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Collection
Prints and Drawings
97
Creator
Blake, William, 1757–1827
50
Girtin, Thomas, 1775–1802
8
Webber, John, 1752–1793
6
Turner, J. M. W. (Joseph Mallord William), 1775–1851
5
Chinnery, George, 1774–1852
4
Unknown artist
3
Burke, Thomas, 1749–1815
2
Byron, Frederick George, 1764–1794
2
Copley, John Singleton, 1738–1815
2
Cozens, John Robert, 1752–1797
2
Kauffmann, Angelica, 1741–1807
2
Turner, Charles, 1774–1857
2
Weld, Isaac, 1774–1856
2
Alexander, William, 1767–1816
1
Bartolozzi, Francesco, 1727–1815
1
Birch, William, 1755–1834
1
Chalon, John, 1738 – 1795
1
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Davis, Samuel, 1760–1819
1
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Creator
»
Date
1791
710
1800
614
1802
419
1796
361
1771
329
1826
326
1834
315
1795
268
1804
268
1832
268
1830
267
1814
235
1818
219
1825
217
1772
212
1827
211
1793
201
1820
200
1792
192
1797
187
1799
182
1784
175
1794
173
1803
157
1833
143
1835
137
1811
135
1870
133
1812
128
1817
126
1801
125
1813
121
1855
119
1790
116
1805
116
1807
116
1828
116
1839
114
1819
112
1745
109
1808
109
1758
108
1836
107
1821
106
1815
101
1829
99
1789
[remove]
97
1850
94
1810
93
1854
93
1768
91
1823
91
1841
89
1822
86
1798
85
1831
81
1877
81
1809
80
1775
78
1868
73
1816
70
1847
70
1785
69
1806
68
1700
65
1869
62
1748
61
1840
61
1845
61
1781
60
1842
60
1777
56
1859
56
1837
55
1838
55
1774
51
1824
49
1770
48
1780
48
1739
47
1787
44
1783
43
1844
43
1848
43
1851
41
1857
41
1782
40
1861
39
1896
38
1762
37
1786
35
1788
32
1843
32
1778
31
1919
28
1630
27
1764
27
1846
27
1759
24
1765
24
On-site Access
Accessible in the Study Room
94
On view
3
Image Use
Free to Use
97
Image Available
Available
97
Classification
Prints
59
Drawings & Watercolors
36
Drawing & Watercolors-Architectural
2
Creator Gender
male
96
unknown
3
female
2
Collective Title
Songs of Innocence and of Experience, Copy F
17
Songs of Innocence, Copy G
17
The Book of Thel, Copy B
8
The Book of Thel, Copy R
8
Views in the South Seas 1776-1780
6
Iconographie Anglaise par Reynolds et Autres
1
Period
18th century
83
18th century-19th century
13
19th century
1
Materials & Techniques
wove paper
[remove]
97
watercolor
73
relief etching
50
graphite
30
black ink
29
ink
26
pen
13
brown ink
8
etching (printing process)
6
stipple engraving
6
soft ground
4
colored ink
3
gray ink
3
gray wash
3
laid paper
3
black chalk
2
gouache
2
pens
2
wash
2
white chalk
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
58
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
78
Work Type
drawing
80
watercolor
73
relief print
50
intaglio print
8
frontispiece
2
Genre
literary theme
35
landscape
21
historical subject
16
religious and mythological subject
16
architectural subject
14
genre subject
13
figure study
5
sporting art
3
portrait
2
animal art
1
cityscape
1
marine art
1
Subject Terms
text
48
trees
41
leaf
39
vines
37
children
35
literary theme
33
women
31
branches
30
men
29
religious and mythological subject
17
historical subject
16
vegetation
16
landscape
15
architectural subject
14
flowers (plants)
14
mother
13
nudes
11
wings
11
woman
11
hills
10
more
Subject Terms
»
Associated Places
England
9
Europe
9
United Kingdom
9
Campagna
2
Kent
2
London
2
Middlesex
2
Berkshire
1
Bern
1
Cambridgeshire
1
Campania
1
Charenton-le-Pont
1
City of Westminster
1
Dover
1
Dover castle
1
France
1
Grindelwald
1
Harrow on the Hill
1
Italy
1
Marne
1
more
Associated Places
»
Associated People
Cephisa
2
Charles-Louis de Secondat, Baron de la Brède et de Montesquieu (1689 - 1755), academic/intellectual
2
Cupid
2
Sleeping Cupid
2
Hamilton, Emma, Lady Hamilton (bap. 1765, d. 1815), social celebrity and artist's model
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
18
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
18
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
13
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
8
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
6
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
5
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
4
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)
3
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
J. M. W. Turner - The Foundations of Genius (The Taft Museum, 1986-09-18 - 1986-11-02)
2
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
2
Canaletto in England (Birmingham Museum & Art Gallery, 1993-10-14 - 1994-01-09)
1
Caribbean - Crossroads of the World (El Museo del Barrio, 2012-06-12 - 2013-01-06)
1
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
Discover Constable and the Hay Wain (The National Gallery, London, 2024-10-17 - 2025-02-02)
1
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition (Yale Center for British Art, 1999-04-30 - 1999-09-05)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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97
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Materials & Techniques
wove paper
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Credit Line
Yale Center for British Art, Paul Mellon Collection
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Date
1789
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1
Print made by George Stubbs, 1724–1806
Labourers
1789
2
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
3
Joseph Mallord William Turner, 1775–1851
Newark-upon-Trent
ca. 1794
On view
4
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1794
On view
5
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
6
Joseph Mallord William Turner, 1775–1851
A River View near Grindelwald, Looking towards the Wetterhorn
ca. 1794–7
On view
7
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
8
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
9
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
10
Print made by William Blake, 1757–1827
The Book of Thel; Title Page (Plate 2)
1789
11
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
12
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
13
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
14
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
15
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
16
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
17
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
18
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
19
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
20
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
21
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
22
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
23
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
24
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
25
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
26
Print made by William Blake, 1757–1827
The Book of Thel, Title Page (Plate 2)
1789
27
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
28
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
29
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
30
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
31
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
32
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
33
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
34
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
35
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
36
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
37
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
38
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
39
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
40
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
41
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
42
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
43
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
44
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
45
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
46
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
47
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
48
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
49
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
50
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
51
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
52
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
53
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
54
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
55
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
56
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
57
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
58
John Singleton Copley, 1738–1815
Figure Study for the Painting of Victory of Lord Duncan: Study for the Figure of Admiral de Winter
undated
59
John Singleton Copley, 1738–1815
Figure Study for the Painting of the Victory of Lord Duncan: Study for Sailor Bearing the Dutch Flag
undated
60
Charles Heathcote Tatham, 1772–1842
Furniture Designs
undated
61
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
62
William Ward, 1766–1826
The Effects of Youthful Extravagance and Idleness
1789
63
Print made by Richard Earlom, 1743–1822
Sensibility
1789
64
Francesco Bartolozzi, 1728–1815
Jane, Countess of Harrington, Lord Viscount Petersham and the Honourable Lincoln Stanhope
1789
65
unknown artist
Handbill of Bermondsey Spa Gardens
1789
66
Charles Turner, 1774–1857
A Portrait Study for the Engraving of Gentleman Jackson
undated
67
Thomas Daniell, 1749–1840
The Mosque at Juanpore Built by Sultan Hussain Sherki | Taken in December 1789
1789
68
Benjamin West, 1738–1820
A Farm near Windsor
1789
69
Isaac Weld, 1774–1856
Vesuvius in Eruption
undated
70
Isaac Weld, 1774–1856
Vesuvius in Eruption
undated
71
John Webber, 1752–1793
Waheiadooa, Chief of Oheitepha, Lying in State
1789
72
John Webber, 1752–1793
A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
1789
73
John Webber, 1752–1793
View of the Harbour of Taloo in the Island of Eimeo
1789
74
unknown artist
A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
1789
75
John Webber, 1752–1793
The Narta or Sledge for Burdens in Kamtschatka
1789
76
John Webber, 1752–1793
A Toopapapoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
1789
77
Thomas Girtin, 1775–1802
A Border Tower
undated
78
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
79
William Birch, 1755–1834
A View in Kew Gardens
1789
80
Print made by John Chalon, 1738 – 1795
Study
1789-1790
81
John Renton, 1774–c.1841
A Mountain Landscape with a Shepherd
undated
82
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
83
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
84
Charles Turner, 1774–1857
A Race Meeting (Weighing In)
undated
85
unknown artist
The Watermill Above the Bridge at Charenton
undated
86
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
87
Thomas Rowlandson, 1756–1827
Three Clerical Scholars
1789
88
attributed to Thomas Girtin, 1775–1802
Dover
undated
89
Thomas Girtin, 1775–1802
Harrow-on-the-Hill, Middlesex
ca. 1794
90
Thomas Girtin, 1775–1802
Tonbridge Bridge and Castle, Kent
ca. 1794
91
Thomas Girtin, 1775–1802
Peterborough Cathedral, Cambridgeshire
ca. 1794
92
George Chinnery, 1774–1852
Equestrian Studies of an English Officer
undated
93
George Chinnery, 1774–1852
Trees by a River
undated
94
John Warwick Smith, 1749–1831
Approach to Belle Grange Park
1789
95
George Chinnery, 1774–1852
A Sailor and His Family
undated
96
George Chinnery, 1774–1852
Trees on a Hillside Path
undated
97
William Alexander, 1767–1816
One of the Embassy Yachts
ca. 1794