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Materials & Techniques watercolor
Remove constraint Materials & Techniques: watercolorOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomWidth [cm] 33
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1
- Autumn Sowing of the Grain
- ca. 1794
2
- Gebel Sheikh Eredi
- 1867
3
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
4
- 'Is lost in love! thou great Philanthropist' (Page 87)
- ca. 1797
5
- 'That touch, with charm celestial heals the soul' (Page 90)
- ca. 1797
6
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
7
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
8
- 'When faith is virtue, reason makes it so' (Page 92)
- ca. 1797
9
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
10
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
11
- 'And vapid; sense and reason shew the door' (Page 72)
- ca. 1797
12
- 'If angels tremble, 'tis at such a sight' (Page 93)
- ca. 1797
13
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
14
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
15
- Night the Third. Narcissa; Title Page
- ca. 1797
16
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
17
- 'Emblem of that which shall awake the dead' (Page 19)
- 1797
18
- 'We censure nature for a span too short' (Page 23)
- 1797
19
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
20
- 'Like that, the dial speaks; and points to thee' (Page 33)
- 1797
21
- 'Angels should paint it, angels ever there' (Page 40)
- 1797
22
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- 1797
23
- 'Death! great proprietor of all! 'tis thine' (Page 8)
- 1797
24
- 'Disease invades the chastest temperence' (Page 10)
- 1797
25
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
26
- 'The present moment terminates our sight' (Page 13)
- 1797
27
- Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
- 1797
28
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
29
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
30
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
31
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
32
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
33
- Night the Third. Narcissa; Title Page
- 1797
34
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
35
- The Christian Triumph; Title Page
- 1797
36
- Night the First. On Life, Death and Immortality; Title Page
- 1797
37
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
38
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
39
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
40
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
41
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
42
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
43
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
44
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
45
- 'When faith is virtue, reason makes it so' (Page 92)
- 1797
46
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
47
- 'The goddess bursts in thunder and in flame' (Page 95)
- 1797
48
- 'The longest night though longer far, would fail' (Page 15)
- 1797
49
- 'Till at Death's toll, whose restless iron tongue' (Page 7)
- ca. 1797
50
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
51
- Sealing the Stone and Setting a Watch
- 1800 to 1803
52
- Shipping off the Isle of Wight
- undated
53
- Juniperus procera Endl. (African Pencil Cedar): finished drawing of trees's habit
- undated
54
- The Pont des Arts, Paris
- between 1831 and 1837
55
- Old House beside a Pool
- ca. 1810
56
- Old London, View from St. James Park Looking East
- undated
57
- The Whittington Stone by Moonlight
- undated
58
- Rochester
- undated
59
- Eton from the Thames
- between 1800 and 1829
60
- The Kitchen of an Oxford College
- 1858
61
- Swan Lake, Craven Hill, Bayswater
- undated
62
- Coutances Cathedral
- undated
63
- Cobham Hall, Kent: Drawings of Windows for Parlor Floor
- ca. 1790
64
- Chamaeler Chamaeleon
- undated
65
- The Chapel of the Foundling Hospital, London
- undated
66
- Aldenham Church
- ca. 1817
67
- The River at Dusk, Oxford
- 1792
68
- A Crane
- 1791
69
- The Ruins from Leptis Magna as they Appeared in the Royal Park at Virginia Water
- 1835
70
- A Capriccio of Windsor Castle
- 1827
71
- A Bulldog
- after 1815
72
- Lyons from Quayside on the Rhone
- ca. 1824
73
- The Beautiful Vale and Mowddach River, Merionethshire
- 1805
74
- Battleship
- ca. 1944
75
- Porpoises, July 7, 1883
- 1883
76
- Windsor Castle from the Brocas
- early 19th century
77
- The Prince Regent and the Moneylenders
- undated
78
- The Bishop's Palace, Bromley (A Country House)
- undated
79
- Interior of the Belfry, Bushey Church
- ca. 1822
80
- Moat at the Tower of London
- undated
81
- Notre Dame, Paris
- 1842
82
- Mountainous Landscape
- undated
83
- Bombie Mill, Bombie, Tongue of Bombie
- undated
84
- The Village of Aldbury, Hertfordshire
- 1816
85
- View of Paris from Charenton
- 1834
86
- Views of Spain, Volume I
- undated
87
- Views of Polar Regions
- undated
88
- Alpine Landscape with Figures and Bridge
- undated
89
- A Bird
- undated
90
- Goodwood, West Sussex: Ceiling Design
- undated
91
- Sarsden House and Gardens, Oxfordshire: Bird's-eye View
- ca. 1795
92
- Design for a Church. Elevation of West Front
- undated
93
- The Church of St. Laurent
- undated
94
- Costessy Hall, Norfolk
- 1831
95
- Clifton Mount
- undated
96
- Tucumán, Argentina
- 1854
97
- Pines on Hampstead Heath
- 1842
98
- A Brown long-eared bat (Plecotus auritus)
- undated
99
- View at Rympton
- undated
100
- Mt. St. Bernard (Switzerland)
- 1816