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Materials & Techniques line engraving

Subject Terms religious and mythological subject

William Blake "My son! my Son!" (Plate 10)

Print made by William Blake, 1757–1827

"My son! my Son!" (Plate 10)

1826

William Blake "Help! Help!" (Plate 12)

Print made by William Blake, 1757–1827

"Help! Help!" (Plate 12)

1826

William Blake Aged Ignorance (Plate 13)

Print made by William Blake, 1757–1827

Aged Ignorance (Plate 13)

1826

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Earth (Plate 5)

Print made by William Blake, 1757–1827

Earth (Plate 5)

1826

William Blake Alas! (Plate 9)

Print made by William Blake, 1757–1827

Alas! (Plate 9)

1826

William Blake "I want! I want!" (Plate 11)

Print made by William Blake, 1757–1827

"I want! I want!" (Plate 11)

1826

William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)

Print made by William Blake, 1757–1827

"Does thy God O Priest take such vengeance as this?" (Plate 14)

1826

William Blake "The Traveller hasteth in the Evening" (Plate 16)

Print made by William Blake, 1757–1827

"The Traveller hasteth in the Evening" (Plate 16)

1826

William Blake Death's Door (Plate 17)

Print made by William Blake, 1757–1827

Death's Door (Plate 17)

1826

William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

Print made by William Blake, 1757–1827

"I have said to the Worm: Thou art my mother & my sister" (Plate 18)

1826

William Blake For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Title Page (Plate 1)

1826

William Blake "Fear & hope are -- Vision" (Plate 15)

Print made by William Blake, 1757–1827

"Fear & hope are -- Vision" (Plate 15)

1826

William Blake "To The Accuser who is The God of This World..." (Plate 19)

Print made by William Blake, 1757–1827

"To The Accuser who is The God of This World..." (Plate 19)

1826

William Blake Frontispiece, "What is Man!" (Plate 2)

Print made by William Blake, 1757–1827

Frontispiece, "What is Man!" (Plate 2)

1826

William Blake "He meets his Saviour in the Grave..." (Plate 20)

Print made by William Blake, 1757–1827

"He meets his Saviour in the Grave..." (Plate 20)

1826

William Blake "I found him beneath a Tree" (Plate 3)

Print made by William Blake, 1757–1827

"I found him beneath a Tree" (Plate 3)

1826

William Blake Water (Plate 4)

Print made by William Blake, 1757–1827

Water (Plate 4)

1826

William Blake Air (Plate 6)

Print made by William Blake, 1757–1827

Air (Plate 6)

1826

William Blake Fire (Plate 7)

Print made by William Blake, 1757–1827

Fire (Plate 7)

1826

William Blake "At length for hatching ripe he breaks the shell" (Plate 8)

Print made by William Blake, 1757–1827

"At length for hatching ripe he breaks the shell" (Plate 8)

1826

John Alexander Lot and His Family

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

William Woollett Meleager and Atalanta

Print made by William Woollett, 1735–1785

Meleager and Atalanta

1779

William Sharp Niobe

Figures engraved by William Sharp, 1749–1824

Niobe

1792

unknown artist The Double Deliverance, 1588–1605

Print made by unknown artist

The Double Deliverance, 1588–1605

1621

William Woollett Ceyx and Alcyone

William Woollett, 1735–1785

Ceyx and Alcyone

1769

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Francesco Bartolozzi The Virgin and Child

Print made by Francesco Bartolozzi, 1728–1815

The Virgin and Child

1770

Francesco Bartolozzi The Virgin and Child

Print made by Francesco Bartolozzi, 1728–1815

The Virgin and Child

1770

Francesco Bartolozzi The Assumption Of Mary

Francesco Bartolozzi, 1728–1815

The Assumption Of Mary

Francesco Bartolozzi The Resurrection

Francesco Bartolozzi, 1728–1815

The Resurrection

Placido Columbani At Naples

Print made by Placido Columbani, born ca. 1744, active 1801

At Naples

undated

William Woollett Dido and Aeneas

William Woollett, 1735–1785

Dido and Aeneas

1787

Placido Columbani At the City of Albano

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

Placido Columbani At Naples

Print made by Placido Columbani, born ca. 1744, active 1801

At Naples

undated

Placido Columbani At the Minerva at Rome

Print made by Placido Columbani, born ca. 1744, active 1801

At the Minerva at Rome

undated

Placido Columbani At the City of Albano

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

undated

Francesco Bartolozzi Ticket to Westminster Abbey

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Francesco Bartolozzi Ticket: Mr. Cox's Museum

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772

Simon François Ravenet The Good Samaritan

Simon François Ravenet, 1706–1774

The Good Samaritan

1772

Simon François Ravenet The Pool of Bethesda

Simon François Ravenet, 1706–1774

The Pool of Bethesda

1772

Francesco Bartolozzi Samson Breaking His Bands

Print made by Francesco Bartolozzi, 1728–1815

Samson Breaking His Bands

1799

Charles Grignion Britannia Allegory

Charles Grignion, 1717–1810

Britannia Allegory

between 1743 and 1747

John Scott Crypt in Kirkstall Abbey, Yorkshire

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

J. C. Varrall Valle Crucis Abbey, Denbighshire

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Francesco Bartolozzi The Resurrection, St. Mary Magdalene; And Mary, Mother Of James

Francesco Bartolozzi, 1728–1815

The Resurrection, St. Mary Magdalene; And Mary, Mother Of James

1782

James H. Kernot St. Catherine's Hill, near Guildford, Surrey

Print made by James H. Kernot, 1802–1858

St. Catherine's Hill, near Guildford, Surrey

1832

Robert Wallis Buckfastleigh Abbey, Devonshire

Print made by Robert Wallis, 1794–1878

Buckfastleigh Abbey, Devonshire

1828

W. R. Smith Leicester Abbey, Leicestershire

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

W. R. Smith Leicester Abbey, Leicestershire

Print made by W. R. Smith, active 1819–1851

Leicester Abbey, Leicestershire

1834

James Redway Christ Church College, Oxford

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

George C. Finden A Mythological Battle

George C. Finden, 1811–1885

A Mythological Battle

1853

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

James Tibbits Willmore Mercury and Argus

Print made by James Tibbits Willmore, 1800–1863

Mercury and Argus

1841

Thomas Chambars Mrs. Quarrington as St. Agnes

Thomas Chambars, ca. 1724–1789

Mrs. Quarrington as St. Agnes

1787

unknown artist William Robertson

unknown artist

William Robertson

1799

Pieter S. van der Gunst Thomas Cranmer

Pieter S. van der Gunst, 1659–c. 1724

Thomas Cranmer

undated

James Basire Benjamin Hoadly, Bishop of Winchester

Print made by James Basire, 1730–1802

Benjamin Hoadly, Bishop of Winchester

1771

James Tibbits Willmore Mercury and Argus

Print made by James Tibbits Willmore, 1800–1863

Mercury and Argus

1841