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Collection
Prints and Drawings
114
Creator
Blake, William, 1757–1827
38
Edwards, Richard, active 1796–1797
38
Young, Edward, 1683–1765
38
Parish, Henry William, active 1792
10
Thirtle, John, 1777–1839
10
Girtin, Thomas, 1775–1802
9
Alexander, William, 1767–1816
5
Moore, James, 1762–1799
5
Smith, John, 1749–1831
4
Walker, George, active 1792–died 1795
4
Dayes, Edward, 1763–1804
3
Tambat, Gangaram Chintaman, active 1790s
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Wright, John Massey, 1777–1866
3
Howitt, Samuel, 1756–1822
2
Mabon, Robert, died 1798
2
Rowlandson, Thomas, 1756–1827
2
Aglio, Agostino, 1777–1857
1
Barnard, William Henry, 1767–1818
1
Barth, J. S., active 1797–1809
1
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Creator
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Date
1791
752
1800
331
1867
316
1772
239
1832
186
1752
181
1790
158
1794
153
1804
153
1814
150
1797
149
1771
139
1792
[remove]
114
1799
112
1793
111
1789
110
1795
110
1801
100
1745
99
1785
97
1825
97
1775
95
1839
95
1784
94
1700
88
1830
87
1818
86
1802
82
1835
82
1820
81
1796
78
1836
78
1780
75
0
71
1807
66
1798
62
1787
60
1805
60
1812
59
1815
59
1817
59
1755
57
1855
54
1774
52
1810
51
1827
48
1782
47
1808
47
1788
46
1828
46
1803
45
1821
45
1834
45
1840
45
1811
44
1781
43
1783
43
1819
42
1740
41
1765
40
1778
40
1813
39
1861
39
1764
36
1823
36
1768
35
1777
35
1826
35
1763
33
1837
33
1786
32
1776
30
1746
29
1761
29
1809
29
1831
29
1844
29
1838
28
1843
28
1748
27
1751
25
1762
25
1806
25
1841
25
1845
25
1863
25
1757
24
1816
24
1822
24
1829
24
1760
23
1753
22
1770
22
1779
22
1848
22
1866
20
1833
19
1842
19
1846
19
1850
19
On-site Access
Accessible by appointment in the Study Room
114
Image Use
Free to Use
114
Image Available
Available
111
Unavailable
3
Classification
Drawings & Watercolors
72
Prints
38
Drawing & Watercolors-Architectural
2
Drawings & Watercolors-Miniatures
2
Creator Gender
male
113
female
1
Collective Title
Young's Night Thoughts
38
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
9
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
2
A Midsummer Night's Dream
1
The Winter's Tale
1
Views in the Province of Kiang Nan, China
1
Period
18th century
96
18th century-19th century
16
19th century
1
Materials & Techniques
watercolor
[remove]
114
wove paper
81
graphite
68
etching (printing process)
38
line engraving
38
laid paper
32
black ink
17
brown ink
16
pen
16
gouache
6
gray ink
5
gray wash
2
ivory
2
scratching out
2
black chalk
1
gum arabic
1
red ink
1
scraping
1
wash
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
51
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
4
to
69
Work Type
watercolor
[remove]
114
drawing
101
intaglio print
38
miniature
2
Genre
literary theme
39
landscape
34
architectural subject
19
genre subject
16
marine art
15
figure study
6
portrait
4
sporting art
4
cityscape
3
animal art
1
botanical subject
1
historical subject
1
military art
1
Subject Terms
literary theme
39
men
39
text
37
landscape
27
women
25
architectural subject
16
nudes
16
trees
16
clouds
13
marine art
13
genre subject
12
grass
9
angels
8
children
8
rocks (landforms)
8
man
7
mountains
7
wings
7
crowns
6
river
6
more
Subject Terms
»
Associated Places
United Kingdom
22
Europe
19
England
15
Asia
4
China
4
Scotland
4
Devon
3
India
3
Wales
3
Cumbria
2
Cymru
2
Kent
2
Lake District
2
Pembrokeshire
2
Rio de Janeiro
2
Roxburghshire
2
Aberdeenshire
1
Amsterdam
1
Banff
1
Bangalore
1
more
Associated Places
»
Associated People
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
Shakespeare, William (1564–1616), playwright and poet
1
Udney, Martha (1761–1831), governess to Princess Charlotte
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
38
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
10
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
8
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
5
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
4
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
4
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
John Glover and the Colonial Picturesque (Art Gallery of South Australia, 2004-02-19 - 2004-04-12)
1
John Glover and the Colonial Picturesque (National Gallery of Australia, 2004-04-24 - 2004-07-18)
1
John Glover and the Colonial Picturesque (National Gallery of Victoria, 2004-08-13 - 2004-10-03)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
110
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
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Materials & Techniques
watercolor
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Date
1792
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1
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
2
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
3
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
4
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
5
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
6
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
7
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
8
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
9
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
10
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
11
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
12
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
13
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
14
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
15
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
16
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
17
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
18
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
19
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
20
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
21
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
22
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
23
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
24
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
25
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
26
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
27
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
28
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
29
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
30
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
31
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
32
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
33
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
34
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
35
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
36
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
37
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
38
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
39
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
40
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
41
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
42
George Walker, active 1792–died 1795
Industrious Jenny
undated
43
George Walker, active 1792–died 1795
Scotsman with Sword; Modern Dress of a Highland Chieftan
undated
44
George Walker, active 1792–died 1795
Uncle George in the Dress of a Highland Herdsman
undated
45
John Thirtle, 1777–1839
Bridgnorth
undated
46
John Thirtle, 1777–1839
Shore Scene with Sailing Ship at Quay
undated
47
John Thirtle, 1777–1839
A Church Porch
undated
48
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
49
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
50
John Thirtle, 1777–1839
A View of Waltham Abbey, Herts, Essex
undated
51
John Massey Wright, 1777–1866
Pirates
undated
52
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
53
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
54
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
55
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
56
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Wrestling
1792
57
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
58
Attributed to Gangaram Chintaman Tambat, active 1790s
View on the River Bhima at Deval Gaun, 28 Miles East of Poona
1792 to 1794
59
John Massey Wright, 1777–1866
Mrs. Martha Udney
undated
60
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
61
Lieutenant James Hunter, died 1792
Tipu Sultan's Summer Palace
1792
62
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
63
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
64
Andrew Robertson, 1777–1845
Lady Bective
undated
65
John Thirtle, 1777–1839
Castle Acre Priory
undated
66
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
67
John Glover, 1767–1849
River with Fishermen
1792
68
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
69
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
70
John Thirtle, 1777–1839
An Old Fisherman Repairing Nets with a Cottage in the Background
undated
71
Samuel Howitt, 1756–1822
Racing Scene
1792
72
George Walker, active 1792–died 1795
Man Toasting Another Man . .
undated
73
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
74
Samuel Howitt, 1756–1822
The Kill
1792
75
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
76
Julius Caesar Ibbetson, 1759–1817
Haymaking
1792
77
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
78
John Thirtle, 1777–1839
Young Girl Sitting on a Bank outside a Church
undated
79
Janet Dick, active 1794–1806
An Indian Shrub with White Blossoms and Pointed Leaves
between 1792 and 1807
80
James Moore, 1762–1799
Dunnottar Castle
1792
81
Nicholas Pocock, 1740–1821
An Admiralty Yacht Running Inshore at Tenby
1792
82
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
83
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
84
James Moore, 1762–1799
Cawdor Castle, Scotland
1792
85
Thomas Girtin, 1775–1802
Lyme Regis, Dorset
ca. 1797
86
Henry William Parish, active 1792
Fort Santa Cruz, Rio de Janeiro
1792
87
Henry William Parish, active 1792
Island of Mayo, Cape de Verde, 2 November
1792
88
Henry William Parish, active 1792
Off Rio de Janeiro
1792
89
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
90
Thomas Girtin, 1775–1802
Country House
ca. 1797
91
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
92
Henry William Parish, active 1792
Marine sketch
1792
93
Thomas Rowlandson, 1756–1827
The Elopement
1792
94
Thomas Girtin, 1775–1802
Findlater Castle, Banff
between 1792 and 1793
95
Thomas Girtin, 1775–1802
Estuary on the River Taw, Devon
ca. 1797
96
Henry William Parish, active 1792
Teneriffe, to the East of Santa Cruz, 22 October
1792
97
Henry William Parish, active 1792
St. Jago, Cape de Verde, 3 November
1792
98
Edward Dayes, 1763–1804
Elgin Cathedral, Moray
1792
99
John Warwick Smith, 1749–1831
The Northern Boundary of St. Bride's Bay
1792
100
John Warwick Smith, 1749–1831
Ullswater, Looking toward Patterdale
1792
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