The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
2
Robert Smirke, 1752–1845
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
3
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
4
Joseph Nash, 1808–1878
Levens, Westmoreland, The Small Drawing Room
1873
5
Augustus Welby Northmore Pugin, 1812–1852
Sketch of the Interior of a Gothic Church
undated
6
Augustus Welby Northmore Pugin, 1812–1852
Bishop's Palace, Wells, Somerset: Elevations and Sections of Windows
undated
7
unknown artist
Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
undated
8
Thomas Rowlandson, 1756–1827
Interior of a Stable
undated
9
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
10
Thomas Hearne, 1744–1817
The Welsh Curate
undated
11
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
12
William Henry Hunt, 1790–1864
The Essex Chantry, Watford Church
ca. 1820
13
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
14
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
15
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
16
John Thomas Smith, 1766–1833
The Smock Exposed
1817
17
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
18
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
19
John Thomas Smith, 1766–1833
The Reconcilation
1817
20
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
21
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
22
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
23
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
24
William James Muller, 1812–1845
Study of a Rustic Interior Scene
undated
25
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
26
Sir David Wilkie, 1785–1841
Grace Before Meat
1839
27
unknown artist
Interior of Stone Building
undated
28
unknown artist
Church Interior
undated
29
unknown artist
Church Interior
undated
30
unknown artist
Elevations of a Room
undated
31
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
32
William Simpson, 1823–1899
Interior of Fort Nicholas, Sebastopol, Crimea
undated
33
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
34
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815
35
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
36
Thomas Rowlandson, 1756–1827
A Gentleman's Art Gallery
undated
37
Thomas Rowlandson, 1756–1827
The Preacher
1800 to 1810
38
Thomas Rowlandson, 1756–1827
New Shoes
undated
39
Thomas Rowlandson, 1756–1827
The Gaming Table
1801
40
Thomas Rowlandson, 1756–1827
Dr Syntax & Dairymaid
1821
41
Charles Samuel Keene, 1823–1891
The Queen's English: An Iillustration in "Punch", Aug. 11, 1877
ca. 1877
42
Thomas Shotter Boys, 1803–1874
The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852
1852
43
Thomas Rowlandson, 1756–1827
Quakers' Meeting
ca. 1810
44
Thomas Rowlandson, 1756–1827
Reflections, or the Music Lesson
undated
45
Henry Fuseli, 1741–1825
Woman Reading, Seated Before a Window
1805
46
unknown artist
Stainborough Hall, Yorkshire: Three Floor Plans
undated
47
Print made by Augustus Welby Northmore Pugin, 1812–1852
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4
undated
48
Henry Thomas Alken, 1785–1851
Foxhunting: The Toast
undated
49
Thomas Rowlandson, 1756–1827
Register Office for the Hiring of Servants
between 1800 and 1805
50
Thomas Rowlandson, 1756–1827
Dr Graham's Bathing Establishment
undated
51
Thomas Rowlandson, 1756–1827
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
52
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
53
Thomas Rowlandson, 1756–1827
The Comforts of Bath: The Breakfast
1798
54
Hercules Brabazon Brabazon, 1821–1906
The Infant Balthasar Carlos
undated
55
Thomas Rowlandson, 1756–1827
Bridewell, The Pass Room, House of Correction
undated
56
Thomas Rowlandson, 1756–1827
A Maiden Aunt Smelling Fire
1804
57
Thomas Rowlandson, 1756–1827
Domestic Interior
undated
58
Thomas Stothard, 1755–1834
A Girl Giving a Key to a Cavalier
undated
59
George Dance, 1741–1825
And Courtiers to Their Idol Bend
undated
60
David Simson, 1803–1874
At Penshurst
1863
61
David Simson, 1803–1874
Dining Room in Haddon Hall
1861
62
unknown artist
The Choir St. Marys (with ms. notes)
undated
63
David Simson, 1803–1874
At Haddon Hall (window)
1861
64
David Simson, 1803–1874
At Haddon Hall (view of armor)
1861
65
unknown artist
Views in the Levant: Interior of a Ruined Byzantine Church