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Materials & Techniques wove paper

Collection Prints and Drawings

Height [cm] 45

George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Lateral View

George Stubbs, 1724–1806

Human Skeleton, Lateral View

1795 to 1806

George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

George Stubbs, 1724–1806

Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

1795 to 1806

William Blake Study for a Destroying Deity

William Blake, 1757–1827

Study for a Destroying Deity

1820 to 1825

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Richard Henry Nibbs Greenwich Hospital

Richard Henry Nibbs, 1816–1893

Greenwich Hospital

undated

John Farey Jr. Machinery for the Manufacture of Paper

John Farey Jr., 1791–1851

Machinery for the Manufacture of Paper

ca. 1810

Adam Buck The Artist and his Family

Adam Buck, 1759–1833

The Artist and his Family

1813

Samuel Davis Rocky River Scene with Sepoys

Samuel Davis, 1760–1819

Rocky River Scene with Sepoys

undated

William James Muller At Venice

William James Muller, 1812–1845

At Venice

ca. 1834

John Glover St. Donat's Castle, Glamorganshire

John Glover, 1767–1849

St. Donat's Castle, Glamorganshire

undated

John Frederick Lewis Study for the Proclamation of Don Carlos

John Frederick Lewis, 1804–1876

Study for the Proclamation of Don Carlos

between 1834 and 1838

Raphael Lamar West Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)

Raphael Lamar West, 1769–1850

Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)

undated

W. R. Smith Hospice of the Great St. Bernard II (The Dead-House)

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard II (The Dead-House)

1829

Isaac Weld Pffeffen Bad/ Switzerland

Isaac Weld, 1774–1856

Pffeffen Bad/ Switzerland

ca. 1817

William Dickinson Lady Charles Spencer

Print made by William Dickinson, 1746–1823

Lady Charles Spencer

1776

William Ward The Newbus Ox

Print made by William Ward, 1766–1826

The Newbus Ox

1812

John Dean Elizabeth, Countess of Derby

Print made by John Dean, 1754–1798

Elizabeth, Countess of Derby

1780

Francesco Bartolozzi The Cottagers

Print made by Francesco Bartolozzi, 1728–1815

The Cottagers

1794

Edward Fisher The Ladies Amabel and Mary Jemina Yorke

Print made by Edward Fisher, 1722–1785

The Ladies Amabel and Mary Jemina Yorke

1762

William Ward Portrait of the Short Horned Bull Patriot

Print made by William Ward, 1766–1826

Portrait of the Short Horned Bull Patriot

1810

William Alexander The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

William Alexander, 1767–1816

The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

ca. 1799

Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Edward Goodall Perugia

Print made by Edward Goodall, 1795–1870

Perugia

1830

Daniel Lysons Stained Glass Window of St. Catherine from Heston Church

Attributed to Daniel Lysons, 1762–1834

Stained Glass Window of St. Catherine from Heston Church

between 1796 and 1811

Edward Goodall The Forum

Print made by Edward Goodall, 1795–1870

The Forum

1830

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

Edward Goodall Venice

Print made by Edward Goodall, 1795–1870

Venice

1830

Edward Goodall Marengo

Print made by Edward Goodall, 1795–1870

Marengo

1830

Daniel Lysons Tomb of Dame Katherine Darcy from Isleworth Church

Attributed to Daniel Lysons, 1762–1834

Tomb of Dame Katherine Darcy from Isleworth Church

between 1796 and 1811

Edward Goodall Lake of Como, I

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

W. R. Smith Hannibal Passing the Alps

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Edward Goodall Venice

Print made by Edward Goodall, 1795–1870

Venice

1830

Augustus Welby Northmore Pugin Design for the Roof Truss, Rampisham Rectory

Augustus Welby Northmore Pugin, 1812–1852

Design for the Roof Truss, Rampisham Rectory

between 1846 and 1848

George Barret Landscape with Trees and Sheep (Park Landscape with Sheep)

George Barret, ca. 1728/32–1784

Landscape with Trees and Sheep (Park Landscape with Sheep)

undated

Samuel Davis View in St. Helena

Samuel Davis, 1760–1819

View in St. Helena

1806

Samuel Davis The Palace of the Deib Rajan at Tassisudon

Samuel Davis, 1760–1819

The Palace of the Deib Rajan at Tassisudon

undated

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

1850

George Townly Stubbs Children Dancing

George Townly Stubbs, 1748–1815

Children Dancing

1798

Thomas Leeson Rowbotham A View of Rouen from the River

Thomas Leeson Rowbotham, 1783–1853

A View of Rouen from the River

undated

William Callow Walenstadt, from Weesen, Switzerland

William Callow, 1812–1908

Walenstadt, from Weesen, Switzerland

1842

John Bounarotti Papworth Design for a Country House

John Bounarotti Papworth, 1775–1847

Design for a Country House

undated

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

John Pye Temples of Paestum

Print made by John Pye, 1782–1874

Temples of Paestum

1830

John Henry Robinson The Tarentella

Print made by John Henry Robinson, 1796–1871

The Tarentella

1830

Frederick Christian Lewis the Elder Giovanni and Garcia De' Medici

Print made by Frederick Christian Lewis the Elder, 1779–1856

Giovanni and Garcia De' Medici

1830

Daniel Allen An Etruscan Vase

Print made by Daniel Allen, active 1830s

An Etruscan Vase

1830

Edward Goodall St. Pierre's Cottage

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

George Fennell Robson Loch Coruisk, Isle of Skye, Dawn

George Fennell Robson, 1788–1833

Loch Coruisk, Isle of Skye, Dawn

between 1826 and 1832

Richard Earlom Mordecai

Print made by Richard Earlom, 1743–1822

Mordecai

1787

James Wyatt Five Designs for a House in the Gothic Style: Plan of the Chamber Story

James Wyatt, 1746–1813

Five Designs for a House in the Gothic Style: Plan of the Chamber Story

1791

Johnson The Italian Bird Catcher

Print made by Johnson, active 1766

The Italian Bird Catcher

1766

Samuel Davis The Hur Rangers Encamped at Colgong

Samuel Davis, 1760–1819

The Hur Rangers Encamped at Colgong

undated

Leopold Flameng Grolier with the Printer Aldus Manutius

Print made by Leopold Flameng, 1831–1911

Grolier with the Printer Aldus Manutius

1882

Charles Rosenberg Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..

Charles Rosenberg, active 1828–1848

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.

1831

Henry Hoppner Meyer Henry Brougham, 1st Baron Brougham and Vaux

Henry Hoppner Meyer, ca. 1782–1847

Henry Brougham, 1st Baron Brougham and Vaux

undated

Charles Turner The Right Honorable Lord Collingwood

after ? Charles Turner, 1774–1857

The Right Honorable Lord Collingwood

1811

Scawen Honourable George, Lord Pigot

Scawen, active 1770s

Honourable George, Lord Pigot

undated

Henry Richard Greville third Earl of Warwick Landscape with Old Trees by Water

Print made by Henry Richard Greville third Earl of Warwick, 1779–1853

Landscape with Old Trees by Water

1803, published 1807