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Materials & Techniques wove paper
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1
- Oberon and Titania
- 1837
2
- Apuleia in Search of Apuleius
- between 1813 and 1823
3
- Procris and Cephalus
- 1812
4
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
5
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
6
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
7
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
8
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
9
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
10
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
11
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
12
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
13
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
14
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
15
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
16
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
17
- A Widower and Children (Design 35)
- between 1797 and 1798
18
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
19
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
20
- A Welch Bard (Design 53)
- between 1797 and 1798
21
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
22
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
23
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
24
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
25
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
26
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
27
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
28
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
29
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
30
- 'We censure nature for a span too short' (Page 23)
- 1797
31
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
32
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
33
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
34
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
35
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
36
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
37
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
38
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
39
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
40
- The Author Writing (Design 105)
- between 1797 and 1798
41
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
42
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
43
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
44
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
45
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
46
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
47
- St. Julienne's Chapel
- 1834
48
- Malvolio: Possibly a Self-Portrait in the Role
- undated
49
- A Scene from "The Abbot"
- 1833
50
- Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
- undated
51
- Prospero Summoning Ariel
- ca. 1800
52
- Robert Blair, The Grave, Title Page
- 1808, published 1813
53
- Greatheart's Battle with Grim
- undated
54
- Ferdinand Riding the Waves
- ca. 1830
55
- Faust and Margaret
- undated
56
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
57
- Studies for Shylock
- 1825
58
- Anne Page and Slender
- 1821
59
- Lysander Awakening to See Helena
- 1825
60
- Illustration for Don Quixote, Two Figures at a Table
- undated
61
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
62
- A Great Actor between Tragedy and Comedy
- 1834
63
- Christ Descending into the Grave
- 1808, published 1813
64
- The Reunion of the Soul & the Body
- 1808, published 1813
65
- The Soul Exploring the Recesses of the Grave
- 1808, published 1813
66
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808, published 1813
67
- Here Nature List'ning Stood
- 1795
68
- Katherina and Grumio
- 1821
69
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
70
- Procris and Cephalus
- 1885
71
- "This is fairy gold, boy, and will prove so"
- 1804
72
- St. Herbert's Chapel
- 1834
73
- And Ah! Let Pity Turn Her Dewy Eyes..
- 1801
74
- Study for "Gulliver's Travels"
- undated
75
- Gadshill
- 1796
76
- Mr. Wood Offers to Adopt Little Jack Sheppard
- 1835
77
- The Apparition of the Armed Head: Macbeth
- ca. 1781
78
- The Council Chamber
- 1892
79
- The Briar Wood
- 1892
80
- Hamlet and the Ghost
- ca. 1820
81
- Macbeth and the Apparition of the Armed Head
- ca. 1820
82
- Timon of Athens Before His Cave
- ca. 1805
83
- Macbeth and the Witch
- undated
84
- Ferdinand and Ariel
- ca. 1781
85
- Sketch for the Passions: Love
- 1853
86
- Reverend William Mason
- undated
87
- The Golden Bough
- 1856
88
- Death of the Strong Wicked Man
- 1808
89
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808
90
- The Soul Exploring the Recesses of the Grave
- 1808
91
- The Death of the Good Old Man
- 1808
92
- Death's Door
- 1808
93
- Robert Blair, The Grave, Title Page
- 1808
94
- The Golden Bough
- 1856
95
- The Bay of Baiæ, Apollo and the Sibyl
- 1873
96
- The Bay of Baiae - Apollo and the Sibyl
- between 1852 and 1856