Creator Gender: male / Height [cm]: 19 / Subject Terms: clouds

1. Extensive Landscape with Grey Clouds

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper on panel
Dimensions:: 7 5/8 x 11 inches (19.4 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Cloud Study

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 7 5/8 x 9 1/2 inches (19.4 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

5. The Bridge over the River Rye at Helmsley, with the Castle Beyond

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Lamb (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Macbeth and Banquo on the Heath

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and line engraving; 1st published state on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Hampton Court Palace, Herefordshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Orchard Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 3/8 inches (19.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Marine Study No. 1

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 13 7/8 inches (31.2 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Marine Study No. 2

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 14 inches (31.8 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Marine Study No. 3

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 x 14 1/16 inches (31.9 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Marine Study No. 4

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 13 15/16 inches (31.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. On the Gulf of Salerno Near Vietri, September 27

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/2 x 9 3/4 inches (19.1 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Crucifixion

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 × 4 1/2 inches (18.7 × 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Shepherd and Shepherdess

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: 1676
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 6 3/4 inches (19 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. Cloud Study - Evening Twilight, Rodney Terrace

Creator:: Thomas Lindsay, 1793–1861
Date:: 1837
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 12 inches (18.7 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Shipping in a Choppy Sea

Creator:: Follower of William Owen, 1769–1825
Date:: undated
Materials & Techniques:: Watercolor, graphite, and scratching out on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 10 3/4in. (19.1 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Lancaster Sands

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Landscape after Wynants (in the Louvre)

Creator:: William Callow, 1812–1908
Date:: undated
Materials & Techniques:: Watercolor with pen and black, blue and brown ink, over graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/16 x 7 1/4 inches (18.9 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. West Cowes, Isle of Wight

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown and gray wash and pen brown ink on medium, smooth, cream wove paper mounted on card
Dimensions:: Sheet: 5 5/8 x 9 1/4 inches (14.3 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Elizabeth Manwaring

26. Between Netley Heath and Albury

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 1/4 inches (19.1 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Orchard Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and line engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Landscape Composition

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1801
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 3/4 inches (19.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A View near Hamilton

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper mounted on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19.1 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Bridgenorth

Creator:: Print made by James Walker, 1748–1808
Date:: 1795
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Alum Bay, Isle of Wight

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Landscape with Castle

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Watercolor, brown wash, graphite, and white gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Romantic Landscape with Distant Mountains

Creator:: John Varley, 1778–1842
Date:: 1842
Materials & Techniques:: Watercolor, gum, white gouache, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 14 inches (19.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Meuse and Sambre, from the Gate of the Sambre

Creator:: Print made by George Arnald, 1763–1841
Date:: 1822
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Left Bank, Meuse

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Dinant, No. 1: Southwest View

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Christus Crucifixus

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 4 11/16 inches (18.7 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. The Mill by the Sea

Creator:: Print made by Charles Henry Baskett, 1872–1953
Date:: 1914
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 12 11/16 inches (18.6 x 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

41. Thornbury Castle, Gloucestershire

Creator:: Louis Haghe, 1806–1885
Date:: between 1823 and 1835
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 9/16 x 13 11/16 inches (26.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Le Silence Favorable

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 14 3/16 x 10 5/8 inches (36 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. St. Martin's Church Westminster

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: 1810
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

Creator:: Attributed to Thomas Baker of Leamington, 1809–1864
Date:: 1848
Materials & Techniques:: Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. In the Bay of Salerno, near Vietri

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Black ink, watercolor, and graphite on medium, moderately textured, cream laid paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Geoffrey and Renée Hartman

46. Sellenger

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1917
Materials & Techniques:: Etching; 5th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

47. Stanley Pontlarge

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching; 1st state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 8 3/4 inches (19.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

48. Entrance to the Mersey

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1890
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 7 1/2 × 12 1/4 inches (19.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 5/16 x 7 5/16 inches (28.8 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: undated
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Oxcliffe Marshe, 1900

Creator:: Print made by Frederick Vango Burridge, 1869–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, smooth, cream Asian paper
Dimensions:: Sheet: 8 1/2 x 10 9/16 inches (21.6 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

58. Kenarth, South Wales

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, smooth, cream parchment
Dimensions:: Sheet: 7 5/8 x 9 13/16 inches (19.4 x 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. J. Dwight Dana

59. Newstead Abbey, The Seat of the Late Lord Byron

Creator:: Louis Haghe, 1806–1885
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 12 15/16 inches (22.9 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Château Vilain sur la Riviere Dain, Franche Comte

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:: Sheet: 11 3/4 x 17 5/16 inches (29.9 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Copse, Great Smeaton, Yorkshire, England

Creator:: Michael Kenna, born 1953
Date:: 1991
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 5/8 × 7 1/2 inches (19.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

63. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1761
Materials & Techniques:: Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:: Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Black Bridge

Creator:: James Valentine, 1815–1879
Date:: 1860s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

65. At Portici, Evening, August 9

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 9 1/2 inches (18.7 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Granby Hill, Bristol

Creator:: James Johnson, 1803–1834
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 11 5/8 inches (18.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Trees and Hilly Landscape

Creator:: Joseph Farington, 1747–1821
Date:: undated
Materials & Techniques:: Gray wash and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Archiepiscopal Palace, Wrotham, Kent

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 7 5/8 x 8 3/4 inches (19.4 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Naples from Sir William Hamilton's Villa, Portici

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Part of Padua from the Walls

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 5/8 x 10 inches (19.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Vietri and Raito

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 16 1/2 inches (19.1 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Low Tide, boat landing

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 7 1/2 x 11 inches (19.1 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Ariccia

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 9 inches (19.4 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Willow

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 x 5 3/4 inches (18.8 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 11 9/16 inches (21.5 x 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. On the Sussex Downs

Creator:: William Lee Hankey, 1869–1952
Date:: 1916
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 14 3/16 inches (26.3 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

77. Corfe Castle

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1913
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

78. Circle of Stones, Ahu Vaihu, Easter Island

Creator:: Michael Kenna, born 1953
Date:: 2000
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 1/2 × 8 inches (19.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

79. Dark Cloud, Cerne Abbas, Dorset, England

Creator:: Michael Kenna, born 1953
Date:: 1990
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 5/8 × 7 1/2 inches (19.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

YCBA Collections Search

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Creator Gender male

Height [cm] 19

Subject Terms clouds

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1. Extensive Landscape with Grey Clouds

2. Cloud Study

3. The Weary Ploughman

4. The Weary Ploughman

5. The Bridge over the River Rye at Helmsley, with the Castle Beyond

6. North East View of Grantham Church, Lincolnshire

7. The Lamb (Plate 8)

8. Macbeth and Banquo on the Heath

9. Rochester

10. Hampton Court Palace, Herefordshire

11. Orchard Bay

12. Alum Bay and the Needles

13. Marine Study No. 1

14. Marine Study No. 2

15. Marine Study No. 3

16. Marine Study No. 4

17. Funeral of the Late Duke of Wellington

18. On the Gulf of Salerno Near Vietri, September 27

19. The Crucifixion

20. Shepherd and Shepherdess

21. Cloud Study - Evening Twilight, Rodney Terrace

22. Shipping in a Choppy Sea

23. Lancaster Sands

24. Landscape after Wynants (in the Louvre)

25. West Cowes, Isle of Wight

26. Between Netley Heath and Albury

27. Orchard Bay

28. Alum Bay and the Needles

29. Landscape Composition

30. A View near Hamilton

31. Bridgenorth

32. Alum Bay, Isle of Wight

33. Alum Bay and the Needles

34. Landscape with Castle

35. Romantic Landscape with Distant Mountains

36. Meuse and Sambre, from the Gate of the Sambre

37. Left Bank, Meuse

38. Dinant, No. 1: Southwest View

39. Christus Crucifixus

40. The Mill by the Sea

41. Thornbury Castle, Gloucestershire

42. Le Silence Favorable

43. St. Martin's Church Westminster

44. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

45. In the Bay of Salerno, near Vietri

46. Sellenger

47. Stanley Pontlarge

48. Entrance to the Mersey

49. Funeral of the Late Duke of Wellington

50. Funeral of the Late Duke of Wellington

51. Funeral of the Late Duke of Wellington

52. Funeral of the Late Duke of Wellington

53. Funeral of the Late Duke of Wellington

54. Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

55. Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

56. Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

57. Oxcliffe Marshe, 1900

58. Kenarth, South Wales

59. Newstead Abbey, The Seat of the Late Lord Byron

60. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

61. Château Vilain sur la Riviere Dain, Franche Comte

62. Copse, Great Smeaton, Yorkshire, England

63. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

64. The Black Bridge

65. At Portici, Evening, August 9

66. Granby Hill, Bristol

67. Trees and Hilly Landscape

68. Archiepiscopal Palace, Wrotham, Kent

69. Naples from Sir William Hamilton's Villa, Portici

70. Part of Padua from the Walls

71. Vietri and Raito

72. Low Tide, boat landing

73. Ariccia