Creator Gender: male / Work Type: watercolor / Height [cm]: 37

1. Sussex Farm Wagon

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1906
Materials & Techniques:: Crayon and watercolor on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 7/16 × 18 5/16 inches (36.7 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Sussex Barn

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:: Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

3. The Dead Sea, 16 and 17 April 1858

Creator:: Edward Lear, 1812–1888
Date:: April 16 and 17, 1858
Materials & Techniques:: Pen and brown ink with watercolor over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Two Friends

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 11 1/2 inches (36.5 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

5. Pamela

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 9 1/8 inches (37.1 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

6. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "What time the thirteen Governors that England sent convene..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Frontispiece. Albion's Angel (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Title Page. America, A Prophecy (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "Silent as despairing love, and strong as jealousy..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "Appear to the Americans upon the cloudy night..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Cobham Hall, Kent: Elevation of Colonnade with Balustraded Parapet

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Pen and black ink with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 19 7/8 inches (37.1 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Cobham Hall, Kent: Section of the great staircase, south wing at Cobham Hall

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Cobham Hall, Kent: Section of Unidentified Room

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 19 1/4 inches (36.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Cobham Hall, Kent: Section of the Earl of Darnley's Dressing Room

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 5/8 x 19 3/8 inches (37.1 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Cobham Hall, Kent: Alternate Designs for Ceiling Decoration

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 20 1/4 inches (36.5 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Town Hall, Danzig

Creator:: Alfred Gomersal Vickers, 1810–1837
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. View of Cracatoa (sic), China Seas

Creator:: John Webber, 1752–1793
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 21 inches (36.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Cobham Hall, Kent: Plan of the Library

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Cobham Hall, Kent: Section of a Hallway with Four Doors

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink, gray wash and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 19 1/4 inches (36.8 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Cobham Hall, Kent: Section of the Anteroom

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 19 3/4 inches (36.8 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Kings Weston, Bristol: Entrance Front Elevation

Creator:: Sir John Vanbrugh, 1664–1726
Date:: ca. 1710
Materials & Techniques:: Pen and brown ink with gray wash over graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 18 5/8 inches (36.8 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Study of a Cossack: Gregory Yellowstuff

Creator:: James Ward, 1769–1859
Date:: 1814
Materials & Techniques:: Watercolor and black chalk and varnish on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/2 x 10 3/4 inches (36.8 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Welsh Mountain Stream

Creator:: David Cox Jr., 1809–1885
Date:: ca. 1850
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, graphite, and scratching out on thick, rough, cream wove paper
Dimensions:: Sheet: 14 5/8 × 20 3/4 inches (37.1 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Gunpowder Magazine, Hyde Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 19 3/8 inches (37.1 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Gateway of an Old Fort, Benares

Creator:: Lt. John Ritso, 1772–1866
Date:: 1793 or 179(8)
Materials & Techniques:: Watercolor, brown ink and black ink on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 21 inches (37.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A View at Terracina

Creator:: Jacob More, 1740–1793
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper in contemporary laid paper insert with pen and black ink, and gray wash boader
Dimensions:: Mount: 16 x 21 1/2 inches (40.6 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Interior of Lancaster House

Creator:: Sir Richard Westmacott, 1775–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately thick, slightly texture, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 inches (36.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Landscape with Horses, Farmer and Dog

Creator:: George Morland, 1763–1804
Date:: 1794
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 15 3/8 x 18 5/16 inches (39.1 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Langley Park, Norfolk: Elevation of the South Front

Creator:: John Sanderson, active 1730; died 1774
Date:: ca. 1750
Materials & Techniques:: Pen and black, brown and gray ink with gray and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 11/16 × 21 7/8 inches (37.3 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Regency House

Creator:: George Shepheard, ca. 1770–1842
Date:: ca. 1820
Materials & Techniques:: Watercolor over graphite with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 21 inches (37.2 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Landscape with Trees and Sheep (Park Landscape with Sheep)

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 3/4 × 23 3/4 inches (45.1 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Nîmes from the Tour Magne

Creator:: William Marlow, 1740–1813
Date:: ca. 1765
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:: Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Design for a Ceiling

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and watercolor; verso: pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 7/8 x 13 3/4 inches (50.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Unidentified Country House: Ground Floor Plan

Creator:: Attributed to John Sanderson, active 1730; died 1774
Date:: undated
Materials & Techniques:: Pen and black ink with gray and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 20 3/8 inches (36.5 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Rochester

Creator:: William Marlow, 1740–1813
Date:: 1780
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 5/8 × 20 1/4 inches (37.1 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

49. Headfort House, Ireland: Section of One End of the Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Headfort House, Ireland: Section of One End of the Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black ink with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Headfort House, Ireland: Ceiling of the Front Hall

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black and brown ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 20 inches (36.5 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Headfort House, Ireland: Elevation of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black ink with gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 25 5/8 inches (36.8 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added

Creator:: Attributed to James Bruce, 1730–1794
Date:: 1769–73
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 1/2 inches (36.5 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Memorial to Francis Musters

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. No. 5 interior part of the 2nd temple seen from the North Side

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 11/16 x 12 1/16 inches (37.3 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Unidentified Ungulate

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite; verso: gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 21 1/2 inches (36.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Casade de Lys From Below

Creator:: James Duffield Harding, 1798–1863
Date:: 1834
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 14 1/2 x 10 5/8 inches (36.8 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. View of Lakes Buttermere and Crummock Water

Creator:: William Green, 1760–1823
Date:: 1803
Materials & Techniques:: Watercolor and gum over graphite on medium, smooth wove paper mounted on card
Dimensions:: Sheet: 14 5/8 x 19 7/8 inches (37.1 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

61. A Fallen Oak

Creator:: attributed to William Henry Hunt, 1790–1864
Date:: ca. 1815
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 5/8 x 21 inches (37.1 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. View of Valetta, Malta

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Watercolor with touches of red gouache over graphite on slightly textured, thick, heavy wove paper
Dimensions:: Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Man and Children with a Street Organ and a Monkey

Creator:: Thomas Heaphy, 1775–1835
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 12 3/4 inches (37 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Torre de Comares, Alhambra, 1835

Creator:: John Frederick Lewis, 1804–1876
Date:: 1835
Materials & Techniques:: Graphite, watercolor, and gouache, with scratching out on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 14 5/8 x 10 5/8 inches (37.1 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A Turkish Araba Drawn by Two White Oxen, Constantinople

Creator:: John Frederick Lewis, 1804–1876
Date:: 1841
Materials & Techniques:: Watercolor, white gouache and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/2 x 19 3/4 inches (36.8 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Tynemouth Pier - Lighting the Lamps at Sundown

Creator:: Alfred William Hunt, 1830–1896
Date:: 1868
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 21 1/4 inches (37.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Interior of the Belfry, Bushey Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Italianate Landscape with Travellers no. 2

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1760
Materials & Techniques:: Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 inches (36.8 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Queen Elizabeth Gate

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Haymakers

Creator:: Peter La Cave, active 1769–1810
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, blue ink, brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 × 19 9/16 inches (37.1 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Market Place, Tanta, Egypt

Creator:: William Paton Burton, 1828–1883
Date:: 1874
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 7/16 × 20 1/2 inches (36.7 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Rialto

Creator:: William Callow, 1812–1908
Date:: 1846
Materials & Techniques:: Watercolor with pen in brown and black ink, with graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/16 x 10 1/2 inches (36.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Prince of Wales Island, Penang

Creator:: Ensign Caldwell, c.1800
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 22 7/8 inches (36.5 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Landscape with beech trees and man driving cattle and sheep

Creator:: style of Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, gouache, and black chalk on medium, slightly textured, cream laid paper on blue wove paper mount
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Ganges

Creator:: William Simpson, 1823–1899
Date:: 1863
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 14 1/2 x 20 5/8 inches (36.8 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Residency, Lucknow

Creator:: William Simpson, 1823–1899
Date:: 1864
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 20 1/2 inches (37.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The River Chenab, Punjab

Creator:: William Simpson, 1823–1899
Date:: 1865
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Allahabad, from the Right Bank of the Jumna

Creator:: William Simpson, 1823–1899
Date:: 1865
Materials & Techniques:: Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 20 1/4 inches (37.1 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Views in the Levant: Man in a Boat Being Rowed Past a Pavilion

Creator:: Willey Reveley, 1760–1799
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper mounted to thick cream card
Dimensions:: Sheet: 14 3/8 × 23 1/2 inches (36.5 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Views in the Levant: Temple Ruins at Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Date:: ca. 1799
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Pacificism Is Not Enough

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, blue chalk, white gouache and graphite on moderately thick, slightly textured, cream wove paper, mounted on card
Dimensions:: Mount: 14 9/16 × 20 inches (37 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles and E. Jennifer Monaghan

83. View of Sigacik (Ancient Teos)

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 5/8 x 21 1/4 inches (37.2 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. View of Hill Towns or Ruins near Damascus

Creator:: Giovanni Battista Borra, 1713–1770
Date:: 1751
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 5/8 x 21 5/8 inches (37.1 x 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Is'Tmo e Penisola di Cizico

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 3/4 x 21 3/4 inches (37.4 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Castello di Smirna

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 9/16 x 21 1/4 inches (37 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Topographical Map of Halicarnassus at its Harbor

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 3/4 x 21 1/8 inches (37.4 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Cnidus: Plan of the Harbor and Map of Sites

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 5/8 x 21 1/4 inches (37.2 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 7/16 x 14 15/16 inches (54.5 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. View of Maglova Aqueduct

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 11/16 x 21 1/4 inches (37.3 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Headfort House, Ireland: Elevation of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: 1771
Materials & Techniques:: Pen and black ink with gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 9/16 x 25 9/16 inches (37 x 65 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Graphite, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Memorial to William Ravenscroft and his wife Margaret, also two children of Mrs. Frances Ball from West Ham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Portrait Study of a Divine

Creator:: John Vanderbank, 1694–1739
Date:: 1738
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 × 10 1/4 inches (36.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Unidentified Temple Faustana (?)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. St. Martyns Bruche

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1826
Materials & Techniques:: Gray wash, black wash, pen and black ink, graphite, white gouache, and sponging on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 11 1/2 inches (37 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Mrs. Skinner and Child

Creator:: John Hoppner, 1758–1810
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 8 3/4 inches (34.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Brass Plate Memorial to John and Maud de Bladigdone, from Wickham Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Traveling Barge

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 14 1/2 × 18 1/2 inches (36.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. View of Port Orotava, Tenerife, from El Limpio de Las Calaveras

Creator:: Alfred Diston, active 1818–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/2 × 19 1/16 inches (36.8 × 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Creator Gender male

Work Type watercolor

Height [cm] 37

Search Results

1. Sussex Farm Wagon

2. A Sussex Barn

3. The Dead Sea, 16 and 17 April 1858

4. The Two Friends

5. Pamela

6. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

7. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

8. "What time the thirteen Governors that England sent convene..." (Plate 15)

9. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

10. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

11. Frontispiece. Albion's Angel (Plate 1)

12. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

13. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

14. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

15. Title Page. America, A Prophecy (Plate 2)

16. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

17. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

18. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

19. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

20. "Silent as despairing love, and strong as jealousy..." (Plate 4)

21. "Appear to the Americans upon the cloudy night..." (Plate 6)

22. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

23. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

24. Cobham Hall, Kent: Elevation of Colonnade with Balustraded Parapet

25. Cobham Hall, Kent: Section of the great staircase, south wing at Cobham Hall

26. Cobham Hall, Kent: Section of Unidentified Room

27. Cobham Hall, Kent: Section of the Earl of Darnley's Dressing Room

28. Cobham Hall, Kent: Alternate Designs for Ceiling Decoration

29. The Town Hall, Danzig

30. View of Cracatoa (sic), China Seas

31. Cobham Hall, Kent: Plan of the Library

32. Cobham Hall, Kent: Section of a Hallway with Four Doors

33. Cobham Hall, Kent: Section of the Anteroom

34. Kings Weston, Bristol: Entrance Front Elevation

35. Study of a Cossack: Gregory Yellowstuff

36. Welsh Mountain Stream

37. The Gunpowder Magazine, Hyde Park

38. Gateway of an Old Fort, Benares

39. A View at Terracina

40. Interior of Lancaster House

41. Landscape with Horses, Farmer and Dog

42. Langley Park, Norfolk: Elevation of the South Front

43. A Regency House

44. Landscape with Trees and Sheep (Park Landscape with Sheep)

45. Nîmes from the Tour Magne

46. Design for a Ceiling

47. Unidentified Country House: Ground Floor Plan

48. Rochester

49. Headfort House, Ireland: Section of One End of the Parlor

50. Headfort House, Ireland: Section of One End of the Parlor

51. Headfort House, Ireland: Ceiling of the Front Hall

52. Headfort House, Ireland: Elevation of the Eating Parlor

53. Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added

54. Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church

55. Memorial to Francis Musters

56. Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes

57. No. 5 interior part of the 2nd temple seen from the North Side

58. Unidentified Ungulate

59. Casade de Lys From Below

60. View of Lakes Buttermere and Crummock Water

61. A Fallen Oak

62. View of Valetta, Malta

63. Man and Children with a Street Organ and a Monkey

64. The Torre de Comares, Alhambra, 1835

65. A Turkish Araba Drawn by Two White Oxen, Constantinople

66. Tynemouth Pier - Lighting the Lamps at Sundown

67. Interior of the Belfry, Bushey Church

68. Italianate Landscape with Travellers no. 2

69. The Queen Elizabeth Gate

70. Haymakers

71. The Market Place, Tanta, Egypt

72. The Rialto

73. Prince of Wales Island, Penang