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Materials & Techniques wove paper

Work Type intaglio print

Height [cm] 45

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Woollett Celadon and Amelia

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

Francesco Bartolozzi Juvenis auscultans seni de divinis admonenti

Print made by Francesco Bartolozzi, 1728–1815

Juvenis auscultans seni de divinis admonenti

1764

George Cooke Part of Waterloo Bridge with the Shot Tower, &c.

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

William Ward The Citizens Retreat

William Ward, 1766–1826

The Citizens Retreat

1796

William Ward A Vegetable Market

William Ward, 1766–1826

A Vegetable Market

1803

Victor Marie Picot Winter

Victor Marie Picot, 1744–1805

Winter

1794

William Woollett The Rural Cott

William Woollett, 1735–1785

The Rural Cott

1797

William Ward Selling Rabbits

William Ward, 1766–1826

Selling Rabbits

1796

William Ward Compassionate Children

William Ward, 1766–1826

Compassionate Children

1793

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Charles Rosenberg Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..

Charles Rosenberg, active 1828–1848

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.

1831

Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Valentine Green Sir Joshua Reynolds

Valentine Green, 1739–1813

Sir Joshua Reynolds

1780

Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Edward Alfred Goodall A Tomb

Edward Alfred Goodall, 1819–1908

A Tomb

1830

Daniel Allen Cristina

Print made by Daniel Allen, active 1830s

Cristina

1830

John Henry Robinson The Tarentella

Print made by John Henry Robinson, 1796–1871

The Tarentella

1830

Frederick Christian Lewis the Elder Giovanni and Garcia De' Medici

Print made by Frederick Christian Lewis the Elder, 1779–1856

Giovanni and Garcia De' Medici

1830

Daniel Allen A Grecian Drinking Cup

Print made by Daniel Allen, active 1830s

A Grecian Drinking Cup

1830

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

John Henry Robinson The Death of Raphael

Print made by John Henry Robinson, 1796–1871

The Death of Raphael

1830

Daniel Allen Funeral of a Doge in St. Mark's Place

Print made by Daniel Allen, active 1830s

Funeral of a Doge in St. Mark's Place

1830

Edward Goodall Venice

Print made by Edward Goodall, 1795–1870

Venice

1830

John Pye Temples of Paestum

Print made by John Pye, 1782–1874

Temples of Paestum

1830

William Finden The Pilgrim's Return

Print made by William Finden, 1787–1852

The Pilgrim's Return

1830

Daniel Allen Buondelmonte

Print made by Daniel Allen, active 1830s

Buondelmonte

1830

William Finden The Sailor

William Finden, 1787–1852

The Sailor

1834

James Henry Watt St. Cecilia

James Henry Watt, 1799–1867

St. Cecilia

1834

William Watts Sheerness Dockyard

William Watts, 1752–1851

Sheerness Dockyard

1803

William Dickinson A Lady and Children

Print made by William Dickinson, 1746–1823

A Lady and Children

1780

Leopold Flameng Grolier with the Printer Aldus Manutius

Print made by Leopold Flameng, 1831–1911

Grolier with the Printer Aldus Manutius

1882

Edward Fisher The Ladies Amabel and Mary Jemina Yorke

Print made by Edward Fisher, 1722–1785

The Ladies Amabel and Mary Jemina Yorke

1762

John Dean Elizabeth, Countess of Derby

Print made by John Dean, 1754–1798

Elizabeth, Countess of Derby

1780

Henry Hoppner Meyer Henry Brougham, 1st Baron Brougham and Vaux

Henry Hoppner Meyer, ca. 1782–1847

Henry Brougham, 1st Baron Brougham and Vaux

undated

William Say Reverend. Shute Barrington L.L.D.

William Say, 1768–1834

Reverend. Shute Barrington L.L.D

1812

Samuel Cousins Julia, Lady Peel

Print made by Samuel Cousins, 1801–1887

Julia, Lady Peel

1832

Samuel Cousins Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart.

Print made by Samuel Cousins, 1801–1887

Miss Peel, Daughter of the Right Honble. Sir Robert Peel, Bart

1833

Johnson The Italian Bird Catcher

Print made by Johnson, active 1766

The Italian Bird Catcher

1766

Richard Earlom Mordecai

Print made by Richard Earlom, 1743–1822

Mordecai

1787

Francesco Bartolozzi The Cottagers

Print made by Francesco Bartolozzi, 1728–1815

The Cottagers

1794

William Dickinson Lady Charles Spencer

Print made by William Dickinson, 1746–1823

Lady Charles Spencer

1776

Charles Turner The Right Honorable Lord Collingwood

after ? Charles Turner, 1774–1857

The Right Honorable Lord Collingwood

1811

William Ward Portrait of the Short Horned Bull Patriot

Print made by William Ward, 1766–1826

Portrait of the Short Horned Bull Patriot

1810

William Ward The Newbus Ox

Print made by William Ward, 1766–1826

The Newbus Ox

1812

Joseph Bishop Pratt Mrs. Gregory

Print made by Joseph Bishop Pratt, 1854–1910

Mrs. Gregory

1898

Peter Vanderbank Frederick Schomburg, 1st Duke of Schonberg, 1st Count Mertola

Peter Vanderbank, 1649–1697

Frederick Schomburg, 1st Duke of Schonberg, 1st Count Mertola

undated

Scawen Honourable George, Lord Pigot

Scawen, active 1770s

Honourable George, Lord Pigot

undated

Charles Turner Hon. James Yorke, Bishop of Ely

Charles Turner, 1774–1857

Hon. James Yorke, Bishop of Ely

1810

George Clint General James Stuart

George Clint, 1770–1854

General James Stuart

1802

Niccoló Schiavonetti Charlotte (née Percy) Ashburnham, Viscountess St.Asaph

Niccoló Schiavonetti, 1771–1813

Charlotte (née Percy) Ashburnham, Viscountess St.Asaph

1812

Joseph Grozer Shepherdess (Miss Mary Palmer as the Young Shepherdess)

Joseph Grozer, ca. 1755–1798

Shepherdess (Miss Mary Palmer as the Young Shepherdess)

1799

Alexander van Haecken In Her Love-Darting Eyes Awakes the Fires

Alexander van Haecken, 1701–1758

In Her Love-Darting Eyes Awakes the Fires

between 1735 and 1757

W. R. Smith Hospice of the Great St. Bernard II (The Dead-House)

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard II (The Dead-House)

1829

W. R. Smith Hannibal Passing the Alps

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Edward Goodall Lake of Como, I

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Daniel Allen An Etruscan Vase

Print made by Daniel Allen, active 1830s

An Etruscan Vase

1830

Edward Goodall St. Julienne's Chapel

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834