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Collection
Prints and Drawings
45
Creator
Blake, William, 1757–1827
39
Gray, Thomas, 1716–1771
25
Edwards, Richard, active 1796–1797
14
Young, Edward, 1683–1765
14
Colnaghi,, established 1760, active ca. 1785–1911
1
Cotman, John Sell, 1782–1842
1
Dance, George, 1741–1825
1
Gaugain, Thomas, 1748–1812
1
Girtin, Thomas, 1775–1802
1
Rowlandson, Thomas, 1756–1827
1
Vaslet, Lewis, 1742–1808
1
Wheatley, Francis, 1747–1801
1
Date
1797
[remove]
45
1772
24
1790
13
1800
12
1782
11
1825
11
1828
10
1830
10
1755
8
1780
8
1771
7
1785
7
1792
7
1804
7
1815
7
1793
6
1798
6
1812
6
1740
5
1754
5
1757
5
1760
5
1787
5
1789
5
1791
5
1795
5
1805
5
1810
5
1820
5
1867
5
1786
4
1794
4
1796
4
1809
4
1817
4
1818
4
1821
4
1823
4
1700
3
1750
3
1753
3
1756
3
1759
3
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3
1776
3
1781
3
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3
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3
1807
3
1814
3
1819
3
1822
3
1836
3
1840
3
1841
3
1843
3
1863
3
0
2
1706
2
1746
2
1766
2
1773
2
1775
2
1783
2
1784
2
1788
2
1801
2
1808
2
1835
2
1837
2
1852
2
1857
2
1891
2
1949
2
1600
1
1650
1
1665
1
1690
1
1694
1
1695
1
1699
1
1701
1
1725
1
1732
1
1744
1
1745
1
1748
1
1762
1
1764
1
1765
1
1767
1
1769
1
1770
1
1777
1
1778
1
1803
1
1811
1
1813
1
1826
1
1829
1
On-site Access
Accessible by appointment in the Study Room
45
Image Use
Free to Use
45
Image Available
Available
45
Classification
Drawings & Watercolors
30
Prints
15
Creator Gender
male
45
Collective Title
The Poems of Thomas Gray
25
Young's Night Thoughts
14
Cries of London
1
The Spoiled Child
1
Period
18th century
41
18th century-19th century
2
19th century
2
Materials & Techniques
watercolor
[remove]
45
wove paper
43
graphite
30
black ink
27
etching (printing process)
15
line engraving
14
gouache
2
gray wash
2
pen
2
aquatint
1
color printing
1
gray ink
1
gum
1
hand coloring
1
ink
1
laid paper
1
stipple engraving
1
Height [cm]
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Current results range from
14
to
45
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
9
to
49
Work Type
watercolor
44
drawing
30
intaglio print
15
Genre
literary theme
39
religious and mythological subject
31
genre subject
3
landscape
3
Subject Terms
man
[remove]
45
literary theme
39
text
37
religious and mythological subject
31
men
26
women
17
trees
15
clouds
10
woman
10
beard
8
leaf
8
angel
7
horse (animal)
7
nude
7
nudes
7
sky
7
water
7
angels
6
children
6
gown
6
more
Subject Terms
»
Associated Places
United Kingdom
4
Europe
3
Cymru
2
England
2
Wales
2
Caernarfonshire and Merionethshire
1
Devon
1
Eton College
1
Ffestiniog
1
Greater London
1
Gwynedd
1
London
1
Associated People
angel
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
5
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
2
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
2
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
2
Captive Bodies: British Prisons, 1750-1900 (Yale Center for British Art, 2018-08-27 - 2018-12-17)
1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
1
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Thomas Rowlandson (Art Services Int'l) (The Baltimore Museum of Art, 1990-06-23 - 1990-08-05)
1
Thomas Rowlandson (Art Services Int'l) (The Frick Art Museum, 1990-04-21 - 1990-06-03)
1
Thomas Rowlandson (Art Services Int'l) (The Frick Collection, 1990-02-10 - 1990-04-08)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
43
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey
1
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Materials & Techniques
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Date
1797
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man
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1
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
2
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
3
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
4
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
5
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
6
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
7
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
8
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
9
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
10
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
11
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
12
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
13
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
14
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
15
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
16
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
17
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
18
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
19
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
20
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
21
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
22
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
23
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
24
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
25
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
26
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
27
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
28
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
29
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
30
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
31
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
32
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
33
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
34
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
35
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
36
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
37
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
38
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
39
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
40
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
41
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
42
George Dance, 1741–1825
A Dandy Quizzing a Mule's Head seen over a Stable Door
after 1797
43
Thomas Rowlandson, 1756–1827
Entrance to Festiniog, Wales
1797
44
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
45
John Sell Cotman, 1782–1842
Mountainous Landscape, North Wales
ca. 1802