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1. Corso Sant'Anastasia, Verona

Corso Sant'Anastasia, Verona
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1828
Materials & Techniques:
Oil on millboard
Dimensions:
25 5/8 x 17 3/8 inches (65.1 x 44.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG

2. A View of Lambeth

A View of Lambeth
Creator:
unknown artist
Date:
ca. 1770
Materials & Techniques:
Oil on panel
Dimensions:
12 1/4 x 17 1/8 inches (31.1 x 43.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Landscape with Cottages

Landscape with Cottages
Creator:
James Ward, 1769–1859
Date:
between 1802 and 1827
Materials & Techniques:
Oil on panel
Dimensions:
9 1/2 x 17 1/4 inches (24.1 x 43.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Christ and the Woman of Samaria

Christ and the Woman of Samaria
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Mary, Queen of Scots

Mary, Queen of Scots
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 18 3/8 inches (25.7 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. King Lyncus Turned Into a Lynx by Ceres

King Lyncus Turned Into a Lynx by Ceres
Creator:
Print made by Jacob Gole, 1660–1737
Date:
between 1675 and 1700
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 7/8 × 17 7/16 inches (35.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

8. Little Missenden Church from the Southeast

Little Missenden Church from the Southeast
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Château Vilain sur la Riviere Dain, Franche Comte

Château Vilain sur la Riviere Dain, Franche Comte
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:
Sheet: 11 3/4 x 17 5/16 inches (29.9 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Poking the Old Lion

Poking the Old Lion
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (31 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A Perspective View of the Foundling Hospital with Emblematic Figures

A Perspective View of the Foundling Hospital with Emblematic Figures
Creator:
Charles Grignion, 1717–1810
Date:
1749
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Westminster Abbey, Hospital &c.

Westminster Abbey, Hospital &c.
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on thick, slightly textured, cream card
Dimensions:
Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

13. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1770
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Avon near Bristol

The Avon near Bristol
Creator:
Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Watercolor and gouache, with scraping and gum on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 17 1/4 inches (28.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Blessing of the Suez Canal, November 16, 1869

The Blessing of the Suez Canal, November 16, 1869
Creator:
William Simpson, 1823–1899
Date:
after 1869
Materials & Techniques:
Graphite and brown wash on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/8 x 17 1/4 inches (27.6 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Front of the New Mills

Front of the New Mills
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Tarbert Castle

Tarbert Castle
Creator:
Joshua Cristall, 1768–1847
Date:
undated
Materials & Techniques:
Watercolor with gouache over graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Basrah Creek

Basrah Creek
Creator:
Print made by Charles William Cain, 1893–1962
Date:
undated
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

21. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by William Day, 1764–1807
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. View of the Clifton Suspension Bridge

View of the Clifton Suspension Bridge
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London
Creator:
Print made by John Franklin, c.1800–1868
Date:
ca. 1825
Materials & Techniques:
Lithograph with watercolor on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 12 15/16 x 17 13/16 inches (32.8 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, Fry Print Collection

24. Nithsdale

Nithsdale
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1891
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper with chine-collé
Dimensions:
Sheet: 12 1/2 × 17 1/8 inches (31.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25. The Cornfield

The Cornfield
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 11 11/16 × 17 1/4 inches (29.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Logical Picture of Facts is a Thought. Tractatus 3. 21-22

A Logical Picture of Facts is a Thought. Tractatus 3. 21-22
Creator:
Print made by Sir Eduardo Paolozzi, 1924–2005
Date:
1995
Materials & Techniques:
Screen print on thick, moderately textured, white wove paper
Dimensions:
Sheet: 29 13/16 x 22 1/16 inches (75.7 x 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation

27. Oxford Physic Garden

Oxford Physic Garden
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1766
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 x 17 3/8 inches (33.7 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

28. The Death: The Fox Hoist to a Fence

The Death: The Fox Hoist to a Fence
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 17 5/16 inches (26 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. "The Poacher's Progress:" Poachers in Prison (The Pardon)

"The Poacher's Progress:" Poachers in Prison (The Pardon)
Creator:
C. Blake, active 1825–1826
Date:
undated
Materials & Techniques:
Graphite, watercolor, and varnish on very thick, rough, brown wove paper
Dimensions:
Sheet: 13 1/16 × 17 1/4 inches (33.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Skating in the Park

Skating in the Park
Creator:
John James Chalon, 1778–1854
Date:
undated
Materials & Techniques:
Sepia wash and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 3/16 × 17 1/4 inches (33.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Stable of an Inn

The Stable of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Rather Sharp Practice in Diplomacy, or a Curious Illustration of the "Entente Cordiale"

Rather Sharp Practice in Diplomacy, or a Curious Illustration of the "Entente Cordiale"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 5/16 x 17 3/8 inches (31.2 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Lecture on Elocution, the Professor Enforcing his Precepts by Example

A Lecture on Elocution, the Professor Enforcing his Precepts by Example
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/8 x 17 5/16 inches (30.8 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Fates

The Fates
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (31 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. "Concert Monstre" of "Musical Congress" Extraordinary!

"Concert Monstre" of "Musical Congress" Extraordinary!
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 11/16 x 17 5/16 inches (29.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. New Illustration of Hudibras

New Illustration of Hudibras
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1851
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/4 inches (29.8 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. An Audience at Drury Lane Theatre

An Audience at Drury Lane Theatre
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink on beige/brown, thick, moderately textured, laid paper, glued to mat
Dimensions:
Sheet: 8 1/2 x 17 3/16 inches (21.6 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Creator:
Samuel Howitt, 1756–1822
Date:
1807
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order

A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"

An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (30.9 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Telemachus and Mentor

Telemachus and Mentor
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/8 x 17 5/16 inches (30.8 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Crossing Lancaster Sands

Crossing Lancaster Sands
Creator:
David Cox, 1783–1859
Date:
mid-1830s
Materials & Techniques:
Watercolor, gouache and graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/16 × 20 1/16 inches (36.4 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. A Will O' The Wisp

A Will O' The Wisp
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1831
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 7/8 x 17 1/4 inches (30.1 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie

45. A Graceful Speciman of The Retort Courteous

A Graceful Speciman of The Retort Courteous
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1831
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 5/16 inches (30.5 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie

46. War !!! Commencement of Hostilities --Combined movement of the Allied Powers.

War !!! Commencement of Hostilities --Combined movement of the Allied Powers.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1831
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 17 1/8 inches (30.3 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie

47. The Pass of Killiecrankie

The Pass of Killiecrankie
Creator:
John Warwick Smith, 1749–1831
Date:
1788
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 17 1/8 inches (30.5 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Gil Blas Practicing Medicine Under Dr. Sangrado

No cover image available
Creator:
Thomas Uwins, 1782–1857
Date:
between 1820 and 1822
Materials & Techniques:
Brown wash with brown pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper, laid in contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 17 3/8 x 20 1/2 inches (44.2 x 52 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Laleham Meadows near Littleton

No cover image available
Creator:
Print made by John Fullwood, 1854–1931
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/4 x 17 1/4in. (28.6 x 43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

50. Devon Coast

No cover image available
Creator:
Print made by Edward Bouverie-Hoyton, active 1930
Date:
1920s
Materials & Techniques:
Etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 3/8 x 17 3/16 inches (33.9 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

51. Spanish Wheelwrights

No cover image available
Creator:
Sir William Russell Flint, 1880–1969
Date:
1930
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 17 3/8 inches (32.2 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

52. Her New Heir, Stokesay

No cover image available
Creator:
Sir William Russell Flint, 1880–1969
Date:
1930
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 1/2 x 17 1/4 inches (29.2 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery