Materials & Techniques: line engraving / Subject Terms: man / Classification: Prints

1. Plate VIII, Human Body, Posterior View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

2. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Rev. John Caspar Lavater

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 × 11 9/16 inches (36.5 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Édouard Colbert, Marquis de Villacerf

Creator:: Gerard Edelinck, 1640–1707
Date:: 1696
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 x 14 3/16 inches (49.8 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Melville & Naomi Stone

19. A View of the Chapel and Hall of Oriel College, &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1807
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof (a) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Chepstow

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1794
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and line engraving; 1st published state on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Bridgenorth

Creator:: Print made by James Walker, 1748–1808
Date:: 1795
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Birmingham

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1795
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Westminster Bridge

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Ely

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Hampton Court Palace, Herefordshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Worcester

Creator:: Print made by Thomas Rothwell, ca. 1742–1807
Date:: 1795
Materials & Techniques:: Etching and line engraving; published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 5/8 inches (7.3 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Bath

Creator:: Print made by George Murray, died 1822
Date:: 1795
Materials & Techniques:: Etching and line engraving; published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 5/8 inches (7.3 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Northampton

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1796
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 5 1/2 inches (8.3 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Freshwater Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 3/8 inches (19.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Alum Bay, Isle of Wight

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A View of Worcester College &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1804
Materials & Techniques:: Etching and line engraving; engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A View of Worcester College &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1804
Materials & Techniques:: Etching and line engraving; published state, late impression on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire II, 1769–1822
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 17 7/8 inches (36.2 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Christ Church from the Meadows

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: between 1820 and 1823
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 1/8 inches (32.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Winchester Cross

Creator:: Print made by Joseph Powell, 1780–1834
Date:: 1800
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, smooth, cream laid paper
Dimensions:: Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Matlock

Creator:: Print made by J. Widnell, Active 1795
Date:: 1795
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Chester

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Flint, from Park-Gate

Creator:: Print made by John Walker, active 1792–1803
Date:: 1797
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Carlisle

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Elgin Cathedral, Morayshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and line engraving; 2nd published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Wakefield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 10 inches (20 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Tower of London

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1795
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 × 5 7/8 inches (7.9 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Oxford

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1795
Materials & Techniques:: Etching and line engraving; published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 5 1/2 inches (8.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Chelsea Hospital

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1795
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 5 1/2 inches (8.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Flint

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1795
Materials & Techniques:: Etching and line engraving; published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/8 × 4 3/4 inches (7.9 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Cambridge

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1795
Materials & Techniques:: Etching and line engraving; published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 3/8 × 5 1/2 inches (8.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Windsor

Creator:: Print made by Thomas Rothwell, ca. 1742–1807
Date:: 1795
Materials & Techniques:: Etching and line engraving; published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/4 × 5 1/2 inches (8.3 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire II, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. View of Exeter College, All Saints Church, &c. from the Turl

Creator:: Print made by James Basire II, 1769–1822
Date:: 1806
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 × 18 1/8 inches (35.6 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. View of Oxford from the South Side of Heddington Hill

Creator:: Print made by James Basire II, 1769–1822
Date:: 1808
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Part of Balliol College Quadrangle

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 18 3/8 inches (36.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. View of the Chapel and Hall of Oriel College

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1801
Materials & Techniques:: Etching and line engraving; unfinished proof before letters on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Winchester Cross

Creator:: Print made by Joseph Powell, 1780–1834
Date:: 1800
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. South West View of Dunster Castle, Somersetshire

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1800
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Ruins of the College of Lincluden

Creator:: Print made by William Byrne, 1743–1805
Date:: 1782
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Sunshine of Love

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1837
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 3/8 x 13 7/8 inches (44.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

62. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Macarony at a Sale of Pictures

Creator:: Charles Grignion, 1717–1810
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, greened white laid paper
Dimensions:: Sheet: 11 x 8 1/4 inches (28 x 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A Ladies Maid Purchasing a Leek

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1772
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/16 x 8 1/8 inches (28.1 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Morning

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. William Dodd, L. L. D.

Creator:: John Goldar, 1729–1795
Date:: between 1775 and 1795
Materials & Techniques:: Line engraving with hand coloring on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:: Sheet: 6 3/4 × 3 15/16 inches (17.1 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

68. David Hume

Creator:: Print made by Joseph Collyer, 1748–1827
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:: Sheet: 7 1/16 × 4 1/2 inches (17.9 × 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

69. David Garrick, Esq.

Creator:: Print made by John Hall, 1739–1797
Date:: 1773
Materials & Techniques:: Line engraving and etching on medium, slightly textured, beige laid paper, laid on mount
Dimensions:: Sheet: 6 1/4 × 3 7/16 inches (15.9 × 8.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

70. T. Smollett, M. D.

Creator:: Print made by John Dean, 1754–1798
Date:: undated
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 5 1/2 × 3 3/4 inches (13.9 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

71. William Shenstone, Esq.

Creator:: Print made by John Hall, 1739–1797
Date:: 1780
Materials & Techniques:: Line engraving and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/16 × 3 3/8 inches (16.1 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

72. James Harris

Creator:: Print made by James Basire, 1730–1802
Date:: after 1776
Materials & Techniques:: Etching and line engraving on medium, moderately textured, cream wove paper, laid in mount
Dimensions:: Sheet: 6 7/16 × 4 1/8 inches (16.4 × 10.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

73. Shakespeare in His Study

Creator:: James Faed Sr., 1821–1911
Date:: 1859
Materials & Techniques:: Mezzotint, stipple engraving, etching, and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 5/8 x 18 1/8 inches (62.6 x 46.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Thomas Cranmer

Creator:: Pieter S. van der Gunst, 1659–c. 1724
Date:: undated
Materials & Techniques:: Line engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 7 5/16 inches (30.3 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Earl of Mansfield

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Stipple engraving and line engraving on silk, mounted on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 21 1/16 x 15 9/16 inches (53.5 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Jonathan Shipley, Bishop of St. Asaph

Creator:: Thomas Trotter, ca. 1750–1803
Date:: 1792
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 6 3/8 inches (22.5 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Isaac Watts

Creator:: Simon François Ravenet, 1706–1774
Date:: undated
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 6 11/16 inches (23.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Inigo Iones

Creator:: Print made by Robert van Voerst, 1597–1636
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 1/2 × 10 3/16 inches (39.4 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Ferdinandus Austriacus

Creator:: Print made by Pieter de Jode II, ca. 1606–1674
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 7/16 × 11 inches (36.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Petrus Paulus Rubbens

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 1/4 × 11 1/16 inches (36.2 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Cæsar Alexander Scaglia

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 15/16 × 11 1/16 inches (37.9 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Satyrs

Creator:: Stephen Frederick Gooden, 1892–1955
Date:: 1937
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 10 3/16 inches (32.2 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

83. Robert Devereux, second Earl of Essex

Creator:: unknown artist
Date:: between 1616 and 1621
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper, laid on mount
Dimensions:: Sheet: 7 1/16 × 4 7/16 inches (18 × 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

84. Henry VIII

Creator:: Attributed to Renold Elstrack, 1570–1625(?)
Date:: 1618 or 1628
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 9/16 x 7 1/16 inches (26.9 x 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

85. Edward III

Creator:: Print made by Renold Elstrack, 1570–1625(?)
Date:: 1618
Materials & Techniques:: Line engraving on medium, slightly textured, beige laid paper, laid on mount
Dimensions:: Sheet: 7 3/16 × 4 1/2 inches (18.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

86. Henry IV

Creator:: Attributed to Renold Elstrack, 1570–1625(?)
Date:: 1618 or 1628
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper, laid on mount
Dimensions:: Sheet: 6 7/8 x 4 1/2 inches (17.5 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

87. Henry VI

Creator:: Renold Elstrack, 1570–1625(?)
Date:: 1618 or 1628
Materials & Techniques:: Line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/16 × 4 1/2 inches (17.9 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

88. Edward IV

Creator:: Renold Elstrack, 1570–1625(?)
Date:: 1618 or 1628
Materials & Techniques:: Line engraving on medium, slightly textured, beige laid paper, laid on mount
Dimensions:: Sheet: 7 5/16 × 4 9/16 inches (18.5 × 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

89. Henry V

Creator:: Renold Elstrack, 1570–1625(?)
Date:: 1618 or 1628
Materials & Techniques:: Line engraving on medium, slightly textured, beige laid paper, laid on mount
Dimensions:: Sheet: 6 3/4 × 4 5/16 inches (17.1 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

90. Henry VII

Creator:: Attributed to Renold Elstrack, 1570–1625(?)
Date:: 1618 or 1628
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 4 1/2 inches (17.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

91. Edward IV

Creator:: Renold Elstrack, 1570–1625(?)
Date:: 1618 or 1628
Materials & Techniques:: Line engraving on medium, slightly textured, beige laid paper (page in book), laid on mount
Dimensions:: Sheet: 7 3/8 x 4 13/16 inches (18.8 x 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

92. Henry III

Creator:: Renold Elstrack, 1570–1625(?)
Date:: 1618 or 1628
Materials & Techniques:: Line engraving on medium, slightly textured, beige laid paper, laid on mount
Dimensions:: Sheet: 7 1/16 × 4 7/16 inches (18 × 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

93. Henry VII

Creator:: Attributed to Renold Elstrack, 1570–1625(?)
Date:: 1618 or 1628
Materials & Techniques:: Line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 x 5 5/8 inches (21.2 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

94. Henry VII

Creator:: William Marshall, fl. 1617–1649
Date:: after 1618
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 5 7/8 inches (22.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

95. Robert Carr, Earl of Somerset, with His Countess, Frances Howard

Creator:: Renold Elstrack, 1570–1625(?)
Date:: ca. 1615
Materials & Techniques:: Line engraving on medium, smooth, cream laid paper, pasted on mount, laid on additional larger mount
Dimensions:: Sheet: 7 1/2 × 5 9/16 inches (19.1 × 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

96. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Leicester Abbey, Leicestershire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1834
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Thomas Sutton

Creator:: Renold Elstrack, 1570–1625(?)
Date:: between 1616 and 1621
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 6 inches (22.8 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Hay Whitney

99. Van Son

Creator:: Alexander Bannerman, ca. 1730–1780
Date:: 1762
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 9 inches (29.8 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Robert van Voerst

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: 1771
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques line engraving

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1. Plate VIII, Human Body, Posterior View

2. Hogarth Painting the Comic Muse

3. 'Oft bursts my song beyond the bounds of life' (Page 16)

4. 'Like that, the dial speaks; and points to thee' (Page 33)

5. 'As if the sun could envy, check'd his beam' (Page 49)

6. 'Measuring his motions by revolving spheres' (Page 26)

7. 'Teaching, we learn; and giving, we retain' (Page 35)

8. 'This King of Terrors is the Prince of Peace' (Page 63)

9. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

10. 'The Sun beheld it – No, the shocking scene' (Page 75)

11. 'The thunder, if in that the Almighty dwells' (Page 80)

12. 'His hand the good man fastens on the skies' (Page 86)

13. 'If angels tremble, 'tis at such a sight' (Page 93)

14. 'We censure nature for a span too short' (Page 23)

15. 'Time, in advance, behind him hides his wings' (Page 24)

16. 'Emblem of that which shall awake the dead' (Page 19)

17. Rev. John Caspar Lavater

18. Édouard Colbert, Marquis de Villacerf

19. A View of the Chapel and Hall of Oriel College, &c.

20. St. Julienne's Chapel

21. Chepstow

22. Rochester

23. Bridgenorth

24. Birmingham

25. Westminster Bridge

26. Ely

27. Hampton Court Palace, Herefordshire

28. Worcester

29. Bath

30. Northampton

31. Freshwater Bay

32. Alum Bay and the Needles

33. Alum Bay, Isle of Wight

34. Alum Bay and the Needles

35. Alum Bay and the Needles

36. A View of Worcester College &c.

37. A View of Worcester College &c.

38. View of Oxford from the South Side of Heddington Hill

39. Christ Church from the Meadows

40. Winchester Cross

41. Matlock

42. Chester

43. Flint, from Park-Gate

44. Carlisle

45. Elgin Cathedral, Morayshire

46. Wakefield

47. The Tower of London

48. Oxford

49. Chelsea Hospital

50. Flint

51. Cambridge

52. Windsor

53. Inside View of the East End of Merton College Chapel

54. View of Exeter College, All Saints Church, &c. from the Turl

55. View of Oxford from the South Side of Heddington Hill

56. Part of Balliol College Quadrangle

57. View of the Chapel and Hall of Oriel College

58. Winchester Cross

59. South West View of Dunster Castle, Somersetshire

60. The Ruins of the College of Lincluden

61. Sunshine of Love

62. Moon-Light

63. Moon-Light

64. A Macarony at a Sale of Pictures

65. A Ladies Maid Purchasing a Leek

66. Morning

67. William Dodd, L. L. D.

68. David Hume

69. David Garrick, Esq.

70. T. Smollett, M. D.

71. William Shenstone, Esq.

72. James Harris

73. Shakespeare in His Study