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Collection
Prints and Drawings
297
Creator
Gay, John, 1685–1732
72
Stockdale, John, ca. 1749–1814
71
Blake, William, 1757–1827
56
Varley, John, 1778–1842
43
Hastings, Thomas Capt., 1778–1854
41
Wootton, John, approximately 1682–1764
29
Kent, William, ca.1686–1748
23
Cockburn, James Pattison, 1779–1847
16
Gravelot, Hubert-François, 1699–1773
16
Skelton, William, 1763–1848
15
Grainger, W., active 1793
12
Girtin, Thomas, 1775–1802
9
Mazell, Peter, active 1761–1797
9
Wilson,, active 1793
9
Bartolozzi, Francesco, 1727–1815
7
Unknown artist
7
Lovegrove,, active 1793
6
Hamilton, William, 1751–1801
5
Alexander, William, 1767–1816
4
Audinet, Philip, 1766–1837
4
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Creator
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Date
1800
746
1791
742
1802
464
2004
392
1796
389
1834
375
1867
341
1771
337
1832
335
1830
307
1826
302
1793
[remove]
297
1804
290
1795
262
1827
262
1814
260
1825
258
1818
242
1799
236
1820
231
1794
225
1836
220
1833
218
1772
217
1792
208
1797
198
1835
192
1749
185
1945
185
1784
182
1870
166
1811
165
1855
164
1803
162
1801
161
1812
161
1807
160
1789
158
1764
155
1775
153
0
151
1808
148
1817
146
1828
145
1955
145
1819
142
1839
141
1831
140
1821
135
1813
134
1805
129
1968
129
1790
128
1829
124
1850
123
1815
118
1810
117
1838
117
1854
113
1745
112
1846
112
1758
109
1989
107
1841
106
1823
105
1822
103
1837
102
1798
100
1999
99
1768
96
1809
96
1700
95
1845
90
1847
88
1868
86
1824
85
1840
85
1806
84
1816
83
1877
83
1785
78
1851
77
1859
74
1781
71
1842
71
1843
71
1780
70
1910
69
1860
68
1848
67
1869
67
1844
66
1748
65
1777
65
1857
65
1788
63
1990
62
1896
61
1774
57
1893
53
On-site Access
Accessible by appointment in the Study Room
[remove]
297
Image Use
Free to Use
297
Image Available
Available
288
Unavailable
9
Classification
Drawings & Watercolors
150
Prints
147
Creator Gender
male
295
unknown
7
female
2
Collective Title
Gay's Fables
72
Fables by John Gay, Vol. I
54
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
36
America. A Prophecy, Copy M
18
Fables by John Gay, Vol. II
18
For Children: The Gates of Paradise, Copy E
18
Visions of the Daughters of Albion, Copy I
6
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
5
Iconographie Anglaise par Reynolds et Autres
4
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
3
Cries of London
2
Antiquities of London and Environs
1
The Costume of China
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
184
18th century-19th century
68
19th century
42
Materials & Techniques
wove paper
[remove]
297
graphite
116
etching (printing process)
104
line engraving
92
watercolor
85
black ink
36
relief etching
24
brown wash
19
brown ink
16
stipple engraving
15
color printing
13
gray wash
11
pens
10
mezzotint
8
gouache
7
colored ink
6
laid paper
5
black chalk
4
gray ink
4
hand coloring
4
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
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Height [cm] range end
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65
Width [cm]
Width [cm] range begin
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Current results range from
0
to
87
Work Type
drawing
170
intaglio print
122
watercolor
95
relief print
24
frontispiece
4
planographic print
1
Genre
landscape
87
literary theme
84
animal art
73
architectural subject
47
genre subject
39
historical subject
21
religious and mythological subject
19
portrait
17
cityscape
11
marine art
10
figure study
8
military art
2
sporting art
1
still life
1
Subject Terms
trees
56
landscape
54
architectural subject
44
men
43
text
39
clouds
33
nudes
27
genre subject
24
historical subject
21
women
21
figures
19
religious and mythological subject
19
river
19
children
16
hills
16
boats
14
costume
14
portrait
14
mountains
13
buildings
12
more
Subject Terms
»
Associated Places
United Kingdom
35
England
28
Europe
17
Wales
8
Cymru
7
London
5
Thames
5
Asia
4
Cambridge
3
Cambridgeshire
3
China
3
City of Westminster
3
Palace of Westminster
3
Barnard Castle
2
Battersea
2
Clare College
2
Durham
2
Greater London
2
India
2
Kent
2
more
Associated Places
»
Associated People
Bacon, Sir Nathaniel (1585–1627), painter
1
Cornwallis, Charles (1738–1805), lieutenant-general
1
Frederick Howard
1
Hastings, Francis Rawdon, first marquess of Hastings and second earl of Moira (1754–1826), army officer and politician
1
Henry VIII (1491–1547), king of England and Ireland
1
Jackson, William (fl. 1793), Excise man
1
Louis XV (1710–1774), king of France and of Navarre
1
Reynolds, Sir Joshua (1723–1792), portrait and history painter and art theorist
1
Shakespeare, William (1564–1616), playwright and poet
1
Tipu Sultan of Mysore (1750–1799)
1
Whitefoord, Caleb (1734–1810), wine merchant and diplomatist
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
29
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
29
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
22
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
18
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
9
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
Art in Focus : Blue (Yale Center for British Art, 2019-04-05 - 2019-08-11)
1
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
202
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
72
Yale Center for British Art, Paul Mellon Fund
10
Yale Center for British Art; Yale University Art Gallery Collection
4
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
2
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey
2
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
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Materials & Techniques
wove paper
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1793
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1
John Constable, 1776–1837
Flowers in a Pitcher
undated
2
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
3
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
4
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
5
George Romney, 1734–1802
Figure Composition Study 48
1793
6
George Romney, 1734–1802
Figure Composition Study 4
1793
7
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
8
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
9
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
10
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
11
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
12
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
13
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
14
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
15
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
16
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
17
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
18
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
19
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
20
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
21
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
22
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
23
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
24
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
25
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
26
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
27
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
28
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
29
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
30
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
31
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
32
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
33
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
34
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
35
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
36
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
37
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
38
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
39
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
40
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
41
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
42
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
43
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
44
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
45
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
46
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
47
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
48
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
49
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
50
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
51
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
52
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
53
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
54
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
55
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
56
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
57
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
58
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
59
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
60
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
61
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
62
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
63
pupil of John Varley, 1778–1842
A Village Street
undated
64
John Varley, 1778–1842
London from the Thames
undated
65
John Varley, 1778–1842
The Fisherman
undated
66
John Varley, 1778–1842
River Landscape with Figures
undated
67
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
68
imitator of John Varley, 1778–1842
River Landscape
undated
69
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
70
John Varley, 1778–1842
Merida, Spain
undated
71
John Varley, 1778–1842
A Romantic Landscape
undated
72
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
73
John Christian Schetky, 1778–1874
Boat Sailing to the Right with Mountains in the Background
undated
74
John Varley, 1778–1842
Norwich
undated
75
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
76
James Ward, 1769–1859
Mother and Infant
ca. 1798
77
John Varley, 1778–1842
Farm House with a Well
undated
78
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
79
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
80
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
81
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
82
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
83
John Varley, 1778–1842
Romantic Composition
undated
84
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
85
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
86
John Varley, 1778–1842
View of York
undated
87
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
88
George Morland, 1763–1804
Two Men on a Country Road
1793
89
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
90
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
91
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
92
John Jackson, 1778–1831
Frederick Howard, fifth Earl of Carlisle
undated
93
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
94
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
95
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
96
John Varley, 1778–1842
Barnard Castle, County Durham
undated
97
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
98
John Varley, 1778–1842
Cattle Watering at Sunset
undated
99
John Varley, 1778–1842
Trees Overhanging a River
undated
100
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
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