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Collection
Prints and Drawings
476
Paintings and Sculpture
11
Creator
Moore, James, 1762–1799
87
Blake, William, 1757–1827
39
Edwards, Richard, active 1796–1797
39
Young, Edward, 1683–1765
39
Bartolozzi, Francesco, 1727–1815
31
Cruikshank, Isaac, 1764–1811
26
Newton, Richard, 1777–1798
26
Gillray, James, 1756–1815
25
Dent, William, active 1784–1793
23
Unknown artist
17
Girtin, Thomas, 1775–1802
16
Ellis, William, 1747–1810
15
Reynolds, Joshua, Sir, 1723–1792
11
Thirtle, John, 1777–1839
11
Bunbury, Henry William, 1750–1811
10
Parish, Henry William, active 1792
10
Holbein, Hans the Younger, ca. 1497–1543
9
Chamberlaine, John, 1745–1812
8
Fores, S. W., 1761–1838
8
Boydell, John, 1720–1804
7
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Creator
»
Date
1791
1,123
1802
1,047
1800
770
1834
706
1745
651
1796
635
1749
573
1795
569
1827
536
1789
528
1793
528
1775
522
1771
518
1804
504
1832
493
1835
489
1792
[remove]
487
1790
486
1799
467
1830
463
1820
444
1825
444
1794
434
1826
432
1797
428
1772
426
1784
423
1836
420
1803
395
1808
392
1833
388
1782
371
1785
357
1867
348
1818
330
1812
326
1780
321
1768
307
1807
302
1767
301
1801
300
1823
286
1798
284
1748
282
1788
278
1821
276
1770
275
1764
270
1810
269
1811
268
1787
266
1783
264
1805
264
1773
263
1839
262
1752
259
1809
258
1828
258
1813
257
1814
255
1817
251
1546
247
1831
242
1840
240
1739
238
1786
237
1778
235
1815
231
1824
230
1755
225
1837
224
1819
217
1855
206
1806
205
1758
204
1816
204
1822
198
1829
193
1853
189
1630
187
1765
187
1738
186
1777
185
1781
185
1877
184
1870
183
1762
179
1838
177
1760
173
1776
172
1754
170
1779
168
1740
166
1846
166
1763
165
1742
163
1774
150
1750
145
1753
136
1859
132
On-site Access
Accessible by appointment in the Study Room
476
Not on view
11
Image Use
Free to Use
[remove]
487
Image Available
Available
470
Unavailable
17
Classification
Prints
285
Drawings & Watercolors
187
Paintings
10
Drawing & Watercolors-Architectural
2
Drawings & Watercolors-Miniatures
2
Sculptures
1
Creator Gender
male
[remove]
487
unknown
17
female
4
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
84
Young's Night Thoughts
39
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
9
Views in the South Seas 1776-1780
7
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
Iconographie Anglaise par Reynolds et Autres
5
A Long String of Resolutions for the New Year
2
The Winter's Tale
2
A Midsummer Night's Dream
1
Antiquities of London and Environs
1
British Theatre
1
The Merry Wives of Windsor
1
The Tragedy of Macbeth
1
Views in the Province of Kiang Nan, China
1
Period
18th century
455
18th century-19th century
25
19th century
4
Materials & Techniques
wove paper
207
graphite
172
watercolor
121
laid paper
82
etching (printing process)
75
line engraving
59
stipple engraving
42
black ink
21
brown ink
21
pen
16
mezzotint
14
aquatint
10
hand coloring
10
painting (technique)
10
oil paint
9
canvas
7
gray wash
6
gouache
5
soft ground
5
gray ink
4
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
166
Unknown
34
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
160
Unknown
34
Work Type
drawing
214
intaglio print
137
watercolor
118
painting
10
ticket
3
miniature
2
bust
1
relief print
1
sculpture
1
Genre
architectural subject
131
landscape
79
literary theme
54
genre subject
50
portrait
44
marine art
23
figure study
12
religious and mythological subject
11
historical subject
8
sporting art
8
cityscape
7
animal art
5
military art
2
Subject Terms
architectural subject
59
men
57
landscape
53
literary theme
50
trees
43
women
42
text
37
genre subject
30
portrait
25
caricature
23
clouds
21
man
21
caricatures
20
satire
20
costume
19
ruins
18
river
17
woman
17
marine art
16
nudes
16
more
Subject Terms
»
Associated Places
England
47
United Kingdom
46
Europe
31
Northumberland
7
Scotland
7
Asia
6
Birmingham
6
Devon
6
India
6
China
4
Greater London
4
London
4
Wales
4
Thames
3
Berkshire
2
Bristol
2
Cumbria
2
Cymru
2
Dartmouth
2
Hertfordshire
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
19
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
2
Robinson, Mary (1756/1758?–1800), author and actress
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Affleck, Philip (b. after 1725?, d. 1799), naval officer
1
Anne Page (character in The Merry Wives of Windsor)
1
Apollo
1
Carl Bernhard Wadström (1746–1799), abolitionist
1
Cleopas
1
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Diana
1
Elizabeth
1
Falstaff
1
Farren, Elizabeth (1759x62–1829), actress
1
Fenton (character in The Merry Wives of Windsor)
1
Fitzherbert, [née Smythe; other married name Weld] Maria Anne (1756–1837), unlawful wife of George IV by a marriage invalid under the Royal Marriages Act of 1772
1
Fox, Charles James (1749–1806), politician
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
40
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
15
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
10
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
7
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
6
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
5
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
5
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
4
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
3
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
3
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
2
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
2
Wilde Americk - Discovery and Exploration of the New World, 1500-1850 (Yale Center for British Art, 2001-09-27 - 2001-09-27)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
398
Yale Center for British Art
36
Yale Center for British Art, Paul Mellon Fund
23
Yale Center for British Art, Gift of Paul F. Walter
4
Yale Center for British Art, Bequest of William S. Konecky
3
Yale Center for British Art, Gift of Frederick W. Hilles
3
Yale Center for British Art; Gift of Herman W. Liebert
3
Yale Center for British Art; Yale University Art Gallery Collection
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, Yale University Art Gallery Collection
2
Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey
1
Yale Center for British Art, Gift of Herman W. Liebert
1
Yale Center for British Art, Gift of Lowell Libson Ltd.
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
Yale Center for British Art; Gift of David Bindman
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerli, B.A. 1932
1
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1
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
Not on view
2
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
Not on view
3
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
4
Sawrey Gilpin, 1733–1807
A Horse Frightened by a Snake
1792
Not on view
5
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
6
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
7
William Redmore Bigg, 1755–1828
The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
8
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
9
Henry Fuseli, 1741–1825
Christ Disappearing at Emmaus
1792
Not on view
10
Julius Caesar Ibbetson, 1759–1817
A Stage Coach on a Country Road
1792
Not on view
11
Joseph Nollekens, 1737–1823
Charles James Fox
1792
Not on view
12
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
13
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
14
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
15
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
16
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
17
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
18
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
19
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
20
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
21
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
22
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
23
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
24
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
25
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
26
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
27
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
28
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
29
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
30
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
31
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
32
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
33
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
34
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
35
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
36
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
37
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
38
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
39
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
40
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
41
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
42
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
43
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
44
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
45
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
46
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
47
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
48
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
49
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
50
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
51
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
52
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
53
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
54
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
55
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
56
John Thirtle, 1777–1839
An Old Fisherman Repairing Nets with a Cottage in the Background
undated
57
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
58
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
59
John Thirtle, 1777–1839
Young Girl Sitting on a Bank outside a Church
undated
60
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
61
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
62
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
63
George Morland, 1763–1804
The Farmer's Stable
1792
64
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated
65
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
66
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
67
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
68
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
69
George Townly Stubbs, 1748–1815
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
70
unknown artist
Falstaff reproved by King Henry
1792
71
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
72
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
73
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
74
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
75
Print made by unknown artist
French Privateers, Cruising in the English Channel
1792
76
James Wales, ca.1747–1795
Krishna and Radha
1792 to 1795
77
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
78
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
79
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
80
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
81
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
82
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
83
Print made by Thomas Cheesman, 1760–1834/35
The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV
1792
84
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
85
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
86
unknown artist
Falstaff Reproved by King Henry
1792
87
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
88
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
89
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
90
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
91
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
92
John Webber, 1752–1793
The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
1792
93
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
94
Thomas Trotter, ca. 1750–1803
Dr. Samuel Johnson
1792
95
unknown artist
Macbeth and the Murderers - "Macbeth," Act III, Scene I
1792
96
John Chapman, active ca. 1792–1823
Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II
1792
97
William Gmelin, 1745–1821
Vue des Petites Cascatelles a Tivoli
1792
98
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
99
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
100
John Glover, 1767–1849
River with Fishermen
1792
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