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Materials & Techniques line engraving

Height [cm] 45

Image Use Free to Use

William Hogarth Strolling Actresses Dressing in a Barn

Print made by William Hogarth, 1697–1764

Strolling Actresses Dressing in a Barn

1738

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Edward Francis Finden Cologne

Print made by Edward Francis Finden, 1791–1857

Cologne

1832-1834

W. R. Smith Hospice of the Great St. Bernard II (The Dead-House)

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard II (The Dead-House)

1829

William Woollett Celadon and Amelia

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

William Bernard Cooke Neptune's Trident

Print made by William Bernard Cooke, 1778–1855

Neptune's Trident

1824 to 1825

Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

William Woollett Dido and Aeneas

William Woollett, 1735–1785

Dido and Aeneas

1787

Samuel Middiman Shakespeare's Winter Tale Act III Scene III

Samuel Middiman, ca. 1750–1831

Shakespeare's Winter Tale Act III Scene III

1794

William Woollett The Fishery

Print made by William Woollett, 1735–1785

The Fishery

1768

William Woollett Celadon and Amelia

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

Pierre Charles Canot The Great Bridge over the Taafe

Pierre Charles Canot, ca. 1710–1777

The Great Bridge over the Taafe

1775

William Woollett Solitude

Print made by William Woollett, 1735–1785

Solitude

1778

William Byrne Carnarvon Castle

William Byrne, 1743–1805

Carnarvon Castle

1775

George Cooke Part of Waterloo Bridge with the Shot Tower, &c.

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

James Sharples The Forge

Print made by James Sharples, 1825–1892

The Forge

1859

Robert Pollard His Majesty Reviewing His Troops on Black Heath

Print made by Robert Pollard, 1755–1838

His Majesty Reviewing His Troops on Black Heath

1797

Edward Rooker The Summit of Cader Idris Mountain

Edward Rooker, 1724–1774

The Summit of Cader Idris Mountain

1775

William Woollett Meleager and Atalanta

Print made by William Woollett, 1735–1785

Meleager and Atalanta

1779

James Mason Pembroke Town and Castle

James Mason, 1710–1783

Pembroke Town and Castle

1775

William Woollett Ceyx and Alcyone

William Woollett, 1735–1785

Ceyx and Alcyone

1769

Gerard van der Gucht The Cape of Good Hope

Print made by Gerard van der Gucht, 1696–1776

The Cape of Good Hope

1736

Edward Goodall Venice

Print made by Edward Goodall, 1795–1870

Venice

1830

Edward Goodall Venice

Print made by Edward Goodall, 1795–1870

Venice

1830

John Henry Robinson The Death of Raphael

Print made by John Henry Robinson, 1796–1871

The Death of Raphael

1830

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Edward Goodall St. Anne's Hill, No. I

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Edward Goodall Marengo

Print made by Edward Goodall, 1795–1870

Marengo

1830

Edward Goodall Cologne on the Rhine

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

John Pye Ehrenbreitstein, During the Demolition of the Fortress in 1817

Print made by John Pye, 1782–1874

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1828

Samuel Cousins Julia, Lady Peel

Print made by Samuel Cousins, 1801–1887

Julia, Lady Peel

1832

Edward Goodall Lake of Como, I

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

John Pye Temples of Paestum

Print made by John Pye, 1782–1874

Temples of Paestum

1830

Daniel Allen Cristina

Print made by Daniel Allen, active 1830s

Cristina

1830

Edward Alfred Goodall A Tomb

Edward Alfred Goodall, 1819–1908

A Tomb

1830

Daniel Allen Buondelmonte

Print made by Daniel Allen, active 1830s

Buondelmonte

1830

William Finden The Pilgrim's Return

Print made by William Finden, 1787–1852

The Pilgrim's Return

1830

John Henry Robinson The Tarentella

Print made by John Henry Robinson, 1796–1871

The Tarentella

1830

Edward Goodall A Tempest – Voyage of Columbus

Print made by Edward Goodall, 1795–1870

A Tempest – Voyage of Columbus

1834

William Finden The Sailor

William Finden, 1787–1852

The Sailor

1834

James Henry Watt St. Cecilia

James Henry Watt, 1799–1867

St. Cecilia

1834

W. R. Smith Hannibal Passing the Alps

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Frederick Christian Lewis the Elder Giovanni and Garcia De' Medici

Print made by Frederick Christian Lewis the Elder, 1779–1856

Giovanni and Garcia De' Medici

1830

Daniel Allen Funeral of a Doge in St. Mark's Place

Print made by Daniel Allen, active 1830s

Funeral of a Doge in St. Mark's Place

1830

Daniel Allen A Grecian Drinking Cup

Print made by Daniel Allen, active 1830s

A Grecian Drinking Cup

1830

Daniel Allen An Etruscan Vase

Print made by Daniel Allen, active 1830s

An Etruscan Vase

1830

Robert Wallis Tornaro

Print made by Robert Wallis, 1794–1878

Tornaro

1834

Edward Goodall St. Pierre's Cottage

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Edward Goodall St. Julienne's Chapel

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Jan van de Velde IV Oliver Cromwell, P.R.O.C.

Print made by Jan van de Velde IV, ca. 1620–1686

Oliver Cromwell, P.R.O.C

ca. 1655

Edward Rooker Perspective View of the Bridge at Sion

Edward Rooker, 1724–1774

Perspective View of the Bridge at Sion

1768

Thomas Vivares Design of a Ruineous Bridge for the Garden at Sion

Thomas Vivares, c.1735–c.1790

Design of a Ruineous Bridge for the Garden at Sion

1778

James Parker Henry Addington, 1st Viscount Sidmouth

James Parker, 1750–1805

Henry Addington, 1st Viscount Sidmouth

1803

Francesco Bartolozzi Venus Attired By The Graces

Francesco Bartolozzi, 1728–1815

Venus Attired By The Graces

1784

Leopold Flameng Grolier with the Printer Aldus Manutius

Print made by Leopold Flameng, 1831–1911

Grolier with the Printer Aldus Manutius

1882

William Skelton The Right Honourable Spencer Perceval

William Skelton, 1763–1848

The Right Honourable Spencer Perceval

1813

George Vertue The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots

after George Vertue, 1684–1756

The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots

1738