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Collection
Prints and Drawings
122
Creator
Varley, John, 1778–1842
37
Blake, William, 1757–1827
24
Tambat, Gangaram Chintaman Navgire, active 1790s
12
Parish, Henry William, active 1792
7
Alexander, William, 1767–1816
6
Girtin, Thomas, 1775–1802
5
Schiavonetti, Luigi, 1765–1810
4
Wheatley, Francis, 1747–1801
4
Cockburn, James Pattison, 1779–1847
3
Colnaghi,, established 1760, active ca. 1785–1911
3
Crosse, Richard, 1742–1810
3
Daniell, Thomas, 1749–1840
2
Davis, Samuel, 1760–1819
2
Harraden, Richard Banks, 1778–1862
2
Smith, Joseph Clarendon, 1778–1810
2
Unknown artist
2
Chalon, John James, 1778–1854
1
Dance, George, 1741–1825
1
Daniell, William, 1769–1837
1
Edwards, Edward, 1738–1806
1
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1791
727
1800
389
1796
341
1772
241
1752
181
1832
174
1804
155
1794
154
1797
153
1790
151
1814
151
1799
148
1771
137
1793
[remove]
122
1795
116
1792
112
1745
103
1784
93
1785
93
1839
93
1789
91
1801
91
1818
90
1802
88
1825
87
1780
82
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79
1700
76
1820
74
1835
73
1807
67
1812
64
1775
63
1798
63
1805
63
0
62
1781
62
1827
59
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58
1755
57
1787
55
1817
55
1811
52
1774
49
1810
49
1782
48
1808
47
1783
46
1803
46
1828
45
1834
45
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45
1819
43
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42
1740
41
1768
41
1765
39
1821
39
1823
39
1813
37
1778
36
1861
36
1826
35
1764
32
1809
32
1770
31
1788
30
1806
30
1833
30
1837
30
1763
29
1841
29
1748
28
1786
28
1822
28
1761
27
1776
27
1829
27
1836
27
1777
26
1844
26
1753
25
1751
24
1838
24
1779
23
1816
23
1831
22
1746
19
1762
19
1843
19
1757
18
1842
18
1848
18
1754
17
1759
17
1824
17
1845
17
1850
17
1863
17
1756
16
On-site Access
Accessible in the Study Room
122
Image Use
Free to Use
122
Image Available
Available
119
Unavailable
3
Classification
Drawings & Watercolors
91
Prints
28
Drawings & Watercolors-Miniatures
3
Creator Gender
male
122
unknown
2
female
1
Collective Title
America. A Prophecy, Copy M
18
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
7
Visions of the Daughters of Albion, Copy I
6
Cries of London
3
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
1
The Costume of China
1
The Cries of London
1
Views in the Province of Kiang Nan, China
1
Period
18th century
73
18th century-19th century
48
19th century
1
Materials & Techniques
watercolor
[remove]
122
wove paper
77
graphite
63
black ink
45
laid paper
36
relief etching
24
color printing
14
gouache
12
brown ink
11
black chalk
5
gray wash
5
aquatint
4
etching (printing process)
4
hand coloring
4
pen
4
stipple engraving
4
gray ink
3
ivory
3
board
2
ink
2
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Materials & Techniques
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Height [cm]
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Current results range from
8
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64
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Current results range from
7
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97
Work Type
watercolor
116
drawing
111
relief print
24
intaglio print
4
miniature
3
frontispiece
2
Genre
landscape
56
architectural subject
36
religious and mythological subject
18
genre subject
16
marine art
16
cityscape
10
literary theme
7
portrait
4
animal art
1
cartographic material
1
figure study
1
sporting art
1
Subject Terms
landscape
51
trees
42
architectural subject
35
men
31
clouds
24
text
22
nudes
19
religious and mythological subject
18
boats
17
figures
17
river
15
women
15
marine art
13
genre subject
12
hills
12
houses
12
cityscape
11
mountains
11
buildings
10
rocks (landforms)
9
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Subject Terms
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Associated Places
United Kingdom
32
England
24
Europe
13
India
12
Ellora
9
Asia
8
China
6
Cymru
6
Wales
6
Thames
5
Cambridge
3
Greater London
3
Karli
3
London
3
Northumberland
3
Barnard Castle
2
Battersea
2
Cambridgeshire
2
Durham
2
Norwich
2
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Associated Places
»
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
19
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
11
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
11
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
7
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
7
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
2
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
2
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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122
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1
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
2
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Title Page (Plate 2)
1793
3
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
4
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
5
Print made by William Blake, 1757–1827
Visions of the Daughters of Albion; Frontispiece (Plate 1)
1793
6
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
7
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
8
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
9
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
10
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
11
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
12
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
13
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
14
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
15
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
16
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
17
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
18
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
19
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
20
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
21
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
22
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
23
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
24
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
25
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
26
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
27
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
28
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
29
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
30
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
31
pupil of John Varley, 1778–1842
On the Thames
undated
32
Richard Crosse, 1742–1810
Joseph de Lautour
1793
33
John Varley, 1778–1842
A Romantic Landscape
undated
34
John Varley, 1778–1842
River Landscape with Figures
undated
35
John Christian Schetky, 1778–1874
Boat Sailing to the Right with Mountains in the Background
undated
36
John Varley, 1778–1842
Landscape with a Clump of Trees near a Road and a Stream
undated
37
John Varley, 1778–1842
View of New Street, near London Bridge
undated
38
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
39
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
40
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
41
John Varley, 1778–1842
Farm House with a Well
undated
42
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
43
John Varley, 1778–1842
On the Thames
undated
44
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
45
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
46
James Ward, 1769–1859
Mother and Infant
ca. 1798
47
John Varley, 1778–1842
View of York
undated
48
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
49
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
50
John Samuel Hayward, 1778–1822
A Young Woman Looking Down
undated
51
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
52
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
53
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
54
John Varley, 1778–1842
Millbank
undated
55
John Varley, 1778–1842
Linlithgow Palace
undated
56
John Varley, 1778–1842
Norwich
undated
57
Richard Crosse, 1742–1810
Amelia de Lautour
1793
58
Richard Crosse, 1742–1810
Peter de Lautour
1793
59
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
60
John Varley, 1778–1842
A Castle at the Waterside
undated
61
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
62
John Varley, 1778–1842
Merida, Spain
undated
63
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
64
imitator of John Varley, 1778–1842
River Landscape
undated
65
pupil of John Varley, 1778–1842
A Village Street
undated
66
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
67
John Varley, 1778–1842
Cattle Watering at Sunset
undated
68
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
69
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
70
Gangaram Chintaman Navgire Tambat, active 1790s
Indra Sabha Temple at Ellora, Upper Level of East-Facing Cave
between 1793 and 1795
71
Gangaram Chintaman Navgire Tambat, active 1790s
The Waterfall at Dhumar Lena, Dry Except in Rains
between 1793 and 1795
72
Gangaram Chintaman Navgire Tambat, active 1790s
Great Chaitya Hall at Karla
1793
73
John Varley, 1778–1842
Seashore with Two Figures and a Distant Town
undated
74
Gangaram Chintaman Navgire Tambat, active 1790s
Janwasa Temple at Ellora
between 1793 and 1795
75
Gangaram Chintaman Navgire Tambat, active 1790s
Jagannatha Sabha Temple at Ellora, Exterior View
between 1793 and 1795
76
Gangaram Chintaman Navgire Tambat, active 1790s
Drawing of a Pillar at Karla
1793
77
Gangaram Chintaman Navgire Tambat, active 1790s
Kailasa Temple at Ellora, Exterior View from the Northeast
between 1793 and 1795
78
Gangaram Chintaman Navgire Tambat, active 1790s
Indra Sabha Temple at Ellora, Exterior View
between 1793 and 1795
79
Gangaram Chintaman Navgire Tambat, active 1790s
Kailasa Temple at Ellora, Exterior Side View
between 1793 and 1795
80
Gangaram Chintaman Navgire Tambat, active 1790s
The Waterfall at Dhumar Lena, Dry Except in the Rains
between 1793 and 1795
81
Gangaram Chintaman Navgire Tambat, active 1790s
Valley and Village of Verul taken from Donkhamb
between 1793 and 1795
82
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
83
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
84
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
85
George Dance, 1741–1825
Portrait of a Boy
August 3, 1793
86
James Pattison Cockburn, 1779–1847
Tapestry-hung Room in Gothic Mansion
undated
87
James Pattison Cockburn, 1779–1847
Raftered Hall with Figures in 16th Century Dress
undated
88
John Varley, 1778–1842
London from the Thames
undated
89
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
90
John Varley, 1778–1842
Barnard Castle, County Durham
undated
91
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
92
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
93
Capt. Thomas Hastings, 1778–1854
East Cowes, Isle of Wight
undated
94
John Varley, 1778–1842
Romantic Composition
undated
95
John James Chalon, 1778–1854
Skating in the Park
undated
96
John Varley, 1778–1842
The Castle on the Hill
undated
97
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
98
John Varley, 1778–1842
Carnarvon Castle
undated
99
Gangaram Chintaman Navgire Tambat, active 1790s
Interior View of the Great Chaitya Hall at Karla
1793
100
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
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