Materials & Techniques: wove paper / Period: 19th century / Height [cm]: 33

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Etched by Joseph Mallord William Turner, 1775–1851

Glaucus and Scylla

1813 to 1823

Print made by John Scott, 1774–1828

Aske Hall

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Isaac Weld, 1774–1856

Interior Colosseum, Rome

1818

Isaac Weld, 1774–1856

On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance

ca. 1817

Isaac Weld, 1774–1856

Sorrento

ca. 1818

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Joseph Nash, 1808–1878

Levens, Westmoreland, The Small Drawing Room

1873

John Frederick Lewis, 1804–1876

Temple of Edfou, Upper Egypt

between 1841 and 1851

Walter Goodall, 1830–1889

Glencoe: A Shepherd Boy Crossing a Burn

1857

William Haygarth, active 1810–1816

Crater of Vesuvius

1816

William Haygarth, active 1810–1816

Mount Soratte from Civita Castellana

1816

Augustus Edwin John, 1878–1961

Self Portrait

ca. 1897

Thomas Sunderland, 1744–1828

Landscape at Ambleside

ca. 1800

Print made by Charles Turner, 1774–1857

Age of Innocence

1836

Print made by George H. Phillips, active 1819–1825

Miss Murray

1839

Print made by William Ward, 1766–1826

Her Royal Highnes the Princess Elizabeth

1801

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach and View near Bingen

after 1850

Print made by Richard Parkes Bonington, 1802–1828

Campos sur les bords du Rio das Velhas

1827

Capt. Thomas Hastings, 1778–1854

Crewkerne Abbey, 24 May 1833

1833

Print made by Richard Parkes Bonington, 1802–1828

Croix de Moulin les Planches

1827

Capt. Thomas Hastings, 1778–1854

Within Carisbrooke Castle Grounds, Isle of Wight

between 1826 and 1830

James de Carle Sowerby, 1787–1871

Three Toucans

undated

Joseph Noel Paton, 1821–1901

The Pursuit of Pleasure

1848

Print made by unknown artist

The Young Roscius

1804

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Print made by Raphael Lamar West, 1769–1850

Study of a Tree

1802, published 1807

Print made by Richard Parkes Bonington, 1802–1828

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

Godefroy Engelmann, 1788–1839

Aloys Senefelder

1819

Print made by Richard Parkes Bonington, 1802–1828

Rue du Gros Horloge

1824

Thomas Henry Nicholson, Died 1870

Page of Sketches of Cavaliers, Horse's Head, and Plumes

ca. 1839

unknown artist

Kirkeoch, Nun Mill

undated

unknown artist

Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs

undated

unknown artist

Bishopton

undated

unknown artist

Bishopton

undated

unknown artist

Brouckleugh; Mickle Sypeland

undated

unknown artist

Whinny Liggate; Balgredan

undated

unknown artist

North Nunton; South Nunton

undated

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by Samuel Rawle, 1771–1860

Raby Castle, County of Durham

1820

Sir David Wilkie, 1785–1841

Garden of Gethsemane

1841

Print made by Henry Le Keux, 1787–1868

Borthwick Castle

1819

Print made by Thomas Higham, 1796–1844

Wilton House

1825

Engraved by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by James C. Allen, active 1821–1831

Dunbar

1824

John James Chalon, 1778–1854

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

undated

Lewis Vaslet, 1742–1808

The Spoiled Child, Scene VI

ca. 1802

William Simpson, 1823–1899

Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855

1855

William Callow, 1812–1908

The Luxor, Paris, December 1833

1833

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1818-1823

Print made by Edward Goodall, 1795–1870

Land Discovered by Columbus

1834

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Print made by Henry Le Keux, 1787–1868

Aosta

1830

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

unknown artist

A Ground Plan of Bermondsey Abbey

1822

unknown artist

Bermondsey Abby

1820

Print made by François-Séraphin Delpech, 1778–1825

Ratisbonne

between 1818 and 1825

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith, 1766–1833

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

John Thomas Smith, 1766–1833

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

1817

John Thomas Smith, 1766–1833

The Eleventh Hour

1817

Sir David Wilkie, 1785–1841

The Manse, Cults, Fife: The Artist's Old Home

undated

Sir David Wilkie, 1785–1841

The Manse, Cults, Fife: The Artist's Old Home

undated

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

John Thomas Smith, 1766–1833

Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

1817

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817