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Collection
Prints and Drawings
[remove]
420
Creator
Hastings, Thomas Capt., 1778–1854
46
Varley, John, 1778–1842
46
Blake, William, 1757–1827
45
Labruzzi, Carlo, 1748–1817
26
Unknown artist
26
Bartolozzi, Francesco, 1727–1815
25
Cockburn, James Pattison, 1779–1847
16
Girtin, Thomas, 1775–1802
14
Cruikshank, Isaac, 1764–1811
13
Hamilton, William, 1751–1801
13
Carter, John, 1748–1817
11
Gillray, James, 1756–1815
11
Moore, James, 1762–1799
11
Gilpin, Sawrey, 1733–1807
8
Alexander, William, 1767–1816
7
Parish, Henry William, active 1792
7
Schiavonetti, Luigi, 1765–1810
7
Morland, George, 1763–1804
6
Wheatley, Francis, 1747–1801
6
Farington, Joseph, 1747–1821
5
more
Creator
»
Date
1800
1,310
1791
1,047
1802
991
1834
645
1796
601
1745
563
1795
543
1771
478
1804
454
1827
451
1789
442
1790
441
1826
432
1793
[remove]
420
1792
419
1797
404
1803
404
1772
399
1825
398
1799
397
1700
390
1835
390
1832
385
1814
374
1820
369
1784
366
1830
354
1794
346
1775
343
1808
343
1782
335
1823
313
1785
298
1801
297
1818
296
1780
292
1836
287
1812
284
1798
279
1833
278
1768
275
1767
274
1853
264
1546
247
1752
245
1821
241
1807
239
1748
238
1787
238
1811
230
1809
227
1783
226
1828
219
1817
218
1805
215
1815
215
1813
212
1739
206
1819
203
1810
199
1840
198
1788
195
1837
190
1755
187
1758
187
1824
186
1770
184
1630
179
1778
178
1839
178
1816
177
1831
172
1822
171
1855
165
1786
163
1806
163
1829
152
1781
149
1777
145
1754
141
1765
140
1850
140
1763
139
1742
134
1870
134
1776
128
1877
123
1753
116
0
115
1841
115
1762
114
1774
113
1838
113
1779
110
1740
106
1750
104
1854
103
1751
98
1760
96
1773
96
On-site Access
Accessible by appointment in the Study Room
420
Image Use
Free to Use
418
Under Certain Circumstances
2
Image Available
Available
376
Unavailable
44
Classification
Drawings & Watercolors
221
Prints
195
Drawings & Watercolors-Miniatures
4
Creator Gender
male
405
unknown
26
female
6
Collective Title
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
39
For Children: The Gates of Paradise, Copy E
19
America. A Prophecy, Copy M
18
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
7
Visions of the Daughters of Albion, Copy I
7
Iconographie Anglaise par Reynolds et Autres
6
Cries of London
5
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
5
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
2
Collection of Prints by Notable Dilettanti
1
Europe. A Prophecy, Copy A
1
The Costume of China
1
The Cries of London
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
297
18th century-19th century
74
19th century
47
Materials & Techniques
wove paper
202
graphite
142
watercolor
111
laid paper
57
black ink
53
etching (printing process)
41
stipple engraving
33
line engraving
29
relief etching
24
brown ink
22
brown wash
20
gray wash
15
color printing
14
gouache
14
pens
14
mezzotint
12
aquatint
7
black chalk
6
colored ink
6
gray ink
5
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
72
Unknown
65
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
4
to
87
Unknown
65
Work Type
drawing
215
watercolor
130
intaglio print
72
relief print
24
miniature
4
frontispiece
3
planographic print
1
Genre
landscape
106
architectural subject
74
genre subject
59
portrait
51
marine art
23
religious and mythological subject
23
literary theme
18
historical subject
17
cityscape
16
figure study
7
animal art
2
sporting art
2
botanical subject
1
military art
1
still life
1
Subject Terms
landscape
68
architectural subject
65
trees
62
men
49
portrait
49
text
40
clouds
36
genre subject
29
nudes
27
figures
23
women
22
river
21
costume
18
religious and mythological subject
18
boats
17
children
17
historical subject
17
marine art
15
buildings
14
hills
14
more
Subject Terms
»
Associated Places
United Kingdom
52
England
44
Europe
19
London
15
Rocca di Papa
13
City of Westminster
12
Palace of Westminster
12
Cymru
7
Wales
7
Asia
6
China
6
Thames
5
Cambridge
3
Cambridgeshire
3
Ellora
3
Greater London
3
India
3
Kent
3
Northumberland
3
York
3
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
4
Bacon, Sir Nathaniel (1585–1627), painter
1
Frederick Howard
1
Hastings, Francis Rawdon, first marquess of Hastings and second earl of Moira (1754–1826), army officer and politician
1
Henry VIII (1491–1547), king of England and Ireland
1
Jackson, William (fl. 1793), Excise man
1
Louis XV (1710–1774), king of France and of Navarre
1
Louis XVI (1754–1793), king of France
1
Pisani, Alvise, 114th doge of Venice (1505–1523)
1
Quincey, Thomas Penson De (1785–1859), essayist
1
Reynolds, Sir Joshua (1723–1792), portrait and history painter and art theorist
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
29
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
29
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
23
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
20
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
19
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
7
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
3
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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420
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1793
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1
John Constable, 1776–1837
Flowers in a Pitcher
undated
2
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
3
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
4
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
5
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
6
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
7
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
8
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
9
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
10
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
11
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
12
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
13
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
14
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
15
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
16
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
17
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
18
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
19
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
20
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
21
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
22
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
23
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
24
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
25
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
26
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
27
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
28
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
29
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
30
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
31
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
32
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
33
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
34
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
35
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
36
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
37
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
38
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
39
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
40
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
41
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
42
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
43
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
44
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
45
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
46
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
47
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
48
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
49
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
50
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
51
John Varley, 1778–1842
River Landscape with Two Figures, Lake and Distant Mountains
undated
52
John Varley, 1778–1842
River, Trees and Distant Town
undated
53
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
54
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
55
Francis David Soiron, Born 1764
A Tea Garden
1793
56
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
57
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
58
John Varley, 1778–1842
Seashore with Two Figures and a Distant Town
undated
59
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
60
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
61
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
62
Richard Crosse, 1742–1810
Joseph de Lautour
1793
63
Richard Crosse, 1742–1810
Amelia de Lautour
1793
64
Richard Crosse, 1742–1810
Peter de Lautour
1793
65
Horace Hone, 1756–1825
Thomas Quincey
1793
66
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
67
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
68
George Morland, 1763–1804
Two Men on a Country Road
1793
69
John Varley, 1778–1842
Norwich
undated
70
John Varley, 1778–1842
Mountain Landscape with Castle Ruins on a Cliff
undated
71
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
72
John Varley, 1778–1842
Barnard Castle, County Durham
undated
73
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
74
imitator of John Varley, 1778–1842
River Landscape
undated
75
John Varley, 1778–1842
Merida, Spain
undated
76
pupil of John Varley, 1778–1842
A Village Street
undated
77
John Varley, 1778–1842
Cattle Watering at Sunset
undated
78
John Varley, 1778–1842
River Landscape with Figures
undated
79
John Christian Schetky, 1778–1874
Boat Sailing to the Right with Mountains in the Background
undated
80
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
81
David Allan, 1744–1796
The High Street of Edinburgh from the East
1793
82
David Allan, 1744–1796
View of the High Street of Edinburgh and the Commissioner
1793
83
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
84
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
85
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
86
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
87
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
88
John Samuel Hayward, 1778–1822
A Young Woman Looking Down
undated
89
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
90
John Varley, 1778–1842
London from the Thames
undated
91
John Varley, 1778–1842
Trees Overhanging a River
undated
92
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
93
John Varley, 1778–1842
The Fisherman
undated
94
John Varley, 1778–1842
A Romantic Landscape
undated
95
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
96
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
97
John Jackson, 1778–1831
Frederick Howard, fifth Earl of Carlisle
undated
98
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
99
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
100
John Varley, 1778–1842
Linlithgow Palace
undated
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