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Ben Nicholson July 15 1949 (St Ives harbour)
Ben Nicholson, 1894–1982
July 15 1949 (St Ives harbour)
1949
Not on view
John Crome A Barge with a Wounded Soldier
John Crome, 1768–1821
A Barge with a Wounded Soldier
early 19th century
Not on view
Pieter Angillis Vegetable Seller, Covent Garden
Pieter Angillis, 1685–1734
Vegetable Seller, Covent Garden
ca. 1726
Not on view
Abraham Staphorst Colonel Alexander Popham, of Littlecote, Wiltshire
Abraham Staphorst, ca. 1638–1696
Colonel Alexander Popham, of Littlecote, Wiltshire
between 1660 and 1665
Not on view
Peter DeWint Landscape study at sunset
Peter DeWint, 1784–1849
Landscape study at sunset
ca. 1835
Not on view
John Tunnard Transformation of Red
John Tunnard, 1900–1971
Transformation of Red
1939
Not on view
Thomas Girtin Guisborough Priory
Thomas Girtin, 1775–1802
Guisborough Priory
between 1800 and 1802
Not on view
James Pollard The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
James Pollard, 1792–1867
The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
1835
Not on view
Henry Walton Elizabeth Bridgman (née Walton)
Henry Walton, 1746–1813
Elizabeth Bridgman (née Walton)
between 1771 and 1775
Not on view
John Linnell Augustus Wall Callcott, R.A.
John Linnell, 1792–1882
Augustus Wall Callcott, R.A
1847
Not on view
Thomas Daniell Indian Landscape with Temple Ruins
Thomas Daniell, 1749–1840
Indian Landscape with Temple Ruins
1820
Not on view
Hendrick van Steenwyck the Younger The Liberation of St Peter
Hendrick van Steenwyck the Younger, ca. 1580–1649
The Liberation of St Peter
1617
Not on view
Thomas Daniell Hilly Landscape in India
Thomas Daniell, 1749–1840
Hilly Landscape in India
ca. 1820
Not on view
Henry Moore Helmet Head, No. 3
Henry Moore, 1898–1986
Helmet Head, No. 3
1960
Not on view
Edward Burch Horse Studies in Relief, after George Stubbs
Edward Burch, 1730–1814
Horse Studies in Relief, after George Stubbs
modeled 1788–1789
Not on view
Robert Polhill Bevan Woman Ironing
Robert Polhill Bevan, 1865–1925
Woman Ironing
ca. 1895
Robert Polhill Bevan The Horse Mart
Robert Polhill Bevan, 1865–1925
The Horse Mart
ca. 1917
Robert Polhill Bevan The Horse Mart (with further sketches in the margin)
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
Robert Polhill Bevan Timber Hauling
Robert Polhill Bevan, 1865–1925
Timber Hauling
ca. 1917
Robert Polhill Bevan Sale at Ward's Repository, No. 2
Robert Polhill Bevan, 1865–1925
Sale at Ward's Repository, No. 2
ca. 1918
Robert Polhill Bevan A Cottage
Robert Polhill Bevan, 1865–1925
A Cottage
undated
Robert Polhill Bevan A Sussex Barn
Robert Polhill Bevan, 1865–1925
A Sussex Barn
undated
Robert Polhill Bevan Study of a Woman Sewing
Robert Polhill Bevan, 1865–1925
Study of a Woman Sewing
undated
Samuel Palmer Ivy Cottage, Shoreham
Samuel Palmer, 1805–1881
Ivy Cottage, Shoreham
undated
George Stubbs Tygers at Play
George Stubbs, 1724–1806
Tygers at Play
1780
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
John Constable Wooded Slope with a Receding Road
John Constable, 1776–1837
Wooded Slope with a Receding Road
ca. 1805
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
William Blake "I want! I want!" (Plate 11)
Print made by William Blake, 1757–1827
"I want! I want!" (Plate 11)
1826
William Blake "Fear & hope are -- Vision" (Plate 15)
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
William Blake "The Traveller hasteth in the Evening" (Plate 16)
Print made by William Blake, 1757–1827
"The Traveller hasteth in the Evening" (Plate 16)
1826
William Blake "To The Accuser who is The God of This World..." (Plate 19)
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1826
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1826
William Blake "Help! Help!" (Plate 12)
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)
Print made by William Blake, 1757–1827
"Does thy God O Priest take such vengeance as this?" (Plate 14)
1826
William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake "My son! my Son!" (Plate 10)
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
William Blake Frontispiece, "What is Man!" (Plate 2)
Print made by William Blake, 1757–1827
Frontispiece, "What is Man!" (Plate 2)
1826
William Blake "He meets his Saviour in the Grave..." (Plate 20)
Print made by William Blake, 1757–1827
"He meets his Saviour in the Grave..." (Plate 20)
1826
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake "At length for hatching ripe he breaks the shell" (Plate 8)
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake Chaucer's Canterbury Pilgrims
Print made by William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
William Blake For the Sexes: The Gates of Paradise, London, 1826
Prints made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
William Blake Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
Edward Lear La Cava, 19 July 1838
Edward Lear, 1812–1888
La Cava, 19 July 1838
1838
Edward Lear Corfu
Edward Lear, 1812–1888
Corfu
1857
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
George Romney Three Young Witches
George Romney, 1734–1802
Three Young Witches
undated
Frederick Landseer Maur Griggs St. Wendred's, March
Print made by Frederick Landseer Maur Griggs, 1876–1938
St. Wendred's, March
1922
Francois Vivares The Lodge and Garden from the Great Lake
Francois Vivares, 1709–1780
The Lodge and Garden from the Great Lake
1772
John Raphael Smith The Promenade at Carlisle House
John Raphael Smith, 1752–1812
The Promenade at Carlisle House
1781
Sir David Young Cameron St. German l'Auxerrois [Paris Set: No. 2]
Print made by Sir David Young Cameron, 1865–1945
St. German l'Auxerrois [Paris Set: No. 2]
1904
William Faithorne the Younger Thomas Shadwell, Esquire, Poet Laureat & Historiographer
Print made by William Faithorne the Younger, ca. 1669–1703
Thomas Shadwell, Esquire, Poet Laureat & Historiographer
between 1690 and 1703
Thomas Vivares A View in the Island of Jamaica
Thomas Vivares, c.1735–c.1790
A View in the Island of Jamaica
Henry Hoppner Meyer Lady Hamilton as Nature
Print made by Henry Hoppner Meyer, ca. 1782–1847
Lady Hamilton as Nature
between 1800 and 1820
John Raphael Smith Mrs. Robinson
Print made by John Raphael Smith, 1752–1812
Mrs. Robinson
1781
unknown artist Westerham Mill, Kent
unknown artist
Westerham Mill, Kent
1812
James Mason The Lodge and Stables, &c. at Windsor Great Park
James Mason, 1710–1783
The Lodge and Stables, &c. at Windsor Great Park
1772
William Austin The Great Lake near the Lodge
William Austin, 1721–1820
The Great Lake near the Lodge
1772
Sir Francis Seymour Haden Thomas Haden of Derby
Print made by Sir Francis Seymour Haden, 1818–1910
Thomas Haden of Derby
1864
William Dickinson Sir Anthony Van Dyck
William Dickinson, 1746–1823
Sir Anthony Van Dyck
1780
Valentine Green St. Augustine's Gate, Canterbury
Valentine Green, 1739–1813
St. Augustine's Gate, Canterbury
1779
Valentine Green Benjamin West and His Son Raphael
Print made by Valentine Green, 1739–1813
Benjamin West and His Son Raphael
1775
Jacques Rigaud Prospect of Hampton Court from the Garden Side
Jacques Rigaud, 1681–1754
Prospect of Hampton Court from the Garden Side
1736
Daniel Lysons Memorial to Robert Diecrowe and Joan Diecrowe his Mother and Robert Wheter his Master from Enfield
Attributed to Daniel Lysons, 1762–1834
Memorial to Robert Diecrowe and Joan Diecrowe his Mother and Robert Wheter his Master from Enfield
between 1796 and 1811
Daniel Lysons Memorial to Elizabeth Chambers and Col. Edward James
Attributed to Daniel Lysons, 1762–1834
Memorial to Elizabeth Chambers and Col. Edward James
between 1796 and 1811
Ambrose Poynter Sketches from Life in Paris: Two Women
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Two Women
ca. 1835
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1834
Daniel Lysons Memorial to John Watt from Enfield Church
Attributed to Daniel Lysons, 1762–1834
Memorial to John Watt from Enfield Church
between 1796 and 1811
Daniel Lysons Memorial to Thomas Cartwright , John Carter and John Reynolds
attributed to Daniel Lysons, 1762–1834
Memorial to Thomas Cartwright , John Carter and John Reynolds
between 1796 and 1811
Daniel Lysons Brass Plate for William and Jane Smith from Enfield Church
Attributed to Daniel Lysons, 1762–1834
Brass Plate for William and Jane Smith from Enfield Church
between 1796 and 1811
Daniel Lysons Memorial to Mr. Charles and Mrs. Anne Yarwood from Hayes Church
Attributed to Daniel Lysons, 1762–1834
Memorial to Mr. Charles and Mrs. Anne Yarwood from Hayes Church
between 1796 and 1811
Daniel Lysons Brass Plate inscription Thomas Priestly the Elder and the Younger from Hornsey Church
Attributed to Daniel Lysons, 1762–1834
Brass Plate inscription Thomas Priestly the Elder and the Younger from Hornsey Church
between 1796 and 1811
Daniel Lysons Brass Plate for John Skevington from Hornsey Church
Attributed to Daniel Lysons, 1762–1834
Brass Plate for John Skevington from Hornsey Church
between 1796 and 1811
James Basire II A View of the Chapel and Hall of Oriel College, &c.
Print made by James Basire II, 1769–1822
A View of the Chapel and Hall of Oriel College, &c
1807
William James Muller The Bridge
William James Muller, 1812–1845
The Bridge
undated
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
James Wyatt Cobham Hall, Kent: Plan of Dairy
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Dairy
1795
James Wyatt Cobham Hall, Kent: Windows in Dairy
James Wyatt, 1746–1813
Cobham Hall, Kent: Windows in Dairy
1795
James Wyatt Cobham Hall, Kent: Ceiling Decoration
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling Decoration
ca. 1790
James Wyatt Cobham Hall, Kent: Elevation of the Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Stables
1789
Sir Charles D'Oyly Album of 30 Views in the Tyrol and Italy: Between Brixen and Klausen - Tyrol, 27th Oct.r 1840
Sir Charles D'Oyly, 1781–1845
Album of 30 Views in the Tyrol and Italy: Between Brixen and Klausen - Tyrol, 27th Oct.r 1840
Sir Charles D'Oyly Album of 30 Views in the Tyrol and Italy: Castles of Wafenstein [?], Sprechenstein and Reifenstein some miles from the Brenner, 27th Oct.r 1840
Sir Charles D'Oyly, 1781–1845
Album of 30 Views in the Tyrol and Italy: Castles of Wafenstein [?], Sprechenstein and Reifenstein some miles from the Brenner, 27th Oct.r 1840
1840
Sir Charles D'Oyly Album of 30 Views in the Tyrol and Italy: View on the Eisak near Mittenwald, 27th Oct.r 1840
Sir Charles D'Oyly, 1781–1845
Album of 30 Views in the Tyrol and Italy: View on the Eisak near Mittenwald, 27th Oct.r 1840
Sir Charles D'Oyly Album of 30 Views in the Tyrol and Italy: Castle of Salurn near the Town
Sir Charles D'Oyly, 1781–1845
Album of 30 Views in the Tyrol and Italy: Castle of Salurn near the Town
Sir Charles D'Oyly Album of 30 Views in the Tyrol and Italy: Fortress of Trostburg near the town of Kollman. Tyrol. 28th Oct.r 1840
Sir Charles D'Oyly, 1781–1845
Album of 30 Views in the Tyrol and Italy: Fortress of Trostburg near the town of Kollman. Tyrol. 28th Oct.r 1840