Skip to splash images
Yale Center for British Art Home Page
<< YCBA Home
Yale Center for British Art
Yale Center for British Art
<< YCBA Home
Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
    Search Options:
Search in
Simple Search
All Fields
Title
Creator
Subject Terms
Call Number
Search Provenance
Fielded
search for
Search
YCBA Collections Search
Toggle facets
Refine your search
Collection
Prints and Drawings
168
Creator
Moore, James, 1762–1799
80
Blake, William, 1757–1827
27
Edwards, Richard, active 1796–1797
27
Young, Edward, 1683–1765
27
Girtin, Thomas, 1775–1802
9
Thirtle, John, 1777–1839
8
Webber, John, 1752–1793
6
Walker, George, active 1792–died 1795
5
Alexander, William, 1767–1816
4
Daniell, Thomas, 1749–1840
3
Dayes, Edward, 1763–1804
3
Mabon, Robert, died 1798
3
Smith, John, 1749–1831
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Wright, John Massey, 1777–1866
3
Daniell, William, 1769–1837
2
Farington, Joseph, 1747–1821
2
Howitt, Samuel, 1756–1822
2
Rowlandson, Thomas, 1756–1827
2
Aglio, Agostino, 1777–1857
1
more
Creator
»
Date
1791
725
1800
504
1796
359
1802
356
1771
330
1867
326
1832
254
1804
246
1826
229
1795
214
1772
208
1749
184
1945
183
1814
171
1793
170
1792
[remove]
168
1799
160
1784
156
1827
155
1818
153
1820
151
1764
149
1836
147
1775
142
1870
133
1797
128
1789
124
1825
120
1817
117
1968
116
1790
113
1835
112
1830
110
1758
105
1855
105
1807
104
1854
99
1801
97
1794
95
1805
92
0
91
1846
91
1768
90
1815
89
1839
89
1819
88
1834
84
1877
81
1813
80
1841
80
1811
77
1831
76
1868
74
1823
72
1700
71
1808
71
1798
69
1812
69
1829
69
1828
67
1745
66
1785
66
1748
65
1833
65
1869
65
1810
64
1910
64
1803
62
1821
60
1840
59
1777
58
1781
57
1843
53
1774
52
1822
52
1806
50
1780
49
1788
49
1838
48
1845
48
1770
46
1809
46
1848
45
1893
44
1857
42
1861
41
1782
40
1787
39
1912
38
1816
37
1844
37
1851
35
1786
34
1875
33
1919
32
1842
31
1837
29
1964
29
1863
28
1779
26
On-site Access
Accessible by appointment in the Study Room
168
Image Use
Free to Use
168
Image Available
Available
167
Unavailable
1
Classification
Drawings & Watercolors
140
Prints
27
Drawing & Watercolors-Architectural
1
Creator Gender
male
167
female
1
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
77
Young's Night Thoughts
27
Views in the South Seas 1776-1780
6
The Merry Wives of Windsor
1
The Tragedy of Macbeth
1
Views in the Province of Kiang Nan, China
1
Period
18th century
155
18th century-19th century
12
Materials & Techniques
wove paper
[remove]
168
graphite
134
watercolor
70
etching (printing process)
27
line engraving
27
black ink
17
pen
13
brown ink
10
gray ink
5
gray wash
5
soft ground
5
gouache
4
laid paper
3
brown wash
2
scratching out
2
black chalk
1
gum arabic
1
red chalk
1
red ink
1
squaring (transferring technique)
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
49
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
69
Work Type
drawing
[remove]
168
watercolor
74
intaglio print
27
Genre
architectural subject
95
landscape
37
literary theme
30
genre subject
20
marine art
8
figure study
7
cityscape
4
animal art
3
portrait
2
sporting art
2
botanical subject
1
historical subject
1
military art
1
religious and mythological subject
1
Subject Terms
men
33
architectural subject
32
literary theme
30
text
26
women
25
landscape
20
trees
18
genre subject
12
nudes
12
clouds
10
ruins
9
buildings
8
angels
7
children
7
grass
7
man
7
river
7
wings
7
boats
6
figure study
6
more
Subject Terms
»
Associated Places
England
27
United Kingdom
25
Europe
22
Northumberland
7
Scotland
7
Asia
4
China
4
Devon
4
Wales
3
Cymru
2
Holy Island
2
Lindisfarne
2
London
2
Melrose Abbey
2
Pembrokeshire
2
Roxburghshire
2
Warkworth Castle
2
Yorkshire
2
Aberdeenshire
1
Amsterdam
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
2
Anne Page (character in The Merry Wives of Windsor)
1
Fenton (character in The Merry Wives of Windsor)
1
Herne the Hunter
1
Macbeth (character in The Tragedy of Macbeth)
1
Messr. Ford (character in The Merry Wives of Windsor)
1
Messr. Page (character in The Merry Wives of Windsor)
1
Mistress Ford (character in The Merry Wives of Windsor)
1
Mistress Page (character in The Merry Wives of Windsor)
1
Mistress Quickly (character in The Merry Wives of Windsor)
1
Pistol (character in The Merry Wives of Windsor)
1
Sir Hugh Evans (character in The Merry Wives of Windsor)
1
Sir John Falstaff
1
Slender (character in The Merry Wives of Windsor)
1
The Three Witches (characters in Macbeth)
1
Udney, Martha (1761–1831), governess to Princess Charlotte
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
27
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
8
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
5
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
3
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
2
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
2
Wilde Americk - Discovery and Exploration of the New World, 1500-1850 (Yale Center for British Art, 2001-09-27 - 2001-09-27)
2
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
160
Yale Center for British Art, Gift of Paul F. Walter
3
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
Search Constraints
Start Over
You searched for:
Materials & Techniques
wove paper
Remove constraint Materials & Techniques: wove paper
Date
1792
Remove constraint Date: 1792
Work Type
drawing
Remove constraint Work Type: drawing
« Previous |
1
-
100
of
168
|
Next »
Sort by collection
collection
relevance
artist (A-Z)
date
title (A-Z)
Number of results to display per page
100 per page
100
per page
50
per page
15
per page
View results as:
List
Masonry
Search Results
1
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
2
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
3
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
4
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
5
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
6
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
7
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
8
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
9
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
10
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
11
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
12
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
13
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
14
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
15
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
16
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
17
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
18
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
19
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
20
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
21
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
22
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
23
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
24
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
25
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
26
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
27
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
28
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
29
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
30
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
31
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
32
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
33
George Walker, active 1792–died 1795
Industrious Jenny
undated
34
George Walker, active 1792–died 1795
Man Haranguing a Gatepost
undated
35
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
36
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
37
John Thirtle, 1777–1839
Shore Scene with Sailing Ship at Quay
undated
38
John Thirtle, 1777–1839
Fye Bridge, Norwich
undated
39
John Thirtle, 1777–1839
A Church Porch
undated
40
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
41
John Massey Wright, 1777–1866
Pirates
undated
42
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
43
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
44
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
45
James Wales, ca.1747–1795
Krishna and Radha
1792 to 1795
46
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated
47
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
48
John Webber, 1752–1793
The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
1792
49
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
50
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
51
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
52
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
53
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
54
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
55
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
56
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
57
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
58
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
59
John Thirtle, 1777–1839
An Old Fisherman Repairing Nets with a Cottage in the Background
undated
60
Thomas Daniell, 1749–1840
Palace Ruins, Pillar and Temple Gateway, Madurai, Tamil Nadu
July 1792
61
Thomas Daniell, 1749–1840
Veransulean Pennisula
August 7, 1792
62
Thomas Daniell, 1749–1840
Tremal Naig's Choultry, Madura
1792
63
Samuel Howitt, 1756–1822
Racing Scene
1792
64
George Walker, active 1792–died 1795
Man Toasting Another Man . .
undated
65
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
66
Samuel Howitt, 1756–1822
The Kill
1792
67
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
68
John Thirtle, 1777–1839
Young Girl Sitting on a Bank outside a Church
undated
69
Janet Dick, active 1794–1806
An Indian Shrub with White Blossoms and Pointed Leaves
between 1792 and 1807
70
James Moore, 1762–1799
The Abbey of St. Mary, Yorkshire, England
1792
71
James Moore, 1762–1799
East End of Tynemouth Priory
1792
72
James Moore, 1762–1799
Gateshead Abbey
1792
73
James Moore, 1762–1799
Roslin Castle, Midlothian, Scotland
1792
74
James Moore, 1762–1799
Jedburgh Abbey, Scotland
1792
75
James Moore, 1762–1799
Dunfermline. The Ruined Refectory
1792
76
James Moore, 1762–1799
Abernethy Tower, Scotland
1792
77
James Moore, 1762–1799
Brechin Cathedral and Round Tower, Scotland
1792
78
James Moore, 1762–1799
The Cathedral of St. Andrews, Scotland
1792
79
James Moore, 1762–1799
Dunnottar Castle, Scotland
1792
80
James Moore, 1762–1799
Dunnottar Castle, Scotland
1792
81
James Moore, 1762–1799
Cathedral Church of St. Machar, Scotland
1792
82
James Moore, 1762–1799
Brechin Cathedral, Scotland
1792
83
James Moore, 1762–1799
Boyne Castle, Scotland
1792
84
James Moore, 1762–1799
Dunnottar Castle
1792
85
James Moore, 1762–1799
Boyne Castle, Scotland
1792
86
James Moore, 1762–1799
Inchdrewer Castle, Scotland
1792
87
James Moore, 1762–1799
Findlater Castle, Scotland
1792
88
James Moore, 1762–1799
Pluscarden Abbey, Scotland
1792
89
James Moore, 1762–1799
Spynie Palace, Scotland
1792
90
James Moore, 1762–1799
Pluscarden Abbey, Scotland
1792
91
James Moore, 1762–1799
Kinloss Abbey, Scotland
1792
92
James Moore, 1762–1799
Spynie Palace, Scotland
1792
93
James Moore, 1762–1799
Cawdor Castle, Scotland
1792
94
James Moore, 1762–1799
Cawdor Castle, Scotland
1792
95
James Moore, 1762–1799
Castle Stuart, Scotland
1792
96
James Moore, 1762–1799
Caslte Stalker, Scotland
1792
97
James Moore, 1762–1799
Castle Stuart, Scotland
1792
98
James Moore, 1762–1799
Dunstaffnage Castle, Scotland
1792
99
James Moore, 1762–1799
Dumbarton Castle, Scotland
1792
100
James Moore, 1762–1799
Dunstaffnage Castle, Scotland
1792
« Previous
Next »
1
2