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Collection
Prints and Drawings
209
Creator
Moore, James, 1762–1799
81
Blake, William, 1757–1827
38
Edwards, Richard, active 1796–1797
38
Young, Edward, 1683–1765
38
Girtin, Thomas, 1775–1802
9
Thirtle, John, 1777–1839
8
Bartolozzi, Francesco, 1727–1815
7
Webber, John, 1752–1793
7
Walker, George, active 1792–died 1795
5
Alexander, William, 1767–1816
4
Boydell, John, 1720–1804
3
Boydell, Josiah, 1752–1817
3
Browne, John, 1741–1801
3
Burney, Edward Francis, 1760–1848
3
Daniell, Thomas, 1749–1840
3
Dayes, Edward, 1763–1804
3
Ellis, William, 1747–1810
3
Mabon, Robert, died 1798
3
Rowlandson, Thomas, 1756–1827
3
Smith, John, 1749–1831
3
more
Creator
»
Date
1800
752
1791
738
1802
465
2004
392
1796
379
1834
375
1826
371
1867
341
1795
338
1771
335
1832
335
1793
317
1830
310
1804
290
1827
263
1814
260
1825
260
1794
246
1818
241
1799
236
1820
230
1833
228
1836
221
1772
217
1792
[remove]
209
1790
203
1797
198
1835
190
1945
185
1784
181
1789
169
1803
167
1870
166
1855
164
1811
163
1807
159
1801
158
1812
157
1764
155
1775
153
1808
148
1828
145
1955
145
1817
144
1831
141
1839
141
1819
140
1821
135
1813
134
1805
129
1968
129
1829
124
1850
124
1815
121
1810
116
0
114
1838
114
1854
113
1745
112
1846
112
1758
109
1809
109
1989
107
1841
105
1823
104
1822
103
1798
101
1837
100
1999
99
1700
96
1768
96
1847
95
1845
88
1806
87
1788
86
1868
86
1824
85
1840
85
1877
83
1816
82
1785
78
1851
78
1859
74
1843
72
1781
71
1780
70
1842
69
1910
69
1860
68
1848
67
1869
67
1844
66
1748
65
1857
65
1770
63
1777
63
1990
62
1896
61
1774
57
1787
57
On-site Access
Accessible in the Study Room
[remove]
209
Image Use
Free to Use
209
Image Available
Available
205
Unavailable
4
Classification
Drawings & Watercolors
143
Prints
65
Drawing & Watercolors-Architectural
1
Creator Gender
male
209
unknown
3
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
78
Young's Night Thoughts
38
Views in the South Seas 1776-1780
7
Antiquities of London and Environs
1
British Theatre
1
Iconographie Anglaise par Reynolds et Autres
1
The Merry Wives of Windsor
1
The Tragedy of Macbeth
1
Views in the Province of Kiang Nan, China
1
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
1
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
1
Period
18th century
192
18th century-19th century
16
19th century
1
Materials & Techniques
wove paper
[remove]
209
graphite
136
watercolor
81
line engraving
49
etching (printing process)
47
black ink
18
pen
14
brown ink
10
stipple engraving
10
gray wash
6
gray ink
5
soft ground
5
gouache
3
laid paper
3
aquatint
2
brown wash
2
scratching out
2
squaring (transferring technique)
2
Engraving
1
black chalk
1
more
Materials & Techniques
»
Height [cm]
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61
Width [cm]
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71
Work Type
drawing
142
watercolor
85
intaglio print
64
relief print
39
ticket
2
Genre
architectural subject
104
landscape
44
literary theme
44
genre subject
30
marine art
9
portrait
9
figure study
7
animal art
4
cityscape
4
historical subject
2
religious and mythological subject
2
sporting art
2
military art
1
Subject Terms
men
44
literary theme
42
architectural subject
40
text
37
women
33
landscape
26
trees
25
genre subject
19
nudes
16
clouds
13
ruins
13
man
12
buildings
10
children
10
river
10
church
9
hats
9
portrait
9
angels
8
grass
8
more
Subject Terms
»
Associated Places
England
30
United Kingdom
28
Europe
22
Northumberland
7
Scotland
7
Asia
5
China
4
Devon
4
Greater London
3
Wales
3
Cymru
2
Holy Island
2
Lindisfarne
2
London
2
Melrose Abbey
2
Pembrokeshire
2
Roxburghshire
2
Warkworth Castle
2
Yorkshire
2
Aberdeenshire
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
5
Anne Page (character in The Merry Wives of Windsor)
1
Carl Bernhard Wadström (1746–1799), abolitionist
1
Fenton (character in The Merry Wives of Windsor)
1
Herne the Hunter
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Kauffmann, Angelica (1741–1807), history and portrait painter
1
Lennox, Charlotte (1730/31?–1804), novelist and writer
1
Macbeth (character in The Tragedy of Macbeth)
1
Messr. Ford (character in The Merry Wives of Windsor)
1
Messr. Page (character in The Merry Wives of Windsor)
1
Mistress Ford (character in The Merry Wives of Windsor)
1
Mistress Page (character in The Merry Wives of Windsor)
1
Mistress Quickly (character in The Merry Wives of Windsor)
1
Panah, Peter, son of the king of Cape Mesurado (in present-day Liberia)
1
Pistol (character in The Merry Wives of Windsor)
1
Princess Charlotte of Mecklenburg-Strelitz
1
Shipley, Jonathan (1714–1788), Bishop of Llandaff and St. Asaph
1
Sir Hugh Evans (character in The Merry Wives of Windsor)
1
Sir John Falstaff
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
38
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
8
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
5
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
3
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
From Merchants to Emperors - British Artists in India 1757-1930 (Los Angeles County Museum of Art, 1986-10-02 - 1987-01-04)
2
From Merchants to Emperors - British Artists in India 1757-1930 (The Morgan Library & Museum, 1986-05-01 - 1986-07-31)
2
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
2
Wilde Americk - Discovery and Exploration of the New World, 1500-1850 (Yale Center for British Art, 2001-09-27 - 2001-09-27)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
192
Yale Center for British Art, Paul Mellon Fund
6
Yale Center for British Art, Gift of Paul F. Walter
3
Yale Center for British Art; Yale University Art Gallery Collection
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
1
Yale Center for British Art, Gift of Frederick W. Hilles
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
Yale Center for British Art, Yale University Art Gallery Collection
1
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Materials & Techniques
wove paper
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On-site Access
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Date
1792
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1
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
2
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
3
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
4
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
5
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
6
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
7
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
8
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
9
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
10
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
11
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
12
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
13
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
14
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
15
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
16
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
17
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
18
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
19
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
20
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
21
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
22
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
23
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
24
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
25
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
26
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
27
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
28
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
29
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
30
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
31
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
32
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
33
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
34
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
35
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
36
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
37
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
38
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
39
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
40
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
41
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
42
George Romney, 1734–1802
The Witches' Cavern
1792-1793
43
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
44
John Thirtle, 1777–1839
Shore Scene with Sailing Ship at Quay
undated
45
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
46
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
47
John Massey Wright, 1777–1866
Pirates
undated
48
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
49
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
50
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
51
George Walker, active 1792–died 1795
Man Haranguing a Gatepost
undated
52
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
53
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
54
John Thirtle, 1777–1839
Fye Bridge, Norwich
undated
55
John Thirtle, 1777–1839
A Church Porch
undated
56
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
57
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
58
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated
59
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
60
John Webber, 1752–1793
The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
1792
61
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
62
Print made by John Browne, 1741–1801
Evening
ca. 1797
63
Print made by John Browne, 1741–1801
Evening
ca. 1797
64
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
65
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
66
James Wales, 1746 or 1747–1795
Krishna and Radha
1792 to 1795
67
unknown artist
The Bank
1792
68
John Webber, 1752–1793
View in the Island of Pulo Condore
1792
69
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
70
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
71
John Webber, 1752–1793
The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance
1792
72
John Webber, 1752–1793
A Sailing Canoe of Otaheite
1792
73
Print made by Francesco Bartolozzi, 1728–1815
Funeral Card of Sir Joshua Reynolds
1792
74
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
75
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
76
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
77
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
78
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
79
George Walker, active 1792–died 1795
Industrious Jenny
undated
80
John Eginton, active 1763–1800
The Affectionate Daughter
1792
81
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
82
Print made by Francesco Bartolozzi, 1728–1815
Miss Price
1792
83
Samuel Howitt, 1756–1822
The Kill
1792
84
George Walker, active 1792–died 1795
Man Toasting Another Man . .
undated
85
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
86
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
87
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Dragonetti
1792
88
William Ellis, 1747–1810
Beddington
1792
89
Thomas Ryder, 1746–1810
The Murder of James I, King of Scotland
1792
90
Thomas Daniell, 1749–1840
Veransulean Pennisula
August 7, 1792
91
Thomas Daniell, 1749–1840
Palace Ruins, Pillar and Temple Gateway, Madurai, Tamil Nadu
July 1792
92
Thomas Daniell, 1749–1840
Tremal Naig's Choultry, Madura
1792
93
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
94
John Thirtle, 1777–1839
An Old Fisherman Repairing Nets with a Cottage in the Background
undated
95
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
96
John Thirtle, 1777–1839
Young Girl Sitting on a Bank outside a Church
undated
97
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
98
Thomas Rowlandson, 1756–1827
The Elopement
1792
99
James Moore, 1762–1799
Inchdrewer Castle, Scotland
1792
100
James Moore, 1762–1799
Findlater Castle, Scotland
1792
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