Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
13
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
14
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
15
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
16
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
17
John Chessell Buckler, 1793–1894
South East View of the Church and Palace at Croydon, Surrey
1817
18
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
19
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
20
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
21
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
22
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
23
Print made by William Bernard Cooke, 1778–1855
Martello Towers at Bexhill
1817
24
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
25
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
26
Print made by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1817
27
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
28
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
29
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
30
unknown artist
North West View of the Ancient Structure of Merchant-Taylors Hall and the Alms-Houses Adjoining in Threadneedle Street
1817
31
W. Raddon, active 1817–1862
Study of a Youth Wearing a Cloak
undated
32
Capt. Thomas Hastings, 1778–1854
Near Gravesend from the High Road
1817
33
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
34
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
35
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
36
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
37
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
38
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
39
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
40
Richard Parkes Bonington, 1802–1828
Study of a Woman with her Head on her Hand
undated
41
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
42
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
43
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
44
Samuel Howitt, 1756–1822
Polecat
ca. 1817
45
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
46
Robert Bremmel Schnebbelie, active 1803–1849
Aldgate
1817
47
John Linnell, 1792–1882
Tythrop
1817
48
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
49
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
50
Thomas Shotter Boys, 1803–1874
A Christening
undated
51
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
52
Richard Parkes Bonington, 1802–1828
A Seascape
undated
53
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
54
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
55
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
56
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
57
John Thomas Smith, 1766–1833
The Reconcilation
1817
58
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
59
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
60
John Thomas Smith, 1766–1833
The Smock Exposed
1817
61
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
62
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
63
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
64
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
65
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
66
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
67
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
68
Alexander Monro, 1802–1844
Knaresborough
undated
69
Alexander Monro, 1802–1844
Buildings Belonging to Magdalen Hall, Oxford
undated
70
Francis Oliver Finch, 1802–1862
Classical Landscape with Figures
undated
71
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham, Replication of Right Half
1817
72
Print made by W. R. Smith, active 1819–1851
Roslin Castle
ca. 1822
73
Print made by William Bernard Cooke, 1778–1855
Martello Towers at Bexhill
1817
74
Alexander Monro, 1802–1844
Porchester Castle
undated
75
John Buckler FSA, 1770–1851
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
1817
76
John Buckler FSA, 1770–1851
Flower Garden at Belton, Lincolnshire
1817
77
Print made by William Thomas Fry, 1789–1843
Martin Archer Shee, Esq., R. A
1817
78
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
79
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
80
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
81
Attributed to John Frederick Tayler, 1802–1889
Four Hooded Falcons
undated
82
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated
83
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
84
John Frederick Tayler, 1802–1889
Study of a Startled Horse
undated
85
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
86
Thomas Rowlandson, 1756–1827
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
1817
87
Thomas Rowlandson, 1756–1827
The Family Picture
1817
88
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
89
Sir Edwin Henry Landseer, 1802–1873
Sir Massey Storey Cooking the Turtle
undated
90
Sir Edwin Henry Landseer, 1802–1873
A Herd of Deer Grazing in a Park
undated
91
style of Sir Edwin Henry Landseer, 1802–1873
A Dappled Horse in a Stable
undated
92
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
93
Thomas Shotter Boys, 1803–1874
Landscape with Windmills
undated
94
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
95
Attributed to Sir Edwin Henry Landseer, 1802–1873
Sheep Dog Sleeping
undated
96
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
97
John Buckler FSA, 1770–1851
North West view of Burleigh House The Seat of the Marquis of Exeter
1817
98
John Buckler FSA, 1770–1851
South West View of Burleigh House
1817
99
John Buckler FSA, 1770–1851
South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
1817
100
John Buckler FSA, 1770–1851
Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart