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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Date 1793

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Search Results

John Constable Flowers in a Pitcher
John Constable, 1776–1837
Flowers in a Pitcher
undated
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake I Want! I Want! (Plate 11)
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
William Blake Title Page, For Children. The Gates of Paradise (Plate 2)
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
William Blake What is Man!, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
William Blake At Length for Hatching Ripe He Breaks the Shell (Plate 8)
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake For Children. The Gates of Paradise, London, by William Blake
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
William Blake Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
William Blake Europe. A Prophecy
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
William Alexander Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
James Pattison Cockburn Dismounted Cavalry
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
John Varley River Landscape with Two Figures, Lake and Distant Mountains
John Varley, 1778–1842
River Landscape with Two Figures, Lake and Distant Mountains
undated
John Varley River, Trees and Distant Town
John Varley, 1778–1842
River, Trees and Distant Town
undated
Lt. John Ritso Gateway of an Old Fort, Benares
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
John Varley View on the Thames at Battersea
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
Francis David Soiron A Tea Garden
Francis David Soiron, Born 1764
A Tea Garden
1793
John Varley Two Donkeys in a Landscape
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
Gangaram Chintaman Tambat Inside View of Indur Subba
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
John Varley Seashore with Two Figures and a Distant Town
John Varley, 1778–1842
Seashore with Two Figures and a Distant Town
undated
William Alexander The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
William Alexander Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
Richard Crosse Joseph de Lautour
Richard Crosse, 1742–1810
Joseph de Lautour
1793
Richard Crosse Amelia de Lautour
Richard Crosse, 1742–1810
Amelia de Lautour
1793
Richard Crosse Peter de Lautour
Richard Crosse, 1742–1810
Peter de Lautour
1793
Horace Hone Thomas Quincey
Horace Hone, 1756–1825
Thomas Quincey
1793
Luigi Schiavonetti Two Bunches of Penny Primroses, Two Bunches a Penny
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
Luigi Schiavonetti Milk below Maids
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
George Morland Two Men on a Country Road
George Morland, 1763–1804
Two Men on a Country Road
1793
John Varley Norwich
John Varley, 1778–1842
Norwich
undated
John Varley Mountain Landscape with Castle Ruins on a Cliff
John Varley, 1778–1842
Mountain Landscape with Castle Ruins on a Cliff
undated
John Varley Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
John Varley Barnard Castle, County Durham
John Varley, 1778–1842
Barnard Castle, County Durham
undated
John Varley Bamburgh Castle, Northumberland
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
John Varley River Landscape
imitator of John Varley, 1778–1842
River Landscape
undated
John Varley Merida, Spain
John Varley, 1778–1842
Merida, Spain
undated
John Varley A Village Street
pupil of John Varley, 1778–1842
A Village Street
undated
John Varley Cattle Watering at Sunset
John Varley, 1778–1842
Cattle Watering at Sunset
undated
John Varley River Landscape with Figures
John Varley, 1778–1842
River Landscape with Figures
undated
John Christian Schetky Boat Sailing to the Right with Mountains in the Background
John Christian Schetky, 1778–1874
Boat Sailing to the Right with Mountains in the Background
undated
John Varley Architectural Drawing of a Building with Astrological Symbols
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
David Allan The High Street of Edinburgh from the East
David Allan, 1744–1796
The High Street of Edinburgh from the East
1793
David Allan View of the High Street of Edinburgh and the Commissioner
David Allan, 1744–1796
View of the High Street of Edinburgh and the Commissioner
1793
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
George Harley Landscape with a Boatshed
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
Richard Banks Harraden Trinity Hall from the Garden, Cambridge
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
Richard Banks Harraden Milton's Mulberry Tree, Christ's College Gardens, Cambridge
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
Richard Banks Harraden Clare College, Cambridge
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
John Samuel Hayward A Young Woman Looking Down
John Samuel Hayward, 1778–1822
A Young Woman Looking Down
undated
John Varley Landscape by Moonlight
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
John Varley London from the Thames
John Varley, 1778–1842
London from the Thames
undated
John Varley Trees Overhanging a River
John Varley, 1778–1842
Trees Overhanging a River
undated
John Varley View of Rugged Coastline, Bamburgh, Northumberland
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
John Varley The Fisherman
John Varley, 1778–1842
The Fisherman
undated
John Varley A Romantic Landscape
John Varley, 1778–1842
A Romantic Landscape
undated
John Singleton Copley Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
Charles Gore Ruins du Château du Heidelberg
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
John Jackson Frederick Howard, fifth Earl of Carlisle
John Jackson, 1778–1831
Frederick Howard, fifth Earl of Carlisle
undated
Samuel Howitt A Park Landscape with Shepherd and Sheep
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
Joseph Clarendon Smith Sand Pits, Hunsdon
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
John Varley Linlithgow Palace
John Varley, 1778–1842
Linlithgow Palace
undated