A View Supposedly Near Arundel, Sussex, with Figures in a Lane
mid-18th century
Not on view
4
Joseph Stannard, 1797–1830
Buckenham Ferry, on the River Yare, Norfolk
1826
Not on view
5
Francis Towne, 1740–1816
Old Walton Bridge
1785
Not on view
6
John Vanderbank, 1694–1739
A Scene from Don Quixote (Vol.II, Ch.XXIII)
between 1730 and 1736
Not on view
7
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
8
George Morland, 1763–1804
Pheasant Shooting
ca. 1790
Not on view
9
George Morland, 1763–1804
Partridge Shooting
ca. 1790
Not on view
10
Sir John Lavery, 1856–1941
On the Clyde - Study of Elise Agnes Coats (née Walker), later Lady Glen Coats
1890
Not on view
11
Walter Richard Sickert, 1860–1942
Portrait of Carolina dell'Acqua
1903
Not on view
12
Glynn Williams, born 1939
"Stop"
1988
Not on view
13
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
14
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
15
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
16
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
17
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
18
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
19
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
20
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
21
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
22
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
23
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
24
William Hogarth, 1697–1764
Self-portrait
1749
25
William Hogarth, 1697–1764
Chairing the Members, Plate IV
1758
26
William Hogarth, 1697–1764
An Election Entertainment, Plate I
1755-58
27
Print made by William Hogarth, 1697–1764
Hogarth Painting the Comic Muse
1764
28
William Hogarth, 1697–1764
The Bruiser
1763
29
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
30
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
31
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
32
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
33
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
34
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
35
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
36
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
37
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
38
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
39
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
40
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
41
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
42
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
43
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
44
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
45
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
46
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
47
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
48
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
49
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
50
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
51
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
52
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
53
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
54
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
55
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
56
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
57
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
58
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
59
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
60
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
61
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
62
George Romney, 1734–1802
River God
undated
63
George Romney, 1734–1802
Glade in a Forest
undated
64
James Bruce, 1730–1794
Constantine
undated
65
James Bruce, 1730–1794
Graphite elevation of unidentified column with graphite and pen and ink dimensions
undated
66
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
67
Charles Hunt, 1803–1877
'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..
1839
68
George Townly Stubbs, 1748–1815
'Dungannon'
1794
69
George Townly Stubbs, 1748–1815
'Mambrino'
1794
70
George Townly Stubbs, 1748–1815
'Protector'
1794
71
George Townly Stubbs, 1748–1815
'Sweetbrier'
1804
72
George Townly Stubbs, 1748–1815
Sharke
1794
73
George Townly Stubbs, 1748–1815
Sharke
1794
74
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
75
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
76
George Townly Stubbs, 1748–1815
'Sweetbrier'
1794
77
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
78
George Morland, 1763–1804
The Country Girl in London
79
George Morland, 1763–1804
Rustic Employment
1788
80
George Morland, 1763–1804
The Country Girl at Home
81
George Morland, 1763–1804
Rural Amusement
1788
82
Daniel Lysons, 1762–1834
The Environs of London: Brass plate for Unidentified Infant from East Ham Church
between 1796 and 1811
83
Hugh William "Grecian" Williams, 1773–1829
View of the Forum in Rome
1828
84
Daniel Lysons, 1762–1834
Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
between 1796 and 1811
85
Print made by James Watson, 1740–1790
Caroline Duchess of Marlborough with Lady Caroline Spencer Her Daughter
1768
86
Print made by John Dean, 1754–1798
The Bird Cage
1786
87
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
88
Print made by James Watson, 1740–1790
Lady Beauchamp Proctor
1779
89
Print made by Paul Adolphe Rajon, 1842–1888
Charles Robert Darwin
1882
90
Print made by unknown artist
Salvator Mundi
undated
91
Print made by William Faithorne the Younger, ca. 1669–1703