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William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
Thomas Allom The Ceremony of Opening London Bridge, August 1, 1831
Print made by Thomas Allom, 1804–1872
The Ceremony of Opening London Bridge, August 1, 1831
undated
Agostino Brunias Free Natives of Dominica
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
William Day The High Street, Southampton
Print made by William Day, 1764–1807
The High Street, Southampton
1828
James Charles Armytage The Balcony
Print made by James Charles Armytage, 1802–1897
The Balcony
between 1835 and 1854
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
Samuel Cousins Mary Elizabeth, Countess Grey, with Her Two Children
Print made by Samuel Cousins, 1801–1887
Mary Elizabeth, Countess Grey, with Her Two Children
1831
George Baxter Queen Victoria
after George Baxter, 1804–1867
Queen Victoria
ca. 1860
Lewis Vaslet The Spoiled Child, Scene II
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene II
ca. 1802
Thomas Rowlandson The Undergraduate's Room
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
Lewis Vaslet The Spoiled Child, Scene I
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene I
ca. 1802
William Payne Private View of the Royal Academy
William Payne, active 1850s
Private View of the Royal Academy
1858
David Allan Sir William Worthy's Blessing
Print made by David Allan, 1744–1796
Sir William Worthy's Blessing
1808
Thomas Stothard November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
Day & Co. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
Print made by Day & Co., 1824–1913
Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
1839
Day & Co. New Steine and Rock Gardens
Print made by Day & Co., 1824–1913
New Steine and Rock Gardens
1839
Michael Hanhart L'Adieu
Print made by Michael Hanhart, active 1841–1852
L'Adieu
ca. 1858
John Greig Cloisters of Worcester Cathedral
John Greig, active 1803–1853
Cloisters of Worcester Cathedral
1807
Matthew Dubourg The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
William Alexander Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
William Alexander, 1767–1816
Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
undated
Richard Dadd The Music Lesson or the Governess: a Sketch
Richard Dadd, 1817–1886
The Music Lesson or the Governess: a Sketch
1855
Sir Lawrence Alma-Tadema Fredegonda at the Deathbed of Praetextatus
Sir Lawrence Alma-Tadema, 1836–1912
Fredegonda at the Deathbed of Praetextatus
ca. 1864
John Flaxman Study for a Monument to the Reverend John Clowes
John Flaxman, 1755–1826
Study for a Monument to the Reverend John Clowes
ca. 1820
Lionel Percy Smythe A Hero of Our Century
Lionel Percy Smythe, 1839–1918
A Hero of Our Century
1874