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Materials & Techniques wove paper

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Work Type watercolor

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Vanessa Bell Young Boy in Blue Shirt
Vanessa Bell, 1879–1961
Young Boy in Blue Shirt
undated
Robert Polhill Bevan Under the Hammer
Robert Polhill Bevan, 1865–1925
Under the Hammer
between 1912 and 1913
Samuel Palmer Timber Wagon Crossing a Stream
Samuel Palmer, 1805–1881
Timber Wagon Crossing a Stream
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Silsilis
Edward Lear, 1812–1888
Silsilis
1854
Edward Lear Near Edfu
Edward Lear, 1812–1888
Near Edfu
1867
Edward Lear Boats on the Nile
Edward Lear, 1812–1888
Boats on the Nile
1867
Edward Lear Sunset on the Nile
Edward Lear, 1812–1888
Sunset on the Nile
1867
Edward Lear Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)
Edward Lear, 1812–1888
Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)
1867
Edward Lear Philae
Edward Lear, 1812–1888
Philae
1867
Edward Lear Haram el Ketab
Edward Lear, 1812–1888
Haram el Ketab
1867
Edward Lear Haram el Ketab
Edward Lear, 1812–1888
Haram el Ketab
1867
Edward Lear Edfu
Edward Lear, 1812–1888
Edfu
1867
Edward Lear Opposite Melaghara, 5:20 PM
Edward Lear, 1812–1888
Opposite Melaghara, 5:20 PM
undated
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Boat on the Nile
Edward Lear, 1812–1888
Boat on the Nile
January - March 1867
Edward Lear Near Dishna
Edward Lear, 1812–1888
Near Dishna
1867
Edward Lear Boat on the Nile
Edward Lear, 1812–1888
Boat on the Nile
January - March 1867
Edward Lear Deir Kadige
Edward Lear, 1812–1888
Deir Kadige
1867
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
George Romney Temptation of Christ
George Romney, 1734–1802
Temptation of Christ
undated
Henry Swinburne Court of the Lions in the Alhambra of Granada
Henry Swinburne, 1743–1803
Court of the Lions in the Alhambra of Granada
1775 to 1776
Charles Hamilton Smith Chile Skunk
Charles Hamilton Smith, 1776–1859
Chile Skunk
ca. 1837
Benjamin Robert Haydon Study for Napoleon Bonaparte
Benjamin Robert Haydon, 1786–1846
Study for Napoleon Bonaparte
undated
Sir Robert Smirke the younger Study of a Prison in Venice
Sir Robert Smirke the younger, 1781–1867
Study of a Prison in Venice
1802-1804
Sir Robert Smirke the younger In Vicenza
Sir Robert Smirke the younger, 1781–1867
In Vicenza
1802-1804
John Varley Castle
John Varley, 1778–1842
Castle
undated
Robert Barnes Two Boys
Print made by Robert Barnes, 1840–1895
Two Boys
undated
Charles Hamilton Smith Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13
Charles Hamilton Smith, 1776–1859
Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13
ca. 1837
William Swainson Sooty Falcon
William Swainson, 1789–1855
Sooty Falcon
ca. 1837
Charles Hamilton Smith The Dongola Horse
Charles Hamilton Smith, 1776–1859
The Dongola Horse
ca. 1837
Charles Hamilton Smith Shrubat-ur-Reech
Charles Hamilton Smith, 1776–1859
Shrubat-ur-Reech
ca. 1837
Robert Smirke Wooded Scene with a Couple Laying under a Tree, by a Stream
Robert Smirke, 1752–1845
Wooded Scene with a Couple Laying under a Tree, by a Stream
undated
Henry Swinburne View of the Road Near Borchetta
Henry Swinburne, 1743–1803
View of the Road Near Borchetta
undated
Henry Swinburne Landscape View of a Ruined Castle with River, Wooden Bridge and a Figure, Fishing
Henry Swinburne, 1743–1803
Landscape View of a Ruined Castle with River, Wooden Bridge and a Figure, Fishing
undated
Gwen John Girl Sewing
Gwen John, 1876–1939
Girl Sewing
between 1895 and 1898
Peter DeWint Hay Wagons
Peter DeWint, 1784–1849
Hay Wagons
undated
Ogilvie, Earl of Airlie Design for a Cartouche: Armour, Bugles, etc.
Ogilvie, Earl of Airlie
Design for a Cartouche: Armour, Bugles, etc
undated
unknown artist Morning
unknown artist
Morning
1799
unknown artist Mid-Day
unknown artist
Mid-Day
1799
Charles Hancock Two Shetland Ponies With a Groom
Charles Hancock, 1802–1877
Two Shetland Ponies With a Groom
1834
Lionel Grimston Fawkes Nutmeg, Trinidad
Lionel Grimston Fawkes, 1849–1931
Nutmeg, Trinidad
undated
John Collet Stable Boy Holding a Horse in a Landscape
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
Robert Dighton William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip
Robert Dighton, 1752–1814
William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip
between 1801 and 1802
Thomas Stothard Sketch of Izaak Walton's Cottage for the "Complete Angler," London, 1836
Thomas Stothard, 1755–1834
Sketch of Izaak Walton's Cottage for the "Complete Angler," London, 1836
1836
Anthony Vandyke Copley Fielding Landscape Near Newmarket, Suffolk
Possibly Anthony Vandyke Copley Fielding, 1787–1855
Landscape Near Newmarket, Suffolk
1812
Paul Sandby Two Laden Hay Carts With Horses
Paul Sandby, 1731–1809
Two Laden Hay Carts With Horses
undated
John Linnell A Study of Children
John Linnell, 1792–1882
A Study of Children
1811
Thomas Rowlandson Picking Mulberries
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
William Alexander A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
William Alexander, 1767–1816
A. Marlow Lock; B. Figures on a Barge, Possibly a Sketch Relating to This Drawing of Marlow Lock
undated
Samuel Prout A Diligence, Side View: Nuremberg
Samuel Prout, 1783–1852
A Diligence, Side View: Nuremberg
undated
Samuel Prout Studies of Peasants, Diligences, and Hay Wagons
Samuel Prout, 1783–1852
Studies of Peasants, Diligences, and Hay Wagons
undated
Thomas Daniell Architectural Ornament from a Temple
Thomas Daniell, 1749–1840
Architectural Ornament from a Temple
undated
Thomas Rowlandson 'How to Twist Your Neck'
Thomas Rowlandson, 1756–1827
'How to Twist Your Neck'
undated
Frederick Landseer Maur Griggs Sunset in the Cotswolds
Frederick Landseer Maur Griggs, 1876–1938
Sunset in the Cotswolds
1936
John Buckler FSA a. Doorway in one of the Rooms at Montacute House / b.Door of Library at Montacute House
John Buckler FSA, 1770–1851
a. Doorway in one of the Rooms at Montacute House / b.Door of Library at Montacute House
1810
Thomas Rowlandson The Visitors Being Shown the Baby
Thomas Rowlandson, 1756–1827
The Visitors Being Shown the Baby
undated
James Stark A Thames Barge
James Stark, 1794–1859
A Thames Barge
undated
Peter DeWint Landscape Sketch with Figures in Foreground
Peter DeWint, 1784–1849
Landscape Sketch with Figures in Foreground
undated