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John R. Skeaping Sketch of a Base for the Mill Reef statue, 1972: Base with Statue
John R. Skeaping, 1901–1980
Sketch of a Base for the Mill Reef statue, 1972: Base with Statue
1972
Robert Polhill Bevan Swiss Cottage, Hampstead
Robert Polhill Bevan, 1865–1925
Swiss Cottage, Hampstead
between 1912 and 1913
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881
At Hailsham, Sussex: a Storm Approaching
1821
Joseph Mallord William Turner Windsor Castle and Park with Deer
Joseph Mallord William Turner, 1775–1851
Windsor Castle and Park with Deer
undated
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
William Blake Fettered Urizen Weeping (Plate 12)
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
John Preston Neale House with Weathercock
Attributed to John Preston Neale, 1771/80–1847
House with Weathercock
undated
William Payne On the Wye
Pupil of William Payne, active 1850s
On the Wye
undated
William Payne A Cave in Sunlight, with Figures
William Payne, active 1850s
A Cave in Sunlight, with Figures
1825
Paul Sandby Munn Landscape waith Figures, Cromach Water
Paul Sandby Munn, 1773–1845
Landscape waith Figures, Cromach Water
1805
John Henry Campbell Landscape with a Distant View of London
John Henry Campbell, 1757–1829
Landscape with a Distant View of London
undated
Paul Sandby A Sandpit
Paul Sandby, 1731–1809
A Sandpit
undated
Thomas Malton the Younger York Water Gate
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
William Marlow Houses by the Riverside
William Marlow, 1740–1813
Houses by the Riverside
undated
Monro School On the Road Between Salerno and Eboli
Monro School
On the Road Between Salerno and Eboli
undated
Henry Morton Strand Gateway, Winchelsea
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
Nicholas Pocock Man Drinking from a Spout
Nicholas Pocock, 1740–1821
Man Drinking from a Spout
undated
John Hamilton Mortimer Portrait of John Saxby
attributed to John Hamilton Mortimer, 1740–1779
Portrait of John Saxby
undated
Henry Morton Gateway to Battle Abbey
Henry Morton, ca. 1807–1825
Gateway to Battle Abbey
after 1819
William Wilkins Elevation of a Proposed Design for Cambridge Colleges
William Wilkins, 1778–1839
Elevation of a Proposed Design for Cambridge Colleges
ca. 1823
Sir James Thornhill Design of Apollo and the Python for a Painted over-door Decoration
Sir James Thornhill, 1675–1734
Design of Apollo and the Python for a Painted over-door Decoration
undated
Lewis Vulliamy Perspective View of a Fanciful Acropolis Complex
Lewis Vulliamy, 1791–1871
Perspective View of a Fanciful Acropolis Complex
undated
Hercules Brabazon Brabazon Figures in an eastern colonnade
Hercules Brabazon Brabazon, 1821–1906
Figures in an eastern colonnade
undated
John Varley River Landscape
imitator of John Varley, 1778–1842
River Landscape
undated
Paul Sandby Munn View of Side Farm, Patterdale
Paul Sandby Munn, 1773–1845
View of Side Farm, Patterdale
ca. 1802
George Shepheard Shepheard, Field and Haughton (fighting)
George Shepheard, ca. 1770–1842
Shepheard, Field and Haughton (fighting)
undated
George Shepheard Winkle Street, Southampton
George Shepheard, ca. 1770–1842
Winkle Street, Southampton
1819
George Shepheard Haughton, Field and Shepheard Fighting
George Shepheard, ca. 1770–1842
Haughton, Field and Shepheard Fighting
undated
John Glover Hilly Landscape with River and Cattle
John Glover, 1767–1849
Hilly Landscape with River and Cattle
ca. 1810
Charles Gore Lago Fucino
Charles Gore, 1729–1807
Lago Fucino
1776
Theodor von Holst Theatrical Group
Theodor von Holst, 1810–1844
Theatrical Group
undated
Thomas Grieve Design for an Egyptian Column
Thomas Grieve, 1799–1882
Design for an Egyptian Column
undated
Samuel Howitt Country Folk with a Child, Beside a River
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
James Gibbs Unidentified Office or Stables: Front Elevation
James Gibbs, 1682–1754
Unidentified Office or Stables: Front Elevation
ca. 1720
Thomas Jones The Road from Santa Maria de Monte to Naples
Thomas Jones, 1742–1803
The Road from Santa Maria de Monte to Naples
1781
William Joy A British Frigate Dropping Anchor
William Joy, 1803–1867
A British Frigate Dropping Anchor
undated
Samuel Howitt Hog Deer
Samuel Howitt, 1756–1822
Hog Deer
after 1813
John Henderson Lord Penryn's Slate Quarries
John Henderson, 1764–1843
Lord Penryn's Slate Quarries
undated
George Heriot Canadian Figure Studies
George Heriot, 1766–1844
Canadian Figure Studies
undated
William Lewin Jackdaw
William Lewin, 1747–1795
Jackdaw
before 1790
William Lewin Falcon: Hen Krestel
William Lewin, 1747–1795
Falcon: Hen Krestel
before 1790
William Lewin Hoopoe: Common Hoopoe
William Lewin, 1747–1795
Hoopoe: Common Hoopoe
before 1790
William Lewin Warbler: Reed Wren
William Lewin, 1747–1795
Warbler: Reed Wren
before 1790
William Lewin Owl: Little Owl
William Lewin, 1747–1795
Owl: Little Owl
before 1790
Frederick Christian Lewis the Elder Trees and a Rocky Stream
Frederick Christian Lewis the Elder, 1779–1856
Trees and a Rocky Stream
undated
Paul Sandby Portrait of a Lady at a Drawing Table
Paul Sandby, 1731–1809
Portrait of a Lady at a Drawing Table
undated
Cornelius Varley Laying Storm Anchors
Cornelius Varley, 1781–1873
Laying Storm Anchors
undated
John Varley A Village Street
pupil of John Varley, 1778–1842
A Village Street
undated
Johann Heinrich Ramberg The Assignation
Johann Heinrich Ramberg, 1763–1840
The Assignation
undated
Sir James Thornhill Sheet of Classical Figure Studies
Sir James Thornhill, 1675–1734
Sheet of Classical Figure Studies
undated
Sir James Thornhill The Birth of Venus
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
Paul Sandby Munn Landscape with Farmhouse, Figures and Pond
Paul Sandby Munn, 1773–1845
Landscape with Farmhouse, Figures and Pond
undated
Thomas Stothard A Distant View of Edinburgh
Thomas Stothard, 1755–1834
A Distant View of Edinburgh
1809
Ambrose Poynter Avranches
Ambrose Poynter, 1796–1886
Avranches
undated
Thomas Sewell Robins Mutton Cove, Plymouth
Thomas Sewell Robins, 1814–1880
Mutton Cove, Plymouth
undated
William Simpson Graves of the Officers in the Fort on Cathcart's Hill
William Simpson, 1823–1899
Graves of the Officers in the Fort on Cathcart's Hill
1854
Jonathan Skelton The Great Gate of St. Augustine's Monastery, Canterbury
Jonathan Skelton, active 1754, died 1758
The Great Gate of St. Augustine's Monastery, Canterbury
1757
Thomas Smith of Derby Chiaja of Naples from Posillipo
Thomas Smith of Derby, ca. 1720–1767
Chiaja of Naples from Posillipo
ca. 1780
William Beilby Kielder Castle, Northumberland
William Beilby, 1740–1819
Kielder Castle, Northumberland
undated
Robert Streatfeild Stowe House, Buckingham
Robert Streatfeild, 1786–1852
Stowe House, Buckingham
1797
Lewis Vulliamy Design for a Tudoresque Villa
Lewis Vulliamy, 1791–1871
Design for a Tudoresque Villa
undated
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
Henry Roberts Design for the Approaches to London Bridge
Henry Roberts, ca. 1710–1790
Design for the Approaches to London Bridge
undated
Joseph Barber Autumn Trees by a Lake
Joseph Barber, 1757–1811
Autumn Trees by a Lake
undated
Michel Jean Cazabon Village of Arima and Mount Tamana
Michel Jean Cazabon, 1813–1888
Village of Arima and Mount Tamana
1851
Michel Jean Cazabon The Cottage, Mount Tamana
Michel Jean Cazabon, 1813–1888
The Cottage, Mount Tamana
1851