Night the First. On Life, Death and Immortality; Title Page
ca. 1797
3
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
4
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
5
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
6
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
7
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
8
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
9
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
10
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
11
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
12
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
13
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
14
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
15
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
16
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
17
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
18
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
19
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
20
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
21
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
22
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
23
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
24
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
25
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
26
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
27
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
28
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
29
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
30
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
31
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
32
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
33
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
34
James Bruce, 1730–1794
Arch and Corinthian Temple of Assuras mod. Zanfour
undated
35
Richard Henry Nibbs, 1816–1893
Hay and Log Barges on the Conway
undated
36
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
37
Samuel Austin, 1796–1834
Church of Notre Dame, Bruges
undated
38
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
39
Luigi Balugani, 1737–1770
African Wildcat or Serval
undated
40
William Alexander, 1767–1816
Wigmore Castle, Herefordshire
undated
41
George Moutard Woodward, ca. 1760–1809
The Royal Rush Light
1798
42
James Wyatt, 1746–1813
Goodwood, West Sussex: Ceiling Design
undated
43
Sir John Soane, 1753–1837
Design for Hyde Park and St. James' Park Entrance
ca. 1826
44
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
45
Julius Caesar Ibbetson, 1759–1817
Robbing the Mail
ca. 1790
46
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
47
Daniel Lysons, 1762–1834
Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
between 1796 and 1811
48
Andrew Fyfe, 1752–1824
Eragrostis Tef
1775
49
Hugh William "Grecian" Williams, 1773–1829
View of the Forum in Rome
1828
50
Daniel Lysons, 1762–1834
The Environs of London: Brass plate for Unidentified Infant from East Ham Church
between 1796 and 1811
51
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
52
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
53
Joseph Cartwright, c.1789–1829
Single Brigantine, Sails Furled
undated
54
Arthur Bradley, active 1740
Record Drawing of the 1639 Altarpiece in Exeter Cathedral
undated
55
Thomas Barker, 1769–1847
Woodland Landscape
undated
56
Samuel Prout, 1783–1852
The Monnow Bridge, Monmouthshire
before 1814
57
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
58
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
59
William Green, 1760–1823
Landscape with River and a Bridge
undated
60
William Green, 1760–1823
Landscape, Castle by a River
undated
61
William Green, 1760–1823
The Devil's Bridge, Kirkby Lonsdale
undated
62
William Green, 1760–1823
Landscape, Castle and Cattle
undated
63
William Green, 1760–1823
Landscape with Vale and Mountains
undated
64
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
65
Edward Rooker, 1724–1774
The Summit of Cader Idris Mountain
1775
66
William Woollett, 1735–1785
Snowden Hill
1775
67
William Byrne, 1743–1805
Carnarvon Castle
1775
68
James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
69
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
1881
70
Ceri Richards, 1903–1971
Piano Recital
1943
71
Thomas Rowlandson, 1756–1827
A Merchant's Office
1789
72
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
73
Print made by Gerard van der Gucht, 1696–1776
The Cape of Good Hope
1736
74
Print made by Gerard van der Gucht, 1696–1776
Fort St. George
1736
75
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
76
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Hall, Nottingham: Elevation
ca. 1801
77
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
78
Studio of Sir Jeffry Wyatville, 1766–1840
Wollaton Park, Nottingham: South Elevation
ca. 1801
79
Studio of Sir Jeffry Wyatville, 1766–1840
Elevation of an Unidentified Church
undated
80
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
81
Isaac Johnson, 1754–1835
Survey of Tunstall Marshes
1753
82
Lionel Edwards, 1878–1966
The Lodge Gate
1922
83
Joseph Crawhall, 1861–1913
Tangier
1887
84
Print made by William Daniell, 1769–1837
A View of the East India Docks
1808
85
Attributed to John Leech, 1817–1864
The Hunting Doctor
undated
86
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
87
Sydenham Teast Edwards, 1768–1819
Hound Standing: profile, facing left
1795
88
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
89
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
90
Luigi Balugani, 1737–1770
Caracal caracal (desert lynx)
undated
91
Luigi Balugani, 1737–1770
Columba guinea (Speckled Pigeon, African Rock Pigeon)
undated
92
Luigi Balugani, 1737–1770
Album of 34 Drawings of Animals and Birds from The Bruce Archive