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Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Printed by Thomas McLean, 1788–1875
Published by Thomas McLean, 1788–1875
Title:
"Concert Monstre" of "Musical Congress" Extraordinary!
Additional Title(s):
Parody of Hogarth's "The Enraged Musician"
Part Of:

Collective Title: Political Sketches

Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 11/16 x 17 5/16 inches (29.7 x 44 cm), Image: 10 1/2 x 13 3/8 inches (26.7 x 34 cm)
Inscription(s)/Marks/Lettering:

Marked with imprint, lower left: "Subscriber's Copy, HB"

Lettered, upper right: "HB Sketches No 913"; lower left under image: "Published by T McLean 26 Haymarket, July 19, 1849"; lower center: "'CONCERT MONSTRE' OF 'MUSICAL CONGRESS' EXTRAORDINARY! | AFTER HOGARTH (100 YEARS)"; lower right: "Printed at 70, st Martins Lane"

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1977.14.14683
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
chaos | children | conductor | drums, barrel | fighting | France | free trade (economic concept) | genre subject | hats | horns | ideology | knives | liberty | men | music | musicians | parody | political | politicians | revolution | satire | satirical | score | sketches | uniforms | violins | women
Associated People:
John Bull, fictitious epitomist of Englishness and British imperialism
Hogarth, William (1697–1764), painter and engraver
Access:
Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
Link:
https://collections.britishart.yale.edu/catalog/tms:49398
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