The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
2
Robert Smirke, 1752–1845
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
3
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
4
John Thomas Smith, 1766–1833
The Reconcilation
1817
5
John Thomas Smith, 1766–1833
The Smock Exposed
1817
6
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
7
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
8
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
9
Sir David Wilkie, 1785–1841
Grace Before Meat
1839
10
unknown artist
Church Interior
undated
11
unknown artist
Church Interior
undated
12
unknown artist
Interior of Stone Building
undated
13
unknown artist
Elevations of a Room
undated
14
Hubert-François Gravelot, 1699–1773
Two Prize Fighters
ca. 1742
15
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
16
William Henry Hunt, 1790–1864
The Essex Chantry, Watford Church
ca. 1820
17
William Simpson, 1823–1899
Interior of Fort Nicholas, Sebastopol, Crimea
undated
18
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
19
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
20
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
21
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
22
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
23
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
24
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
25
William James Muller, 1812–1845
Study of a Rustic Interior Scene
undated
26
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
27
Thomas Hearne, 1744–1817
The Welsh Curate
undated
28
Thomas Rowlandson, 1756–1827
Interior of a Stable
undated
29
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
undated
30
Augustus Welby Northmore Pugin, 1812–1852
Sketch of the Interior of a Gothic Church
undated
31
Augustus Welby Northmore Pugin, 1812–1852
Bishop's Palace, Wells, Somerset: Elevations and Sections of Windows
undated
32
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815
33
Henry Thomas Alken, 1785–1851
Foxhunting: The Toast
undated
34
Joseph Nash, 1808–1878
Levens, Westmoreland, The Small Drawing Room
1873
35
Thomas Shotter Boys, 1803–1874
The Duke of Wellington's Room at Walmer Castle, Dec. 4, 1852
1852
36
Charles Samuel Keene, 1823–1891
The Queen's English: An Iillustration in "Punch", Aug. 11, 1877
ca. 1877
37
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
38
unknown artist
Bishop's Palace, Wells, Somerset: Elevation, Plan and Section of Window in the Great Hall
undated
39
Print made by Augustus Welby Northmore Pugin, 1812–1852
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4