Creator Gender: male / Date: 1820 / Classification: Prints - YCBA Collections Search Search Results

1. Paestum

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 1/2 inches (15.2 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Ship in a Storm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint, printed in brown ink; 1873 impression on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 20 inches (31.4 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Evening Gun

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

4. Ship and Cutter

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint printed in brown ink; 1873 impression on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Ship and Cutter

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; engraver's proof (b), 1873 impression on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 10 7/8 inches (21.3 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Evening Gun

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint with scraping; touched engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Plate: 7 1/2 × 9 7/8 inches (19 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

7. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; trial proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 8 1/4 inches (14.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

8. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 8 3/8 inches (14.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

9. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint, with graphite and white chalk; touched trial proof on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

10. Bridge and Monument

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1825
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

11. Study of Sea and Sky

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1825
Materials & Techniques:: Mezzotint, with graphite and white chalk; touched engraver's proof (a)
Dimensions:: Plate: 6 x 8 7/8in. (15.2 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Catania, Sicily

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Mezzotint; 1872 impression on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

14. Bridge and Monument

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1825
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Plate: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view

15. St. Michael's Mount

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint with white chalk; touched engraver's proof (b)
Dimensions:: Sheet: 8 7/16 x 10 15/16in. (21.4 x 27.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Paestum

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. Ship in a Storm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (a) on medium, slightly textured, cream laid paper mounted to board
Dimensions:: Sheet: 5 7/8 × 8 3/8 inches (14.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 19 1/2 inches (32.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching with chine collé; open etched state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Frontispiece to Mr. Fawkes Catalogue

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1820
Materials & Techniques:: Soft-ground etching, and engraving on thin, smooth, beige wove paper
Dimensions:: Mount: 11 3/8 × 9 1/16 inches (28.9 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching with chine collé on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Edinburgh, from the Calton Hill

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 3/8 inches (29.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Miller, 1796–1882
Date:: 1820
Materials & Techniques:: Etching and engraving; unpublished state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Bridport, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 3/8 inches (28.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 16 7/8 inches (34 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Hylton Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching with chine collé; open etched state on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/4 inches (26.7 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Lulworth Castle, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Minehead, Somersetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Minehead, Somersetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching with brown wash; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/4 inches (30.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Hurstmonceux Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 1/4 inches (38.7 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Raby Castle, County of Durham

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 19 7/8 inches (33.3 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Rome from Monte Mario

Creator:: Print made by John Byrne, 1786–1847
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 9/16 inches (33.7 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Bridport, Dorsetshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Fowey, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (2) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. View of Waterloo Bridge

Creator:: Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 11 3/4 x 15 1/4in. (29.8 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A General View of the Remains of Bermondsey Abbey, Surry

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 1/2 x 16 5/8in. (31.8 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Inside of the Hall, Bermondsey Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 10in. (33 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Inside of a Room and Saxon Ornaments of Bermondsey Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 9 7/8in. (33 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Representation of the Election of Members of Parliament for Westminster 1820

Creator:: Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 13/16 x 20 1/4in. (40.2 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Facsimile from one of the Books of Indentures for the Foundation of King Henry VII's Chapel

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. On Hounslow Heath, Outer Suburb, West

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Etching on medium, slightly textured, peach wove paper
Dimensions:: Sheet: 4 7/8 x 6 3/8 inches (12.4 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. West View of the Interior of Furnival's Inn

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. View of the Building in Cato Street where the Conspirators were Discovered and Plan of the District

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Cato Street Conspiracy (no. 2)

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Cato Street Conspiracy (no. 3)

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Interior of the Hall of Furnival Inn

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. North View of the Interior of Furnival's Inn

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. View of the Brewery and Dwelling House belonging to Messrs. Calvert and Company

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. View of Watermans Hall, Cold Harbour, Upper Thames Street

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. View of Cato Street

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Southeast View of the Gateway of Bermondsey Abbey

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 11 15/16in. (25.4 x 30.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Arundel; page 12 (Volume One)

Creator:: Print made by Henry Moses, ca. 1782–1870
Date:: ca. 1825
Materials & Techniques:: Wood-engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A View of Southwark Bridge

Creator:: Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. St. Mary le Strand

Creator:: Joseph Skelton, active 1820–1850
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 1/8 × 6 5/8 inches (23.2 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Notre Dame, Abbeville

Creator:: Charles J. Hullmandel, 1789–1850
Date:: 1820
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

67. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Creator:: Print made by John Franklin, c.1800–1868
Date:: ca. 1825
Materials & Techniques:: Lithograph with watercolor on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 15/16 x 17 13/16 inches (32.8 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Fry Print Collection

68. Advertisement for Part I of 'Views at Hastings'

Creator:: Engraved by William Bernard Cooke, 1778–1855
Date:: 1820
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A Maiden Lady and her Family

Creator:: Print made by unknown artist
Date:: between 1820 and 1840
Materials & Techniques:: Lithograph with hand coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 8 7/8 inches (29.2 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A General View of the Remains of Bermondsey Abbey, Surrey

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 1/16 × 18 1/2 inches (35.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Hall, Bermondsey Abby

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 14 3/4 × 10 9/16 inches (37.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. East View of the Gateway of Bermondsey Abby

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 1/16 × 12 inches (25.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Bermondsey Abby

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 11 3/16 inches (35.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Betting Booth

Creator:: George Dawe, 1781–1829
Date:: ca. 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Duel

Creator:: George Dawe, 1781–1829
Date:: ca. 1825
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 6 1/4 x 7 1/2in. (15.9 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: after 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Cheshire Mastiff

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1820
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 11 1/8 inches (19.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Dogs Drawn from Nature

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1820
Materials & Techniques:: Lithographs bound in original brown wrapper on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 7 5/8 × 22 1/4 inches (19.4 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. English Setter and Russian Pointer

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1820
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 11 1/8 inches (19.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Procession of Watermen and Lightermen at Southwark

Creator:: Francis Vincent, 1803–1883
Date:: 1820
Materials & Techniques:: Etching and watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Reffley Spring

Creator:: J. Hill, active 19th century
Date:: c.1820
Materials & Techniques:: Aquatint, colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. [Fox-hunting] Breaking Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. [Fox-hunting] Tree-ing the Fox

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. [Fox-hunting] Full Cry

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. [Fox-hunting] Going to Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1820-1821
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 13 3/4 x 22in. (34.9 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. [Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home.

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1820
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 8 3/4 x 11 13/16in. (22.2 x 30cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Mardol Street, Shrewsbury

Creator:: Edward Pryce Owen, 1788–1863
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Benjamin West, late President of the Royal Academy

Creator:: James Thomson, 1789–1850
Date:: 1820
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Newfoundland

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1820
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 11 1/8 inches (19.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Siberian

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1820
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 11 1/8 inches (19.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Esquimaux

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1820
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 11 1/8 inches (19.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Savoyard Shepherd's Dog

Creator:: Print made by Charles J. Hullmandel, 1789–1850
Date:: 1820
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 11 1/8 inches (19.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Church of L'Ery, near Pont-de-l'Arche

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 19 15/16 inches (35.6 x 50.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

YCBA Collections Search

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Creator Gender male

Date 1820

Classification Prints

Search Results

1. Paestum

2. Ship in a Storm

3. The Evening Gun

4. Ship and Cutter

5. Ship and Cutter

6. The Evening Gun

7. Shields Lighthouse

8. Shields Lighthouse

9. Catania, Sicily

10. Bridge and Monument

11. Study of Sea and Sky

12. Gloucester Cathedral

13. Catania, Sicily

14. Bridge and Monument

15. St. Michael's Mount

16. Gloucester Cathedral

17. Shields Lighthouse

18. Paestum

19. Ship in a Storm

20. Florence, from the Chiesa al Monte

21. Richmond Castle and Town

22. Richmond Castle and Town

23. Florence, from the Chiesa al Monte

24. Frontispiece to Mr. Fawkes Catalogue

25. Richmond Castle and Town

26. Turin, from the Portico of the Superga Church

27. Florence, from the Chiesa al Monte

28. Edinburgh, from the Calton Hill

29. Plymouth Dock from Mount Edgecumbe

30. Bridport, Dorsetshire

31. Fowey, Cornwall

32. Fowey, Cornwall

33. Hylton Castle, County of Durham

34. Florence, from the Chiesa al Monte

35. Lulworth Castle, Dorsetshire

36. Minehead, Somersetshire

37. Minehead, Somersetshire

38. Hurstmonceux Castle

39. Raby Castle, County of Durham

40. The Rialto, Venice

41. Rome from Monte Mario

42. Naples, from the Mole

43. Bridport, Dorsetshire

44. Fowey, Cornwall

45. View of Waterloo Bridge

46. A General View of the Remains of Bermondsey Abbey, Surry

47. Inside of the Hall, Bermondsey Abbey

48. Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

49. Inside of a Room and Saxon Ornaments of Bermondsey Abbey

50. Representation of the Election of Members of Parliament for Westminster 1820

51. Facsimile from one of the Books of Indentures for the Foundation of King Henry VII's Chapel

52. On Hounslow Heath, Outer Suburb, West

53. West View of the Interior of Furnival's Inn

54. View of the Building in Cato Street where the Conspirators were Discovered and Plan of the District

55. Cato Street Conspiracy (no. 2)

56. Cato Street Conspiracy (no. 3)

57. Interior of the Hall of Furnival Inn

58. North View of the Interior of Furnival's Inn

59. View of the Brewery and Dwelling House belonging to Messrs. Calvert and Company

60. View of Watermans Hall, Cold Harbour, Upper Thames Street

61. View of Cato Street

62. Southeast View of the Gateway of Bermondsey Abbey

63. Arundel; page 12 (Volume One)

64. A View of Southwark Bridge

65. St. Mary le Strand

66. Notre Dame, Abbeville

67. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

68. Advertisement for Part I of 'Views at Hastings'

69. A Maiden Lady and her Family

70. A General View of the Remains of Bermondsey Abbey, Surrey

71. The Hall, Bermondsey Abby

72. East View of the Gateway of Bermondsey Abby

73. Bermondsey Abby