, 1734–1802
The Witches' Cavern
1792-1793
44
Thomas Trotter, ca. 1750–1803
Dr. Samuel Johnson
1792
45
George Saunders, c.1762–1839
Monument for Sir Joshua Reynolds
1792
46
John Chapman, active ca. 1792–1823
Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III
1792
47
John Chapman, active ca. 1792–1823
Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V
1792
48
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
49
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
50
Print made by Thomas Cheesman, 1760–1834/35
The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV
1792
51
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
52
William Gmelin, 1745–1821
Vue des Petites Cascatelles a Tivoli
1792
53
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
54
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
55
John Thirtle, 1777–1839
A Church Porch
undated
56
John Thirtle, 1777–1839
Fye Bridge, Norwich
undated
57
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
58
Print made by John Browne, 1741–1801
Evening
ca. 1797
59
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
60
unknown artist
The Sun Setting
1792
61
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
62
Print made by John Browne, 1741–1801
Evening
ca. 1797
63
Print made by John Browne, 1741–1801
Morning
ca. 1797
64
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
65
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
66
Robert Dodd, 1748–1816
Action off Cape St. Vicent, 14 February 1797
ca. 1797
67
Francis Jukes, 1747–1812
View of the Forth, Including the Queen's Ferry
1792
68
Charles Gauthier Playter, died 1809
Henry the Eighth
1792
69
unknown artist
A South View of Scarborough
ca. 1797
70
Thomas Ryder, 1746–1810
The Murder of James First, King of Scotland
1792
71
unknown artist
Arundel House in London 1646
1792
72
unknown artist
Cheapside Cross
1792
73
William Walker, 1791–1867
Greenwich Hospital
1792
74
unknown artist
The Parish Church of St. Botolph without Aldgate
1792
75
unknown artist
Monument in St. Botolph's Bishopsgate
1792
76
unknown artist
The Lake House belonging to Sir James Tilney Long on the Ilford Road, Essex, Outer Suburb - East
1792
77
unknown artist
The Elegant Villa of the late Gregory Bateman, Esquire at Kentish Town, Middlesex
1792
78
unknown artist
Grosvenor House at Walthamstow, Essex, Outer Suburb - East
1792
79
William Ellis, 1747–1810
Islington Church
1792
80
William Ellis, 1747–1810
Islington
1792
81
unknown artist
Highbury Assembly House near Islington
1792
82
unknown artist
The Earl of Mansfield's at Caen Wood near Hampstead
1792
83
unknown artist
Lord Southampton's Lodge at Highgate, Middlesex
1792
84
William Ellis, 1747–1810
Islington Church
1792
85
William Ellis, 1747–1810
Newington Buts
1792
86
unknown artist
Sir Charles Asgill's Villa, with a View of the Bridge at Richmond, Surrey
1792
87
unknown artist
The Savoy in 1650 (after Hollar), and As it is at Present, 1792
1792
88
unknown artist
New Palace Yard
1792
89
unknown artist
A Gentleman's Seat on Stockwell Common, Surrey
1792
90
William Ellis, 1747–1810
Camberwell
1792
91
unknown artist
Westminster Bridge
1792
92
unknown artist
View on Westminster Bridge
1792
93
Thomas Morris, born 1771
Partial View of the West Front of St. Pauls
1792
94
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
95
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
96
John Glover, 1767–1849
River with Fishermen
1792
97
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
98
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
99
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
100
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
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