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Materials & Techniques watercolor

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Vanessa Bell Young Boy in Blue Shirt
Vanessa Bell, 1879–1961
Young Boy in Blue Shirt
undated
Robert Polhill Bevan Under the Hammer
Robert Polhill Bevan, 1865–1925
Under the Hammer
between 1912 and 1913
Samuel Palmer Timber Wagon Crossing a Stream
Samuel Palmer, 1805–1881
Timber Wagon Crossing a Stream
undated
Edward Lear Boat on the Nile
Edward Lear, 1812–1888
Boat on the Nile
January - March 1867
Edward Lear Near Dishna
Edward Lear, 1812–1888
Near Dishna
1867
Edward Lear Boat on the Nile
Edward Lear, 1812–1888
Boat on the Nile
January - March 1867
Edward Lear Silsilis
Edward Lear, 1812–1888
Silsilis
1854
Edward Lear Deir Kadige
Edward Lear, 1812–1888
Deir Kadige
1867
Edward Lear Philae
Edward Lear, 1812–1888
Philae
1867
Edward Lear Haram el Ketab
Edward Lear, 1812–1888
Haram el Ketab
1867
Edward Lear Haram el Ketab
Edward Lear, 1812–1888
Haram el Ketab
1867
Edward Lear Near Edfu
Edward Lear, 1812–1888
Near Edfu
1867
Edward Lear Edfu
Edward Lear, 1812–1888
Edfu
1867
Edward Lear Sunset on the Nile
Edward Lear, 1812–1888
Sunset on the Nile
1867
Edward Lear Boats on the Nile
Edward Lear, 1812–1888
Boats on the Nile
1867
Edward Lear Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)
Edward Lear, 1812–1888
Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)
1867
Edward Lear Opposite Melaghara, 5:20 PM
Edward Lear, 1812–1888
Opposite Melaghara, 5:20 PM
undated
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
George Shepheard Haughton, Field and Shepheard Fighting
George Shepheard, ca. 1770–1842
Haughton, Field and Shepheard Fighting
undated
John Varley Kirkstall Abbey near Leeds
John Varley, 1778–1842
Kirkstall Abbey near Leeds
1804
unknown artist Portrait of Aazim Alomra
unknown artist
Portrait of Aazim Alomra
undated
Robert Mabon William Lee, October 1, 1792
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
Gangaram Chintaman Tambat Man with a Yellow Shawl Sitting Crosslegged
Gangaram Chintaman Tambat, active 1790s
Man with a Yellow Shawl Sitting Crosslegged
undated
Robert Mabon Standing Dignitary
Robert Mabon, died 1798
Standing Dignitary
undated
Gangaram Chintaman Tambat Portrait of a Priest of the Borahs [Bohras]
Attributed to Gangaram Chintaman Tambat, active 1790s
Portrait of a Priest of the Borahs [Bohras]
1794
Gangaram Chintaman Tambat Self-portrait of Gangaram as a Devotee
Attributed to Gangaram Chintaman Tambat, active 1790s
Self-portrait of Gangaram as a Devotee
ca. 1790
John Linnell The Farmyard
John Linnell, 1792–1882
The Farmyard
1812
J. Findlay Sir Violet Sighaway & Mr. Villiers
J. Findlay, active 1825–1857
Sir Violet Sighaway & Mr. Villiers
undated
J. Findlay Peter Callam & Elvira
J. Findlay, active 1825–1857
Peter Callam & Elvira
undated
Joseph Cartwright Single Hermaphrodite Brig
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
James Wyatt Cobham Hall, Kent: Plan of Stables
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Stables
ca. 1790
Thomas Miles Richardson Sr. A Highlander Seated
Thomas Miles Richardson Sr., 1784–1848
A Highlander Seated
undated
Samuel Wale Sion House
Samuel Wale, 1721–1786
Sion House
undated
James Ward A Thatched Cottage and Trees at the Turn of a Country Road
James Ward, 1769–1859
A Thatched Cottage and Trees at the Turn of a Country Road
undated
William Havell Welsh Landscape
Attributed to William Havell, 1782–1857
Welsh Landscape
undated
John Frederick Lewis The Via Mala
John Frederick Lewis, 1804–1876
The Via Mala
1827
Thomas Lindsay Oast House at Dusk
Thomas Lindsay, 1793–1861
Oast House at Dusk
undated
Thomas Lindsay Wispy Cloud Above an Alpine Formation
Attributed to Thomas Lindsay, 1793–1861
Wispy Cloud Above an Alpine Formation
undated
Thomas Lindsay Cloud Study - Blue and Red Flecked Alto - Cumulus
Attributed to Thomas Lindsay, 1793–1861
Cloud Study - Blue and Red Flecked Alto - Cumulus
undated
John Linnell Figures on a Bank, Kensington Gravel Pits
John Linnell, 1792–1882
Figures on a Bank, Kensington Gravel Pits
1812
John Gendall Fulham Palace, Porter's Lodge
John Gendall, 1790–1865
Fulham Palace, Porter's Lodge
undated
Philippe-Jacques de Loutherbourg Rustics with Poultry Returning from Market
Philippe-Jacques de Loutherbourg, 1740–1812
Rustics with Poultry Returning from Market
undated
John Glover River with Fishermen
John Glover, 1767–1849
River with Fishermen
1792
Samuel Howitt The Dog and The Shadow
Samuel Howitt, 1756–1822
The Dog and The Shadow
undated
George Augustus Sala Englishman in Inca Costume
George Augustus Sala, 1828–1895
Englishman in Inca Costume
undated
Thomas Sully Cottage
Thomas Sully, 1783–1872
Cottage
undated
Sawrey Gilpin Two Tigers
Sawrey Gilpin, 1733–1807
Two Tigers
1760
unknown artist Moonlit Scene of Castle and Ships
unknown artist
Moonlit Scene of Castle and Ships
undated
unknown artist Battersea
unknown artist
Battersea
undated
unknown artist Col. Floyd's Villa L -- (?) near Worthing
unknown artist
Col. Floyd's Villa L -- (?) near Worthing
undated
Peter La Cave Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
Peter La Cave, active 1769–1810
Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
John Varley View of Rugged Coastline, Bamburgh, Northumberland
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated