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Collection
Prints and Drawings
122
Creator
Blake, William, 1757–1827
38
Edwards, Richard, active 1796–1797
38
Young, Edward, 1683–1765
38
Parish, Henry William, active 1792
10
Thirtle, John, 1777–1839
10
Girtin, Thomas, 1775–1802
9
Alexander, William, 1767–1816
5
Moore, James, 1762–1799
5
Smith, John, 1749–1831
4
Walker, George, active 1792–died 1795
4
Dayes, Edward, 1763–1804
3
Tambat, Gangaram Chintaman Navgire, active 1790s
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Woodward, George Moutard, ca. 1760–1809
3
Wright, John Massey, 1777–1866
3
Cruikshank, Isaac, 1764–1811
2
Dent, William, active 1784–1793
2
Fores, S. W., 1761–1838
2
Howitt, Samuel, 1756–1822
2
Mabon, Robert, died 1798
2
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Creator
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Date
1791
756
1796
347
1867
321
1800
292
1772
243
1832
189
1752
181
1794
163
1790
160
1804
158
1797
157
1799
152
1771
140
1793
133
1792
[remove]
122
1795
120
1789
113
1775
106
1825
104
1830
104
1745
103
1785
103
1784
95
1839
95
1802
93
1818
91
1801
89
1780
87
1820
84
1835
84
1836
79
1827
78
1805
70
1807
70
1781
67
1798
66
1812
63
1815
62
1755
61
1787
58
1817
58
1811
55
1808
54
1810
53
1814
53
1855
53
1700
52
1774
52
1834
52
1782
51
1828
50
1803
49
1783
48
1765
47
1788
47
1821
47
1819
46
1840
46
1740
43
1768
43
1813
43
1823
43
1861
43
1778
41
1764
38
1826
36
1763
35
1809
35
1837
35
1770
34
1777
34
1786
33
1806
33
1822
33
1829
32
1833
31
1841
31
1746
30
1748
30
1831
30
1838
30
1844
30
1761
29
1843
29
1776
28
1760
26
1762
26
1751
25
1753
25
1757
25
1779
24
1816
24
1848
24
1845
23
1863
23
1842
20
1850
20
1846
19
1754
18
1759
18
On-site Access
Accessible in the Study Room
122
Image Use
Free to Use
[remove]
122
Image Available
Available
116
Unavailable
6
Classification
Drawings & Watercolors
72
Prints
46
Drawing & Watercolors-Architectural
2
Drawings & Watercolors-Miniatures
2
Creator Gender
male
122
Collective Title
Young's Night Thoughts
38
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
9
A Long String of Resolutions for the New Year
2
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
2
A Midsummer Night's Dream
1
The Winter's Tale
1
Views in the Province of Kiang Nan, China
1
Period
18th century
103
18th century-19th century
16
19th century
1
Materials & Techniques
watercolor
[remove]
122
wove paper
81
graphite
68
etching (printing process)
45
laid paper
39
line engraving
39
black ink
17
brown ink
16
pen
16
hand coloring
7
gouache
5
gray ink
5
gray wash
2
ivory
2
scratching out
2
black chalk
1
color printing
1
red ink
1
scraping
1
stipple engraving
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
67
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
160
Work Type
watercolor
114
drawing
74
intaglio print
45
relief print
38
miniature
2
Genre
literary theme
39
landscape
34
architectural subject
20
genre subject
17
marine art
15
figure study
6
portrait
5
sporting art
4
cityscape
3
animal art
1
historical subject
1
military art
1
Subject Terms
literary theme
39
men
39
text
37
landscape
27
women
26
architectural subject
17
nudes
16
trees
16
clouds
13
marine art
13
genre subject
12
grass
9
angels
8
children
8
rocks (landforms)
8
man
7
mountains
7
wings
7
crowns
6
river
6
more
Subject Terms
»
Associated Places
United Kingdom
22
Europe
19
England
15
Asia
5
China
4
Scotland
4
Devon
3
India
3
Wales
3
Cumbria
2
Cymru
2
Kent
2
Lake District
2
Pembrokeshire
2
Rio de Janeiro
2
Roxburghshire
2
Aberdeenshire
1
Amsterdam
1
Banff
1
Bangalore
1
more
Associated Places
»
Associated People
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Shakespeare, William (1564–1616), playwright and poet
1
Udney, Martha (1761–1831), governess to Princess Charlotte
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
38
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
10
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
8
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
5
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
4
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
4
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
From Merchants to Emperors - British Artists in India 1757-1930 (Los Angeles County Museum of Art, 1986-10-02 - 1987-01-04)
1
From Merchants to Emperors - British Artists in India 1757-1930 (The Morgan Library & Museum, 1986-05-01 - 1986-07-31)
1
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
John Glover and the Colonial Picturesque (Art Gallery of South Australia, 2004-02-19 - 2004-04-12)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
112
Yale Center for British Art, Paul Mellon Fund
4
Yale Center for British Art, Bequest of William S. Konecky
3
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Materials & Techniques
watercolor
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Date
1792
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Image Use
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1
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
2
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
3
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
4
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
ca. 1797
5
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
6
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
7
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
8
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
9
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
10
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
11
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
12
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
13
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
14
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
15
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
16
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
17
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
18
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
19
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
20
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
21
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
22
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
23
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
24
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
25
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
26
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
27
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
28
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
29
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
30
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
31
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
32
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
33
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
34
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
35
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
36
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
37
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
38
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
39
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
40
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
41
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
42
John Glover, 1767–1849
River with Fishermen
1792
43
Andrew Robertson, 1777–1845
Lady Bective
undated
44
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
45
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
46
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
47
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
48
John Thirtle, 1777–1839
An Old Fisherman Repairing Nets with a Cottage in the Background
undated
49
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
50
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated
51
Gangaram Chintaman Navgire Tambat, active 1790s
Two Jeyties Wrestling
1792
52
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
53
Gangaram Chintaman Navgire Tambat, active 1790s
View on the River Bhima at Dhawalgadh, 28 Miles East of Poona
1792 to 1794
54
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
55
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
56
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
57
John Massey Wright, 1777–1866
Pirates
undated
58
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
59
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
60
George Walker, active 1792–died 1795
Industrious Jenny
undated
61
John Thirtle, 1777–1839
Bridgnorth
undated
62
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
63
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
64
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
65
Lieutenant James Hunter, died 1792
Tipu Sultan's Summer Palace
1792
66
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
67
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
68
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
69
John Thirtle, 1777–1839
Castle Acre Priory
undated
70
John Thirtle, 1777–1839
A View of Waltham Abbey, Herts, Essex
undated
71
John Thirtle, 1777–1839
Shore Scene with Sailing Ship at Quay
undated
72
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
73
John Thirtle, 1777–1839
A Church Porch
undated
74
Gangaram Chintaman Navgire Tambat, active 1790s
Two Jeyties
1792
75
John Thirtle, 1777–1839
Young Girl Sitting on a Bank outside a Church
undated
76
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
77
Henry William Parish, active 1792
Off Rio de Janeiro
1792
78
Henry William Parish, active 1792
Teneriffe, to the East of Santa Cruz, 22 October
1792
79
Henry William Parish, active 1792
St. Jago, Cape de Verde, 3 November
1792
80
Henry William Parish, active 1792
Fort Santa Cruz, Rio de Janeiro
1792
81
Thomas Girtin, 1775–1802
Country House
ca. 1797
82
Henry William Parish, active 1792
Marine sketch
1792
83
Thomas Girtin, 1775–1802
Estuary on the River Taw, Devon
ca. 1797
84
Henry William Parish, active 1792
Island of Mayo, Cape de Verde, 2 November
1792
85
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
86
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
87
Thomas Girtin, 1775–1802
Lyme Regis, Dorset
ca. 1797
88
Thomas Girtin, 1775–1802
Findlater Castle, Banff
between 1792 and 1793
89
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
90
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
91
Nicholas Pocock, 1740–1821
An Admiralty Yacht Running Inshore at Tenby
1792
92
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
93
George Walker, active 1792–died 1795
Man Toasting Another Man . .
undated
94
Samuel Howitt, 1756–1822
The Kill
1792
95
Samuel Howitt, 1756–1822
Racing Scene
1792
96
John Warwick Smith, 1749–1831
The Northern Boundary of St. Bride's Bay
1792
97
Arthur William Devis, 1762–1822
Grinding Corn
1792–1795
98
Edward Dayes, 1763–1804
Melrose Abbey, Roxburghshire
1792
99
Edward Dayes, 1763–1804
Elgin Cathedral, Moray
1792
100
John Warwick Smith, 1749–1831
Ullswater, Looking toward Patterdale
1792
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