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Materials & Techniques watercolor

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John Constable Borrowdale: Evening after a Fine Day, 1 October 1806
John Constable, 1776–1837
Borrowdale: Evening after a Fine Day, 1 October 1806
1806
Samuel Palmer Guildford
Samuel Palmer, 1805–1881
Guildford
1844
Samuel Palmer The Weald of Kent
Samuel Palmer, 1805–1881
The Weald of Kent
between 1833 and 1834
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
ca. 1792–1794
Joseph Mallord William Turner Interior of St. John's Palace, Eltham
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
Joseph Mallord William Turner The Bridge over the River Rye at Helmsley, with the Castle Beyond
Joseph Mallord William Turner, 1775–1851
The Bridge over the River Rye at Helmsley, with the Castle Beyond
between 1798 and 1799
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Edward Lear Opposite Beni Hassan, Looking North
Edward Lear, 1812–1888
Opposite Beni Hassan, Looking North
1867
Edward Lear Dendera, 9:15 am, 15 January 1867 (157)
Edward Lear, 1812–1888
Dendera, 9:15 am, 15 January 1867 (157)
1867
Edward Lear Near Sabooa
Edward Lear, 1812–1888
Near Sabooa
1867
Edward Lear Near Abu Simbel
Edward Lear, 1812–1888
Near Abu Simbel
1867
Edward Lear Near Wady Halfeh
Edward Lear, 1812–1888
Near Wady Halfeh
1867
Edward Lear Abu Seer, Wady Halfeh
Edward Lear, 1812–1888
Abu Seer, Wady Halfeh
1867
Edward Lear Faras Westbank
Edward Lear, 1812–1888
Faras Westbank
1867
Edward Lear Abu Simbel
Edward Lear, 1812–1888
Abu Simbel
1867
Edward Lear Ibreem
Edward Lear, 1812–1888
Ibreem
1867
Edward Lear Shelaal, 5:30 am, 29 January 1867 (264)
Edward Lear, 1812–1888
Shelaal, 5:30 am, 29 January 1867 (264)
1867
Edward Lear Dawn on the Nile
Edward Lear, 1812–1888
Dawn on the Nile
1867
Edward Lear Shelaal, 2:30 am, 29 January 1867 (260)
Edward Lear, 1812–1888
Shelaal, 2:30 am, 29 January 1867 (260)
1867
Edward Lear Rizaghat
Edward Lear, 1812–1888
Rizaghat
1867
Edward Lear Dehmyt, 7:30 am, 31 January 1867 (278)
Edward Lear, 1812–1888
Dehmyt, 7:30 am, 31 January 1867 (278)
1867
Edward Lear Near Gamille
Edward Lear, 1812–1888
Near Gamille
1867
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Dendera, 9:00 am, 15 January 1867 (156)
Edward Lear, 1812–1888
Dendera, 9:00 am, 15 January 1867 (156)
1867
Edward Lear Near Tapha, 9:45 am, 31 January 1867 (287)
Edward Lear, 1812–1888
Near Tapha, 9:45 am, 31 January 1867 (287)
1867
Edward Lear Korosko
Edward Lear, 1812–1888
Korosko
1867
Edward Lear Between Derr and Ibreem
Edward Lear, 1812–1888
Between Derr and Ibreem
1867
Edward Lear Abu Simbel
Edward Lear, 1812–1888
Abu Simbel
1867
Edward Lear Leonessa, 3 October 1844
Edward Lear, 1812–1888
Leonessa, 3 October 1844
1844
William Blake Albion's Angel; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
On view
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
On view
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake America, A Prophecy; Title Page (Plate 2)
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
On view
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
On view
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
On view
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake The Ancient of Days; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
The Ancient of Days; Frontispiece (Plate 1)
1794
William Blake Europe a Prophecy; Title Page (Plate 2)
Print made by William Blake, 1757–1827
Europe a Prophecy; Title Page (Plate 2)
1794
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "In thoughts perturb'd they rose..." (Plate 11)
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
On view
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
On view
William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
On view
Andreas Geiger Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
Andreas Geiger, 1765–1856
Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
undated
Spencer Frederick Gore Cave of the Golden Calf: Worshippers and Calf
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
William James Muller A Castle Above an Estuary
William James Muller, 1812–1845
A Castle Above an Estuary
ca. 1831
Paul Sandby Study of a Tree
style of Paul Sandby, 1731–1809
Study of a Tree
ca. 1780
Nicholas Pocock Hotwells from Rownham Ferry
Nicholas Pocock, 1740–1821
Hotwells from Rownham Ferry
undated
Edward Swinburne Ash Tree
Edward Swinburne, 1765–1847
Ash Tree
1842
Peter Tillemans Hilly Scene with Village and Horseman
Peter Tillemans, 1684–1734
Hilly Scene with Village and Horseman
undated
Richard Thomas Underwood Leominster
Richard Thomas Underwood, 1772–1835
Leominster
undated
William Anderson On a Man-o'-War
William Anderson, 1757–1837
On a Man-o'-War
between 1794 and 1799
John Varley View of New Street, near London Bridge
John Varley, 1778–1842
View of New Street, near London Bridge
undated
James Bruce Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added
Attributed to James Bruce, 1730–1794
Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added
1769–73
Walter Crane Woman in a Kimono
Walter Crane, 1845–1915
Woman in a Kimono
1910
Thomas Gaugain Turnips & Carrots ho
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
Sydney Prior Hall Interior of a Room at Woodcote Manor
Sydney Prior Hall, 1851–1929
Interior of a Room at Woodcote Manor
undated
James Duffield Harding Casade de Lys From Below
James Duffield Harding, 1798–1863
Casade de Lys From Below
1834
Thomas Jones The Road from Santa Maria de Monte to Naples
Thomas Jones, 1742–1803
The Road from Santa Maria de Monte to Naples
1781
John Frederick Lewis The Valley of Lutscheuen
John Frederick Lewis, 1804–1876
The Valley of Lutscheuen
1827
William Henry Hunt A Dead Hare and a Cooked Lobster on a Bench
William Henry Hunt, 1790–1864
A Dead Hare and a Cooked Lobster on a Bench
ca. 1827
Daniel Lysons Memorial to Henry Flitcroft from Teddington Church
Daniel Lysons, 1762–1834
Memorial to Henry Flitcroft from Teddington Church
between 1796 and 1811
Daniel Lysons Memorial to Francis Poulton from Twickerham Church
Daniel Lysons, 1762–1834
Memorial to Francis Poulton from Twickerham Church
between 1796 and 1811
Daniel Lysons Memorial to Thomas Gilmoore and Mrs. Elizabeth Gilmoore from Twickenham Church
Daniel Lysons, 1762–1834
Memorial to Thomas Gilmoore and Mrs. Elizabeth Gilmoore from Twickenham Church
between 1796 and 1811
Daniel Lysons Memorial to John and Ann Goodwin and Mathew their son from Bedfont Church
Daniel Lysons, 1762–1834
Memorial to John and Ann Goodwin and Mathew their son from Bedfont Church
between 1796 and 1811
Daniel Lysons Memorial to Maria Whitfield from Bedfont Church
Daniel Lysons, 1762–1834
Memorial to Maria Whitfield from Bedfont Church
between 1796 and 1811
Daniel Lysons Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
Daniel Lysons, 1762–1834
Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
between 1796 and 1811
Daniel Lysons Brass Plate for John and Tomasina Goodyere from Teddington Church
Daniel Lysons, 1762–1834
Brass Plate for John and Tomasina Goodyere from Teddington Church
between 1796 and 1811
Daniel Lysons Coat of Arms in Chancel at Bedfont Church
Daniel Lysons, 1762–1834
Coat of Arms in Chancel at Bedfont Church
between 1796 and 1811
John Varley Ludlow, Shropshire
John Varley, 1778–1842
Ludlow, Shropshire
undated
James Miller Distant View of Church
James Miller, active 1773–1814
Distant View of Church
undated
Captain T. Richbell Man of War with Other Shipping
Captain T. Richbell, active 1792–1825
Man of War with Other Shipping
1791
Arthur Severn Looking Across Lake Como
Arthur Severn, 1842–1931
Looking Across Lake Como
undated
Paul Sandby Pont-y-Pier near Llanroost, Denbighshire
Paul Sandby, 1731–1809
Pont-y-Pier near Llanroost, Denbighshire
ca. 1800
John Varley London from the South West
John Varley, 1778–1842
London from the South West
1831
Alfred Gomersal Vickers The Town Hall, Danzig
Alfred Gomersal Vickers, 1810–1837
The Town Hall, Danzig
undated
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795