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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperPeriod 18th century
Remove constraint Period: 18th centurySubject Terms man
Remove constraint Subject Terms: manSearch Results
1
- Study for the Self-portrait in Enamel
- ca. 1781
2
- A Great Tree
- ca. 1796
3
- Man with Horse and Cart Entering a Quarry
- ca. 1797
4
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
5
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
6
- "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
- between 1797 and 1798
7
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
8
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
9
- A Welch Bard (Design 53)
- between 1797 and 1798
10
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
11
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
12
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
13
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
14
- The Mourner at the Tomb (Design 103)
- between 1797 and 1798
15
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
16
- "A brace of warriors... rustling in their silks and tissues..."(Design 27)
- between 1797 and 1798
17
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
18
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
19
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
20
- The Author Writing (Design 105)
- between 1797 and 1798
21
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
22
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
23
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
24
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
25
- "And purple tyrants vainly groan..." (Design 37)
- between 1797 and 1798
26
- A Widower and Children (Design 35)
- between 1797 and 1798
27
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
28
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
29
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
30
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
31
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
32
- 'We censure nature for a span too short' (Page 23)
- 1797
33
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
34
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
35
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
36
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
37
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
38
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
39
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
40
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
41
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
42
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
43
- Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
- between 1797 and 1798
44
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
45
- Study of a Male Figure
- undated
46
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
47
- London Cries: Last Dying Speech and Confession
- ca. 1759
48
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
49
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
50
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
51
- Half Timbered and Thatched Shack
- 1798
52
- The Cheesecake House, Hyde Park
- ca. 1795
53
- Rosebud, or the Judgement of Paris
- 1791
54
- Almshouses in St. Cuthbert's Churchyard, Wells
- undated
55
- Allegorical Subject
- undated
56
- Man Haranguing a Gatepost
- undated
57
- Design for a Ceiling Decoration
- 1723
58
- Francis Grose Asleep in a Chair
- undated
59
- Head of a Young Woman or Man
- undated
60
- Arthur Gore, first Earl of Arran
- undated
61
- Couple in a Farmyard
- 1782
62
- The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
- July 14, 1792
63
- Four Sketches of Man
- undated
64
- Young Man Standing
- undated
65
- A Waterman with his Ox or Bullock
- undated
66
- Standing Dignitary
- undated
67
- Thomas Gainsborough, R.A
- undated
68
- A Hindu Austere
- ca. 1792
69
- Portrait of Aazim Alomra
- undated
70
- A Raree Show
- between 1792 and 1793
71
- Stout Man on a Bucking Horse
- undated
72
- P. Monamy
- undated
73
- Cornelius Polenburg
- undated
74
- Charles Christian Reisen
- 1762
75
- Sir Joshua Reynolds, Knt. L. L. D., President of the Royal Academy
- 1793
76
- Peter Roestraten
- undated
77
- Lewis Francis Roubiliac
- undated
78
- Lewis Francis Roubiliac
- undated
79
- John Sybrecht
- undated
80
- Michael Rysbrack
- undated
81
- Mr. C. Sharp, the Well-Known Artist, Mechanic, and Antiquarian (d. 1797)
- 1798
82
- Robert Streater
- 1762
83
- Sir James Thornhill
- 1782
84
- Abraham Vanderdort
- undated
85
- Anthony Vandyck
- undated
86
- Paul Van Somer
- undated
87
- Sir Peter Lely
- undated
88
- William Hogarth
- undated
89
- Cornelius Ketel
- undated
90
- William Kent
- 1762
91
- Inigo Jones
- 1762
92
- George Jamesone
- undated
93
- William Kent
- 1762
94
- Study
- 1789-1790
95
- Edward Courtney, Earl of Devonshire
- undated
96
- T. Banks, Sculptor, R. A
- 1791
97
- Cibber
- undated
98
- Cibber
- undated
99
- Dobson
- undated
100
- William Faithorne
- between 1765 and 1790