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Materials & Techniques wove paper

Work Type intaglio print

Width [cm] 33

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

George Stubbs Plate VII, Human Body, Lateral View

Print made after George Stubbs, 1724–1806

Plate VII, Human Body, Lateral View

1804

Joseph Mallord William Turner Sheep-Washing, Windsor

Print made by Joseph Mallord William Turner, 1775–1851

Sheep-Washing, Windsor

between 1813 and 1823

Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy

Print made by Joseph Mallord William Turner, 1775–1851

Mer de Glace, Valley of Chamouni, Savoy

1812

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Charles Rolls The Brides of Venice

Print made by Charles Rolls, 1800–active 1830

The Brides of Venice

1830

John Byrne Rome from Monte Mario

Print made by John Byrne, 1786–1847

Rome from Monte Mario

1820

John Byrne Rome from Monte Mario

Print made by John Byrne, 1786–1847

Rome from Monte Mario

1818-1820

George Cooke Naples, from the Mole

Print made by George Cooke, 1781–1834

Naples, from the Mole

1819

William Bernard Cooke The Observatory at Rosehill, Sussex

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

Thomas Girtin The Watermill Above the Bridge at Charenton

Thomas Girtin, 1775–1802

The Watermill Above the Bridge at Charenton

1803

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Robert Wallis William Tell's Chapel

Print made by Robert Wallis, 1794–1878

William Tell's Chapel

1830

James Tibbits Willmore Nantes

Print made by James Tibbits Willmore, 1800–1863

Nantes

1828-1837

Valentine Green Lady Caroline Howard

Valentine Green, 1739–1813

Lady Caroline Howard

1778

Charles Turner The Right Honourable Spencer Perceval

Charles Turner, 1774–1857

The Right Honourable Spencer Perceval

1812

George Cruikshank A Scene in the New Farce - as Performed at the Royalty Theatre!

Print made by George Cruikshank, 1792–1878

A Scene in the New Farce - as Performed at the Royalty Theatre!

1821

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804

John Augustus Atkinson Military Costumes of the Reign of King Henry VI, 1447

Print made by John Augustus Atkinson, 1775–1831

Military Costumes of the Reign of King Henry VI, 1447

1812

George Cruikshank Specimens of Waltzing

Print made by George Cruikshank, 1792–1878

Specimens of Waltzing

1817

George Cruikshank Traveling in France -or, -Le départ de la diligence

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

1818

Charles Picart Reverend Beilby Porteus, Lord Bishop of London

Charles Picart, c.1780–1837

Reverend Beilby Porteus, Lord Bishop of London

1809

James Heath "Then go, bid the huntsmen wake them with their horns"

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

James Heath "Hubert, let me not be bound!"

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

Giovanni Vendramini Sir John Thomas Duckworth, 1st Baronet of Topsham

Print made by Giovanni Vendramini, 1769–1839

Sir John Thomas Duckworth, 1st Baronet of Topsham

1809

James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

John Augustus Atkinson Costume of the Reign of King Henry III, 1250

Print made by John Augustus Atkinson, 1775–1831

Costume of the Reign of King Henry III, 1250

1814

William Heath Opera Reminiscences: Desdemona and Otello

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

Edward Scriven George Colman, The Elder

Edward Scriven, 1775–1841

George Colman, The Elder

1813

William Heath Opera Reminiscences: Desdemona and Othello

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Othello

1829

George Baxter The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Print made by George Baxter, 1804–1867

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

1841

Bernard Lens II Tobit and the Angel

Print made by Bernard Lens II, 1659–1725

Tobit and the Angel

undated

Samuel Cousins The Countess of Blessington

Print made by Samuel Cousins, 1801–1887

The Countess of Blessington

1837

Samuel Cousins Master Henry Thomas Hope

Print made by Samuel Cousins, 1801–1887

Master Henry Thomas Hope

1836

unknown artist King Henry VI, Second Part, Act 3, Scene 3

unknown artist

King Henry VI, Second Part, Act 3, Scene 3

1801

John Henry Robinson The Mantilla

John Henry Robinson, 1796–1871

The Mantilla

1838

John Dean Elizabeth, Countess of Derby

Print made by John Dean, 1754–1798

Elizabeth, Countess of Derby

1780

Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Jonathan Girtin Coastal Scene

Jonathan Girtin, ca.1780–aft.1820

Coastal Scene

undated

George Cooke Lulworth Castle, Dorsetshire

Print made by George Cooke, 1781–1834

Lulworth Castle, Dorsetshire

1814 to 1826

Edward Goodall Rye, Sussex

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

William Bernard Cooke The Spot where Harold Fell

Print made by William Bernard Cooke, 1778–1855

The Spot where Harold Fell

1816

William Bernard Cooke Hurstmonceux Castle

Print made by William Bernard Cooke, 1778–1855

Hurstmonceux Castle

1820

William Bernard Cooke Dartmoor; Source of the Tamar and the Torridge

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

William Bernard Cooke The Observatory at Rosehill, Sussex

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

W. R. Smith Heriot's Hospital

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

George Cooke Edinburgh, from the Calton Hill

Print made by George Cooke, 1781–1834

Edinburgh, from the Calton Hill

1820

Robert Wallis Linlithgow Palace

Print made by Robert Wallis, 1794–1878

Linlithgow Palace

1822

John Horsburgh Bell Rock Lighthouse

Print made by John Horsburgh, 1791–1869

Bell Rock Lighthouse

1824

William Bernard Cooke St. Michael's Mount, Cornwall

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

George Cooke Lulworth Castle, Dorsetshire

Print made by George Cooke, 1781–1834

Lulworth Castle, Dorsetshire

1820

William Bernard Cooke Bodiham Castle, Sussex

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817