<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

Period 18th century

Remove constraint Period: 18th century

Height [cm] 37

Remove constraint Height [cm]: 37

Search Results

William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
Samuel De Wilde A Gentleman, full length, Holding a Paper and Pencil
Samuel De Wilde, 1748–1832
A Gentleman, full length, Holding a Paper and Pencil
1795
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
William Marlow Rochester
William Marlow, 1740–1813
Rochester
1780
Jacob More A View at Terracina
Jacob More, 1740–1793
A View at Terracina
1778
George Morland Landscape with Horses, Farmer and Dog
George Morland, 1763–1804
Landscape with Horses, Farmer and Dog
1794
James Bruce Entrance to Hieron of Temple of Shietla
James Bruce, 1730–1794
Entrance to Hieron of Temple of Shietla
undated
James Wyatt Cobham Hall, Kent: Section of a Hallway with Four Doors
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway with Four Doors
ca. 1790
James Wyatt Cobham Hall, Kent: Section of the Anteroom
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Anteroom
ca. 1790
James Wyatt Cobham Hall, Kent: Alternate Designs for Ceiling Decoration
James Wyatt, 1746–1813
Cobham Hall, Kent: Alternate Designs for Ceiling Decoration
ca. 1790
James Bruce Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added
Attributed to James Bruce, 1730–1794
Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added
1769–73
Willey Reveley Views in the Levant: Temple Ruins at Paestum
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
James Wyatt Cobham Hall, Kent: Plan of the Library
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Library
ca. 1790
James Wyatt Cobham Hall, Kent: Section of the great staircase, south wing at Cobham Hall
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the great staircase, south wing at Cobham Hall
ca. 1790
James Wyatt Cobham Hall, Kent: Section of the Earl of Darnley's Dressing Room
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Earl of Darnley's Dressing Room
ca. 1790
Paul Sandby The Queen Elizabeth Gate
Paul Sandby, 1731–1809
The Queen Elizabeth Gate
1767
Thomas Malton the Younger The Bank
Print made by Thomas Malton the Younger, 1748–1804
The Bank
1781
James Wyatt Design for a Ceiling
James Wyatt, 1746–1813
Design for a Ceiling
undated
Paul Sandby Landscape with beech trees and man driving cattle and sheep
style of Paul Sandby, 1731–1809
Landscape with beech trees and man driving cattle and sheep
undated
unknown artist Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
unknown artist
Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
undated
unknown artist Le Havre and Le Manche: A Map of Le Havre
unknown artist
Le Havre and Le Manche: A Map of Le Havre
undated
Paul Sandby Italianate Landscape with Travellers no. 2
Paul Sandby, 1731–1809
Italianate Landscape with Travellers no. 2
ca. 1760
Lt. John Ritso Gateway of an Old Fort, Benares
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
Paul Sandby The Gunpowder Magazine, Hyde Park
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
John Webber View of Cracatoa (sic), China Seas
John Webber, 1752–1793
View of Cracatoa (sic), China Seas
undated
John Vanderbank Portrait Study of a Divine
John Vanderbank, 1694–1739
Portrait Study of a Divine
1738
unknown artist Rouen: A Map of the City and Surrounding Areas
unknown artist
Rouen: A Map of the City and Surrounding Areas
undated
unknown artist Rochefort 1776
unknown artist
Rochefort 1776
1776
John Melchior Barralet The Old Stables, Petworth
John Melchior Barralet, active 1750–1787
The Old Stables, Petworth
1778
unknown artist Design after a Greek Vase
unknown artist
Design after a Greek Vase
undated
Isaac Johnson The North or Great Barn Farm at Earlham
Isaac Johnson, 1754–1835
The North or Great Barn Farm at Earlham
1753
Isaac Johnson The South Farm at Earlham
Isaac Johnson, 1754–1835
The South Farm at Earlham
1754
Samuel Scott A Thames Wharf with Westminster Bridge in the Distance
Samuel Scott, 1701/2–1772
A Thames Wharf with Westminster Bridge in the Distance
undated
Samuel Scott Thames Side Buildings
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
Samuel Scott A View of Edinburgh from the South Looking towards Dalkeith
Samuel Scott, 1701/2–1772
A View of Edinburgh from the South Looking towards Dalkeith
undated
Thomas Girtin Eton College from Datchet Road
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
Elizabeth Blackwell Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
Print made by Elizabeth Blackwell, died 1774
Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
1737
Elizabeth Blackwell Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
Print made by Elizabeth Blackwell, died 1774
Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
1737
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
John Robert Cozens The Lake of Nemi
John Robert Cozens, 1752–1797
The Lake of Nemi
between 1783 and 1785
John Robert Cozens The Lake and Town of Nemi
John Robert Cozens, 1752–1797
The Lake and Town of Nemi
ca. 1779
John Robert Cozens Galleria di Sopra, Albano
John Robert Cozens, 1752–1797
Galleria di Sopra, Albano
ca. 1778
Samuel Davis Madeira
Samuel Davis, 1760–1819
Madeira
1779
Samuel Davis View near Tassisudon [Tashicho Dzong] in Bhutan
Samuel Davis, 1760–1819
View near Tassisudon [Tashicho Dzong] in Bhutan
1783
William Burgess Pont Aber Glaslyn
William Burgess, 1749–1812
Pont Aber Glaslyn
1785
John Robert Cozens Tivoli
John Robert Cozens, 1752–1797
Tivoli
1778
Edward Dayes Queen Square, London
Edward Dayes, 1763–1804
Queen Square, London
1786
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
John Emes Matlock High Tor, Derbyshire
John Emes, 1762–1810
Matlock High Tor, Derbyshire
ca. 1786
James Wyatt Cobham Hall, Kent: Section of the Dining Parlor
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790