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Robert Polhill Bevan Huntsman and Hounds
Print made by Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
1898-1899
Robert Polhill Bevan Under the Hammer
Robert Polhill Bevan, 1865–1925
Under the Hammer
between 1912 and 1913
Samuel Palmer Timber Wagon Crossing a Stream
Samuel Palmer, 1805–1881
Timber Wagon Crossing a Stream
undated
George Stubbs Plate VI, Human Body, Frontal View
Print made after George Stubbs, 1724–1806
Plate VI, Human Body, Frontal View
1804
George Stubbs Plate VIII, Human Body, Posterior View
Print made after George Stubbs, 1724–1806
Plate VIII, Human Body, Posterior View
1804
Edward Lear Near Dishna
Edward Lear, 1812–1888
Near Dishna
1867
Edward Lear Boat on the Nile
Edward Lear, 1812–1888
Boat on the Nile
January - March 1867
Edward Lear Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)
Edward Lear, 1812–1888
Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)
1867
Edward Lear Near Edfu
Edward Lear, 1812–1888
Near Edfu
1867
Edward Lear Philae
Edward Lear, 1812–1888
Philae
1867
Edward Lear Boat on the Nile
Edward Lear, 1812–1888
Boat on the Nile
January - March 1867
Edward Lear Sunset on the Nile
Edward Lear, 1812–1888
Sunset on the Nile
1867
Edward Lear Edfu
Edward Lear, 1812–1888
Edfu
1867
Edward Lear Boats on the Nile
Edward Lear, 1812–1888
Boats on the Nile
1867
Edward Lear Opposite Melaghara, 5:20 PM
Edward Lear, 1812–1888
Opposite Melaghara, 5:20 PM
undated
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Haram el Ketab
Edward Lear, 1812–1888
Haram el Ketab
1867
Edward Lear Haram el Ketab
Edward Lear, 1812–1888
Haram el Ketab
1867
Edward Lear Deir Kadige
Edward Lear, 1812–1888
Deir Kadige
1867
Edward Lear Silsilis
Edward Lear, 1812–1888
Silsilis
1854
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
George Romney Figure Composition Study 21 with a Face
George Romney, 1734–1802
Figure Composition Study 21 with a Face
undated
George Romney Temptation of Christ
George Romney, 1734–1802
Temptation of Christ
undated
George Romney Fiends for the Temptation of Christ
George Romney, 1734–1802
Fiends for the Temptation of Christ
undated
George Romney Temptation of Christ
George Romney, 1734–1802
Temptation of Christ
undated
George Romney Possibly "The Effects of Pride" or "Injustice"
George Romney, 1734–1802
Possibly "The Effects of Pride" or "Injustice"
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney Possibly Lapland Witches
George Romney, 1734–1802
Possibly Lapland Witches
undated
George Romney Figures
George Romney, 1734–1802
Figures
undated
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
John Martin The Rescue of Lot
John Martin, 1789–1854
The Rescue of Lot
1833
unknown artist Copy of Man, 1549 (with Beham's monogram)
unknown artist
Copy of Man, 1549 (with Beham's monogram)
undated
John Glover Greenwich
John Glover, 1767–1849
Greenwich
undated
Sir George Hayter Portrait Study of Martha, Lady Hayter
Sir George Hayter, 1792–1871
Portrait Study of Martha, Lady Hayter
1863
Samuel Howitt Gun Dogs
Samuel Howitt, 1756–1822
Gun Dogs
undated
George Jones Interior of a Blacksmith's Forge
George Jones, 1786–1869
Interior of a Blacksmith's Forge
undated
Thomas Lindsay Oast House at Dusk
Thomas Lindsay, 1793–1861
Oast House at Dusk
undated
Thomas Lindsay Cloud Study - Blue and Red Flecked Alto - Cumulus
Attributed to Thomas Lindsay, 1793–1861
Cloud Study - Blue and Red Flecked Alto - Cumulus
undated
Francis Wheatley An Old Fisherwoman with Two Women Digging for Bait
Francis Wheatley, 1747–1801
An Old Fisherwoman with Two Women Digging for Bait
undated
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Wilson Carmichael A Fireworks Display
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
John Varley Cattle Watering at Sunset
John Varley, 1778–1842
Cattle Watering at Sunset
undated
Richard Parkes Bonington A Seascape
Richard Parkes Bonington, 1802–1828
A Seascape
undated
Peter La Cave Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
Peter La Cave, active 1769–1810
Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
George Richmond Portrait of Samuel Palmer, February 5, 1828
George Richmond, 1809–1896
Portrait of Samuel Palmer, February 5, 1828
1828
James Ward Two Girls (or Lady and Child) on a Garden Terrace near an Ornamental Urn
James Ward, 1769–1859
Two Girls (or Lady and Child) on a Garden Terrace near an Ornamental Urn
undated
John Greig Herstmonceux Castle, Sussex
John Greig, active 1803–1853
Herstmonceux Castle, Sussex
1815
John Gendall Fulham Palace, Porter's Lodge
John Gendall, 1790–1865
Fulham Palace, Porter's Lodge
undated
George Jones The Blacksmith
George Jones, 1786–1869
The Blacksmith
undated
William Havell Welsh Landscape
Attributed to William Havell, 1782–1857
Welsh Landscape
undated
Samuel Howitt The Dog and The Shadow
Samuel Howitt, 1756–1822
The Dog and The Shadow
undated
Samuel Howitt Bull and Cow
Samuel Howitt, 1756–1822
Bull and Cow
after 1813
Samuel Howitt Raven and Snake
Samuel Howitt, 1756–1822
Raven and Snake
ca. 1813
Samuel Howitt Crane and Frogs
Samuel Howitt, 1756–1822
Crane and Frogs
after 1813
John Frederick Lewis The Via Mala
John Frederick Lewis, 1804–1876
The Via Mala
1827
John Linnell Figures on a Bank, Kensington Gravel Pits
John Linnell, 1792–1882
Figures on a Bank, Kensington Gravel Pits
1812
Thomas Lindsay Wispy Cloud Above an Alpine Formation
Attributed to Thomas Lindsay, 1793–1861
Wispy Cloud Above an Alpine Formation
undated