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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomHeight [cm] 41
Remove constraint Height [cm]: 41Search Results
1
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
2
- Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
- 1795 to 1806
3
- Tiger Body, Lateral View
- 1795 to 1806
4
- Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
- between 1795 and 1806
5
- Tiger Body, Lateral View
- 1795 to 1806
6
- Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
- 1795 to 1806
7
- Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
- between 1795 and 1806
8
- Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
- 1795 to 1806
9
- Human Skeleton, Lateral View
- 1795 to 1806
10
- Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
- 1795 to 1806
11
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
12
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
13
- Night the Third. Narcissa; Title Page
- 1797
14
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
15
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
16
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
17
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
18
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
19
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
20
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
21
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- 1797
22
- 'This King of Terrors is the Prince of Peace' (Page 63)
- 1797
23
- 'Disease invades the chastest temperence' (Page 10)
- 1797
24
- 'The longest night though longer far, would fail' (Page 15)
- 1797
25
- 'The present moment terminates our sight' (Page 13)
- 1797
26
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
27
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
28
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
29
- Night the Third. Narcissa; Title Page
- ca. 1797
30
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
31
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
32
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
33
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
34
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
35
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
36
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
37
- 'Till death, that mighty hunter, earths them all' (Page 70)
- ca. 1797
38
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
39
- 'O treacherous conscience!' (Page 27)
- ca. 1797
40
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
41
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
42
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
43
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
44
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
45
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
46
- 'The longest night though longer far, would fail' (Page 15)
- ca. 1797
47
- Sealing the Stone and Setting a Watch
- 1800 to 1803
48
- Pity
- ca. 1795
49
- Waterfall near Lynton
- 1780
50
- Shanklin Church/ Isle of Wight
- undated
51
- High Street, Oxford
- 1812
52
- The Entrance to Hengrave Hall, 1819
- 1819
53
- Levens, Westmoreland, The Small Drawing Room
- 1873
54
- The Malvern HIlls from the Field near Cheltenham
- undated
55
- Landscape of Buildings Along a Cliff
- undated
56
- Winter Afternoon
- 1910
57
- Anglia Pedita
- 1925
58
- Hotel de Ville, Hague
- 1859
59
- Mr. Thompson's Wire Mill, Tintern
- 1807
60
- A Dove
- undated
61
- Study of two girls, with a study of a hand to the right
- undated
62
- Views of Spain, Volume I
- undated
63
- Destruction of Both Houses of Parliament
- 1835
64
- The Magicians Marching off After the Success of their Incantations
- ca. 1763
65
- St. Vincent's Rocks, Clifton (Hotwell House and Baths)
- ca. 1840
66
- Head of a Girl
- 1944
67
- The Five Sisters, York Minister
- 1907
68
- Blue and White (Portrait of a Lady)
- undated
69
- Elevation of a Proposed Design for King's College, Cambridge
- ca. 1825
70
- A Fir Tree on the Way from East Cowes
- between 1826 and 1830
71
- George Pritchard, Her Britannic Majesty's Consul
- 1845
72
- Shepherdess (Miss Mary Palmer as the Young Shepherdess)
- 1799
73
- Lleweney Bleach Works
- 1798
74
- S. Philippus
- undated
75
- S. Bartholomaeus
- undated
76
- Man Wearing a Hat
- undated
77
- S. Andreas
- undated
78
- S. Ionnes
- undated
79
- S. Jacobus Major
- undated
80
- The Right Honourable Lady Charlotte Duncombe
- 1797
81
- Southampton or Bloomsbury Square
- 1754
82
- North Front of the Bank
- 1797
83
- The Great Court and Chapel of Trinity College in the University of Cambridge
- 1798
84
- Kings College, the Chapel and Clare Hall in the University of Cambridge
- 1799
85
- Cambridge University: Emmanuel College
- 1799
86
- The East Front of the Library of Trinity College in the University of Cambridge
- 1800
87
- Cambridge University: Queens College
- 1800
88
- South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
- 1799
89
- Penmanmawr
- 1855
90
- Kensington Park Estate, Notting Hill
91
- The Artist's Wife Emma, on her Wedding Day
- 1853
92
- Gates of the Alhambra: Puerta de los Siete Suelos
- 1775 to 1776
93
- Mürzzuschlag, Austria
- 1779
94
- Albano
- 1777 to 1778
95
- Theatre of Sagunto, Spain
- 1775 to 1776
96
- Málaga
- 1775 to 1776
97
- Carmona
- 1775 to 1776
98
- Tynemouth Castle and Priory, England
- undated
99
- Landscape with Figure, Standing on Large Rock
- undated
100
- View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought
- 1777 to 1778