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Collection
Prints and Drawings
184
Creator
Gay, John, 1685–1732
72
Stockdale, John, ca. 1749–1814
71
Blake, William, 1757–1827
56
Wootton, John, approximately 1682–1764
29
Kent, William, ca.1686–1748
23
Gravelot, Hubert-François, 1699–1773
16
Skelton, William, 1763–1848
15
Grainger, W., active 1793
12
Girtin, Thomas, 1775–1802
9
Mazell, Peter, active 1761–1797
9
Wilson,, active 1793
9
Bartolozzi, Francesco, 1727–1815
6
Lovegrove,, active 1793
6
Hamilton, William, 1751–1801
5
Unknown artist
5
Alexander, William, 1767–1816
4
Audinet, Philip, 1766–1837
4
Macklin, Thomas, active 1779–1793
4
Romney, George, 1734–1802
4
Wilson, William C., active 1798–1836
4
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Creator
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Date
1794
200
1792
190
1793
[remove]
184
1797
142
1745
107
1789
98
1758
92
1791
90
1799
83
1700
73
1790
67
1795
54
1785
52
1798
50
1775
49
1780
49
1788
47
1739
41
1749
40
1777
40
1764
36
1796
36
1800
32
1768
30
1762
29
1779
24
1783
24
1787
23
1782
21
1761
20
1781
20
1776
18
1784
18
1778
17
1769
15
1786
15
1717
14
1735
13
1765
13
1770
13
1754
12
1760
12
1719
11
1730
10
1740
10
1755
10
1771
9
1772
9
1712
8
1738
8
1757
8
1701
7
1753
7
1774
7
1723
6
1728
6
1742
6
0
5
1732
5
1746
5
1750
5
1751
5
1715
4
1743
4
1763
4
1699
3
1705
3
1725
3
1737
3
1767
3
1690
2
1718
2
1720
2
1727
2
1736
2
1741
2
1747
2
1748
2
1752
2
1759
2
1766
2
1773
2
1803
2
1805
2
1810
2
1813
2
1818
2
1830
2
1680
1
1692
1
1695
1
1709
1
1713
1
1716
1
1722
1
1724
1
1729
1
1731
1
1744
1
1756
1
On-site Access
Accessible by appointment in the Study Room
184
Image Use
Free to Use
184
Image Available
Available
175
Unavailable
9
Classification
Prints
144
Drawings & Watercolors
40
Creator Gender
male
182
unknown
5
female
1
Collective Title
Gay's Fables
72
Fables by John Gay, Vol. I
54
America. A Prophecy, Copy M
18
Fables by John Gay, Vol. II
18
For Children: The Gates of Paradise, Copy E
18
Visions of the Daughters of Albion, Copy I
6
Iconographie Anglaise par Reynolds et Autres
3
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
3
Cries of London
2
Antiquities of London and Environs
1
The Costume of China
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
[remove]
184
Materials & Techniques
wove paper
[remove]
184
etching (printing process)
104
line engraving
92
watercolor
40
graphite
38
black ink
32
relief etching
24
stipple engraving
14
color printing
13
mezzotint
7
colored ink
6
gray wash
6
pen
4
gray ink
3
hand coloring
3
laid paper
3
pens
3
aquatint
2
black chalk
2
black wash
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
65
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
87
Work Type
intaglio print
120
drawing
62
watercolor
36
relief print
24
frontispiece
4
Genre
literary theme
83
animal art
72
genre subject
23
historical subject
21
religious and mythological subject
19
architectural subject
18
landscape
16
portrait
12
figure study
8
marine art
3
cityscape
1
military art
1
Subject Terms
men
39
text
39
nudes
27
trees
23
historical subject
21
women
21
clouds
20
religious and mythological subject
19
genre subject
17
landscape
16
architectural subject
15
children
15
costume
12
portrait
10
leaf
9
literary theme
9
man
8
beard
7
hat
7
night
7
more
Subject Terms
»
Associated Places
England
12
United Kingdom
12
Europe
8
Asia
4
China
3
City of Westminster
3
London
3
Palace of Westminster
3
India
2
Kent
2
Barnes
1
Berkshire
1
Bradwell Lodge
1
Cam
1
Cambridge
1
Canterbury
1
Cape of Good Hope
1
Chennai
1
Clare College
1
Cymru
1
more
Associated Places
»
Associated People
Bacon, Sir Nathaniel (1585–1627), painter
1
Cornwallis, Charles (1738–1805), lieutenant-general
1
Henry VIII (1491–1547), king of England and Ireland
1
Jackson, William (fl. 1793), Excise man
1
Reynolds, Sir Joshua (1723–1792), portrait and history painter and art theorist
1
Tipu Sultan of Mysore (1750–1799)
1
Whitefoord, Caleb (1734–1810), wine merchant and diplomatist
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
29
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
29
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
22
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
18
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
9
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
93
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
72
Yale Center for British Art, Paul Mellon Fund
9
Yale Center for British Art; Yale University Art Gallery Collection
4
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
2
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey
2
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Materials & Techniques
wove paper
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Date
1793
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Period
18th century
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1
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
2
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
3
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
4
George Romney, 1734–1802
Figure Composition Study 48
1793
5
George Romney, 1734–1802
Figure Composition Study 4
1793
6
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
7
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
8
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
9
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
10
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
11
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
12
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
13
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
14
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
15
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
16
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
17
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
18
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
19
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
20
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
21
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
22
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
23
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
24
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
25
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
26
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
27
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
28
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
29
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
30
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
31
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
32
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
33
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
34
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
35
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
36
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
37
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
38
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
39
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
40
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
41
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
42
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
43
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
44
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
45
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
46
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
47
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
48
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
49
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
50
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
51
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
52
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
53
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
54
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
55
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
56
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
57
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
58
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
59
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
60
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
61
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
62
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
63
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
64
George Morland, 1763–1804
Two Men on a Country Road
1793
65
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
66
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
67
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
68
Print made by Thomas Chambars, ca. 1724–1789
Sir Nathaniel Bacon
1793
69
unknown artist
Duke's Place
1793
70
James Ward, 1769–1859
A Boy Employed in Burning Weeds
1793
71
Thomas Daniell, 1749–1840
Bay with Sailing Ships
1793
72
Thomas Daniell, 1749–1840
South East View of Fort George, Madras
January 1793
73
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
74
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
75
Print made by John Condé, 1765–1794
Sir Joshua Reynolds, Knt. L. L. D., President of the Royal Academy
1793
76
Edward Harding, 1755–1840
Christopher Sharp, Cambridge
1793
77
John Jones, ca. 1745–1797
William Davidson of Muirhouse
1793
78
Robert Dighton, 1752–1814
A Jack in Office
1793
79
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
80
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
81
Schenecker, active 1791
Edward Progers
1793
82
Francis David Soiron, Born 1764
The Promenade in St. Jame's Park
1793
83
Print made by Edward Savage, 1761–1817
Benjamin Franklin
1793
84
George Dance, 1741–1825
Portrait of a Boy
August 3, 1793
85
Print made by John Jones, ca. 1745–1797
Caleb Whitefoord, F.R.S., F.S.A
1793
86
William Ward, 1766–1826
Compassionate Children
1793
87
John Jones, ca. 1745–1797
Caleb Whitefoord Esq
1793
88
Print made by Francesco Bartolozzi, 1728–1815
Virtuous Love
1793
89
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
90
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
91
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
92
Print made by Daniel Orme, 1766–1837
The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis
1793
93
Print made by Francesco Bartolozzi, 1728–1815
The Departure Of The Sons Of Tippoo From The Zenana
1793
94
Print made by unknown artist
Regatta at Windsor, August 12, 1793, in Honor of the Prince of Wales's Birth Day
1793
95
Print made by John Thomas Smith, 1766–1833
Savoy Prison
1793
96
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
97
James Moore, 1762–1799
Tonbridge Castle, Kent, England
1793
98
James Moore, 1762–1799
Duff House, Scotland
1793
99
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
100
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
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