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William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake The Baffled Devils Fighting (Plate 3)
Print made by William Blake, 1757–1827
The Baffled Devils Fighting (Plate 3)
1827
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Bernard Cooke Battle Abbey, The spot where Harold Fell
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
William Bernard Cooke The Vale of Ashburnham
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1819
William Miller Straits of Dover
Print made by William Miller, 1796–1882
Straits of Dover
1828
William Miller Great Yarmouth, Norfolk
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1829
William Bernard Cooke Battle Abbey, The Spot where Harold Fell
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The Spot where Harold Fell
1819
William Bernard Cooke Brightling Observatory
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
George Cooke The Roman Forum, from the Tower of the Capitol
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
W. R. Smith Longships Lighthouse, Lands End
Print made by W. R. Smith, active 1819–1851
Longships Lighthouse, Lands End
1836
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
Robert Wallis William Tell's Chapel
Print made by Robert Wallis, 1794–1878
William Tell's Chapel
1830
William Miller Pont-Neuf, Paris
Print made by William Miller, 1796–1882
Pont-Neuf, Paris
1835
W. R. Smith Heriot's Hospital
Print made by W. R. Smith, active 1819–1851
Heriot's Hospital
1822
John Landseer Orchard Bay
Print made by John Landseer, 1769–1852
Orchard Bay
1799
John Landseer Orchard Bay
Print made by John Landseer, 1769–1852
Orchard Bay
1799
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
Charles Rolls The Brides of Venice
Print made by Charles Rolls, 1800–active 1830
The Brides of Venice
1830
Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
Print made by Francesco Bartolozzi, 1728–1815
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
1785
William Bernard Cooke St. Michael's Mount, Cornwall
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
William Bernard Cooke The Observatory at Rosehill, Sussex
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
William Bernard Cooke Crowhurst, Sussex
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
William Bernard Cooke The Vale of Ashburnham
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
William Bernard Cooke Crowhurst, Sussex
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
William Bernard Cooke Vale of Heathfield, Sussex
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1818
William Bernard Cooke Bodiham Castle, Sussex
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
George Cooke The Roman Forum, from the Tower of the Capitol
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
John Byrne Rome from Monte Mario
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
John Landseer Alum Bay, Isle of Wight
Print made by John Landseer, 1769–1852
Alum Bay, Isle of Wight
1799
William Bernard Cooke The Spot where Harold Fell
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
William Bernard Cooke The Observatory at Rosehill, Sussex
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
John Landseer Alum Bay and the Needles
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
John Landseer Alum Bay and the Needles
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
William Bernard Cooke Dartmoor; Source of the Tamar and the Torridge
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
George Cooke The Roman Forum, from the Tower of the Capitol
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
George Cooke The Roman Forum, from the Tower of the Capitol
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
George Cooke Naples, from the Mole
Print made by George Cooke, 1781–1834
Naples, from the Mole
1820
William Bernard Cooke The Observatory at Rosehill, Sussex
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
George Cooke Lulworth Castle, Dorsetshire
Print made by George Cooke, 1781–1834
Lulworth Castle, Dorsetshire
1820
W. R. Smith Longships Lighthouse, Lands End
Print made by W. R. Smith, active 1819–1851
Longships Lighthouse, Lands End
1836
W. R. Smith Beaumaris, Isle of Anglesea
Print made by W. R. Smith, active 1819–1851
Beaumaris, Isle of Anglesea
1836
Thomas Jeavons Lyme Regis, Norfolk
Print made by Thomas Jeavons, ca. 1800–1867
Lyme Regis, Norfolk
1836
W. R. Smith Harlech Castle, North Wales
Print made by W. R. Smith, active 1819–1851
Harlech Castle, North Wales
1836
Thomas Jeavons Lyme Regis, Norfolk
Print made by Thomas Jeavons, ca. 1800–1867
Lyme Regis, Norfolk
1836
W. R. Smith Whitehaven, Cumberland
Print made by W. R. Smith, active 1819–1851
Whitehaven, Cumberland
1837
W. R. Smith Whitehaven, Cumberland
Print made by W. R. Smith, active 1819–1851
Whitehaven, Cumberland
1837
James Baylis Allen Castle Upnor, on the River Medway
Print made by James Baylis Allen, 1803–1876
Castle Upnor, on the River Medway
1833
Thomas Jeavons Kidwelly Castle, South Wales
Print made by Thomas Jeavons, ca. 1800–1867
Kidwelly Castle, South Wales
1837
Thomas Jeavons Worcester, Worcestershire
Print made by Thomas Jeavons, ca. 1800–1867
Worcester, Worcestershire
1836
W. R. Smith Harlech Castle, North Wales
Print made by W. R. Smith, active 1819–1851
Harlech Castle, North Wales
1836
W. R. Smith Lowestoffe, Suffolk
Print made by W. R. Smith, active 1819–1851
Lowestoffe, Suffolk
1837
Wenceslaus Hollar Palatium Regis Prope Londinum, Vulgo Whitehall
Wenceslaus Hollar, 1607–1677
Palatium Regis Prope Londinum, Vulgo Whitehall
ca. 1647